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Stagg, Hilary - Sweet Return CD Cover Art
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Hilary Stagg Sweet Return CD

 Hilary Stagg Discography of CDs
4 stars (1 Customer Review)

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 Our Price: $10.63    CD
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Live Recording

Recording information: Benaji Studio, Laguna Beach, CA.

Photographer: Susan Schelling.

Arrangers: Hilary Stagg; Steve Wood .

Personnel: Hilary Stagg (electric harp); Carolyn Miller, Sherri Stone, Beth Fitchet Wood (vocals); Dennis "Cannonball" Caplinger (guitar, fiddle); Richard Hardy (alto flute, wooden flute, pennywhistle); Steve Wood (keyboards); Kevin Ricard (percussion).

Audio Mixer: Steve Wood .

Sweet Return Music


Detailed Sweet Return Music Information



List Price $17.98 (You save $7.35)
Category Rock/Pop Albums, Jazz CDs, New Age, Harp
Label Real Music
Orig Year 1997
All Time Sales Rank   44436  
CD Universe Part number 1060837
Catalog number 861818
Discs 1
Release Date Aug 12, 1997
Studio/Live Studio
Mono/Stereo Stereo
Producer Hilary Stagg; Steve Wood
Engineer Steve Wood
Recording Time 52 minutes
Personnel Kevin Ricard - percussion
Richard Hardy - alto flute, wooden flute, pennywhistle
Hilary Stagg - electric harp
Steve Wood - keyboards
Steve Wood - keyboards
Carolyn Miller
Beth Fitchet Wood - vocals
Dennis "Cannonball" Caplinger - guitar, fiddle
Sherri Stone
Hilary Stagg Sweet Return Songs


Hilary Stagg Sweet Return Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Sweet Return
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Reflections of Love
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Thinking of You
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Forever and a Day
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Homeward Bound
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.New Terrain
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Simply Beautiful
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Evening Song
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Pleasant Dreams

Sweet Return Music Review


Customer Sweet Return Reviews 




Average Rating: (4 out of 5 stars) 4 stars

4 stars BEAUTIFUL!
This is a beautiful and heavenly CD. I'm so sad to hear that Hilary is no longer with us. A great loss - what a gifted artist he was.
Submitted by a reviewer (Salt Lake City, UT, USA) Verified Buyer
Was This Review Helpful? Yes No

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Using his customized acoustic-electric harp, Stagg's Feather Light style is complemented by judicious use of additional instruments, from the bluesy slide guitar of the opening cut, to violin, dobro, and synthesizer. For the most part these instruments appear separately on different cuts but ...
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By 1991's Dream Spiral, electric harpist Hilary Stagg had refined the composition skills that had somewhat lagged behind the inspired playing of his initial releases. Joined by tasteful dips of synthesizer, understated percussion and bass, acoustic guitar, and violin, Stagg presents eight of his strongest pieces yet. "Spirit Dances" matches his harp to the violin's mournful sway, as a moody background synthesizer suggests rings on the surface of a secluded pond. Stagg is best with spare arrangements, where his harp can guide the melody over lightly textured supporting instrumentation. "Heaven on Earth" and "Land of Oz" illustrate this perfectly; the latter cut is especially effective, somehow finding a way to evoke an earthy, Latin feel while suggesting the space cloud grandeur of the ...
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Hilary Stagg's Edge of Forever tones down the supporting instrumentation that colored 1991's Dream Spiral, accenting his trademark electric harp sound with understated keyboards and the occasional flute. It's a typically soothing set, withStagg's harp evoking images of the concentric rings of a water droplet, or a slow-motion sky ride through a bank of cumulus clouds. The lilting melody of "Inspirations" intertwines flute with harp, while the 11-minute epic "Forever" drifts on the breeze of a melody awash with synthesizer accompaniment. There's a samey quality here that Dream Spiral largely avoided; indeed, "Prelude ...
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Ashiklar, Those Who Are in Love is an album with a story behind it which is as interesting as the music it presents. The audio document of a film project by David Grabias, it is a series of recordings of the Ashiks, a dying society of ecstatic poets and musicians who were part of a Shi'a Sufi sect called the Alevis. Persecuted by the Ottomans 100 years ago and by fundamentalist Muslims today, the Alevis are also threatened by the transition of the Turkish economy and population centers away from the villages and into cities. The old-time Ashiks were travelling bards of sorts, supported by donations and tips from the communities that they visited, where they would perform in homes and festivals and in small religious ceremonies. Their songs focused on spiritual and devotional themes, and later, when they began to be persecuted, the music took on protest and political themes. The music captured on this album has elements of all of these themes and documents the last few Ashiks in existence. Accompanied by the saz, a traditional Turkish lute-like instrument, the singers chant and sing relatively simple melodies with reverent tones. Soothing and hypnotic, it provides both a pleasant listening experience and a window into a vanishing culture. ~ Stacia Proefrock Soundtrack of documentary film by David GrabiasAlbum Comments:On a warm afternoon, ...
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Alto saxophonist Steve Slagle, one of New York's underrated veterans, pays tribute to his home city with this engaging record. Joining him are guitarist Dave Stryker, bassist Cameron Brown, and drummer Gene Jackson. Slagle's good friend Joe Lovano appears on Monk's fiercely swinging "Thelonious," the spirited, Latin-tinged "Blackwell's Manhattan" (dedicated to the late drummer Ed Blackwell), and a free bop piece titled "Loftology" -- Slagle's tip of the hat to the loft scene of the '60s and '70s. There are two ballads: "What Comes Around Goes Around," which features vibraphone master Joe Locke, and "Mañha de Hudson," a beautiful, more modern piece featuring Slagle's alto flute and Stryker's acoustic guitar. On the other end of the mood spectrum, Stryker's slide guitar solo on the slow, swaggering "Bowery Blues" is remarkable, not least for its sheer unexpectedness -- you just don't hear slide guitar on jazz records. Wrapping up the album are Stryker's Latin/hard bop tune "Complicity" (again featuring Joe Locke), a swinging soprano sax feature titled "St. Mark's Shuffle," and a full-quartet reprise of the Scofield-like, funky title track, which opened the album first as a trio piece (apparently because Stryker got caught in traffic on the way to the recording session). As a short coda, Slagle and bassist Brown take a breezy duo stroll through Mingus's "Nostalgia in Times Square." Much like Lovano, Slagle is immersed in the tradition but looking for ways to broaden it, drawing deeply from the legacies of Charlie Parker and Ornette Coleman in equal measure. The varied tunes on New New York bear out these stylistic commitments, resulting in a fine jazz portrait of New York by one of the city's own hidden treasures. ~ David R. ...
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