| | 2002 River Of Stars CD 2002 Discography of CDs
 (3 Customer Reviews)
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Our Price: $13.45  CDFor Sale Usually ships in 1-2 days
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If there was ever a recording created for placement on the syndicated Musical Starstreams space music show, this galaxy of pretty but meandering rays of light is it. The jacket photo shows husband and wife team Pamela and Randy Copus with harp and acoustic guitar, but there are other softhearted sounds at work here creating the celestial tapestry as well. The title track blends grand piano eloquence with guitar, flute, and harp along with rushes of breathy, angelic voices. "Stella Maris" features the flute weaving around playful synth footprints and percussion effect, and tunes like "First Daughter of the Moon" feature machine generated orchestral swells. The main connecting threads are the heavy atmosphere and ambience that serve to create pure relaxation even as the songs hope to prompt skyward imaginations. Many passages are quite beautiful, and it's nice when new age artists can restrain themselves to under five and six minutes per tune. But like most projects of this nature, a little goes a long way. ~ Jonathan Widran
Illustrator: Rip Kastaris.
2002: Pamela & Randy Copus.
Recording information: Sonic Media Inc.
5th Rel
2002 River Of Stars Songs | 1. | River of Stars |
| 2. | Elysian Fields |
| 3. | Stella Maris |
| 4. | First Daughter of the Moon |
| 5. | Starwalkers |
| 6. | Heaven and Earth |
| 7. | Lover's Bridge |
| 8. | Dreaming Tree, The |
| 9. | Tanabata Moon |
| 10. | Rays of Light |
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River Of Stars Music Review Purchase River Of Stars CD To buy, Click on price to add to cart | 2002 Chrysalis CD (1997)
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| | 2002 Across An Ocean Of Dreams CD (2002)
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Finally, Pamela and Randy Copus release an album in the year they named their group after. Favorites on Billboard's new age chart, they go deep-sea diving on this sweeping, often majestic musical ...
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| | 2002 Sacred Well CD (2002)
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| | Freddie Hubbard Blues For Miles CD (1992)
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BLUES FOR MILES was originally released by the Japanese label Alfa in 1992. It was first released in the U.S. in 1996.
This 1992 Alfa recording, re-released in '96 on Evidence, is the unlikely but inevitable collision of two great jazz talents. Freddie Hubbard and Miles Davis are surely two different kinds of trumpet players. Miles (who died just before this session) was a slow, cool, serpentine player, whereas Hubbard's sound is brassy and explosive-a ...
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Digitally remastered by Erick Labson (Universal Mastering Studios West, North Hollywood, ...
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| | Archie Adrianne He That Hath An Ear, Let Him Hear CD (2006)
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Adrianne Archie-12/18/1980/Louisville, KY/Soul LinQ Productions"He That Hath an Ear, Let Him Hear" (HTHAELHH), a reference to Revelations 2:29, and 3:22, is a fitting title for Adrianne Archie's debut album. Gone is the responsibility of the artist to shape her sound to fit the homogenized group called "audience." Simply put, those who have spiritual ears will hear what the spirit says. Moreover, those who have musical ears will find the messenger so, so easy to love. HTHAELHH is a genius musical revision of church service, in groove mode! (Can you say "The Roots?") The first interlude is a welcome song, which evokes the hugging and handshaking that occurs during black church fellowship. The album also includes devotionals that can be called anything but standard, and songs that pack the power of sermons. The album even ends with an invitation to salvation, in which Archie sings, "Why not take a chance? A chance on love?" What is a church service without testimonial? "Always on Time," easily one of the most beautifully crafted songs on the album, is Archie's personal testimony about her miraculous recovery from spinal degeneration. In it, Archie adds a witness's whisper to a Dr. Dre-esque beat. "Always on Time" is just one example of the combination of Afro-Christian adages with other musical influences. Herein lies Archie's genius. In songs like "It is Well," (preceded by Joel L. Goodwin's masterful keyboarding of the original song), "What a Fellowship," and "Saints Go Marching In" (a reprise to "Way Home"), Archie remixes the songs of her foremothers and fathers fiercely, bringing her generation's voice to the church service. These songs, laced with the wisdom and hope of a people forced to endure, are Archie's birthright. HTHAELHH pays tribute to the deacons and mothers of the church who sang their songs from the deepest pit of their bellies, armed with little more than a tambourine and the stomping of their work-worn feet. Still, Archie is much more than a revisionist. Songs like "Way We Praise," "Aingonlechugo," and "You Never Change" illustrate her originality, her ability to interpret proverbs with a fresh sound. Remix or original, none of these songs would work without Archie's crisp delivery, her incredible range, her willingness to dilute her strong alto to a hush for effect, or her experimentation with rhythm and chant. Words alone can't explain the other sounds-the climbing up the musical scale, the twisting and turning of notes until they are something new altogether, the runs that seem infinite, the notes that start in the diaphragm and dance somewhere between a field holler and a grandmother's hum, the quiet notes sang in a clear falsetto ...
| | Donna Fant Scotty's Dream-Children's Book & Song On CD CD (2006)
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SCOTTY'S DREAM--THE BOOK AND THE SONG "Scotty's Dream" is a first for me. I'm principly a songwriter and I've done that successfully for many years. I've had songs recorded by many artists in Europe and the USA. So it was a pleasant surprise to find myself writing a children's Christmas story. Then of course, as a songwriter I had to put the story to music."Scotty's Dream", is not just a story ...
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