| | Rachmaninoff: The Three Symphonies / Slatkin, St Louis Sym CD Rachmaninoff CDS
Rachmaninoff: The Three Symphonies / Slatkin, St Louis Sym Music | List Price | $10.98 (You save $2.43) | | Label | Vox | | Orig Year | 11/4/1992 | | All Time Sales Rank |  26036  | | CD Universe Part number | 1062121 | | Catalog number | 5034 | | Discs | 2 | | Release Date | Nov 04, 1992 | | Recording Time | 2 23 |
Rachmaninoff: The Three Symphonies / Slatkin, St Louis Sym Review
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Rachmaninoff: The Three Symphonies / Slatkin, St Louis Sym Music Composers on Rachmaninoff: The Three Symphonies / Slatkin, St Louis Sym CD : Sergei Rachmaninov Conductors on Rachmaninoff: The Three Symphonies / Slatkin, St Louis Sym CD : Leonard Slatkin Purchase Rachmaninoff: The Three Symphonies / Slatkin, St Louis Sym To buy, Click on price to add to cart | Art Pepper Landscape CD (1979)
Rachmaninoff: The Three Symphonies / Slatkin, St Louis Sym
 $9.85 
Recorded live at Shiba Chokin Hall, Tokyo, Japan on July 16 & 23, 1979.
All tracks have been digitally remastered using XRCD technology.
Altoist Art Pepper was in inspired form during this Tokyo concert, which has also been reissued as part of a huge "complete" Galaxy box set. This particular single CD features Pepper (along with pianist George Cables, bassist Tony Dumas, and drummer Billy Higgins) on memorable versions of "True Blues," "Sometime" (during which Pepper switches to clarinet), "Landscape," "Avalon," "Over the Rainbow," "Straight Life," and the CD bonus cut "Mambo de la Pinta." Throughout, Pepper's intensity and go-for-broke style are exhilarating. ~ Scott Yanow
Originally released on Galaxy (5128).
Recorded at Shiba Yubin Chokin Hall, Tokyo, Japan on July 16 & 23, 1979.
Personnel: Art Pepper (alto ...
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Rachmaninoff: The Three Symphonies / Slatkin, St Louis Sym
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Rachmaninoff: The Three Symphonies / Slatkin, St Louis Sym
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Rachmaninoff: The Three Symphonies / Slatkin, St Louis Sym
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When rock & roll and Motown ruled the airwaves in the 1960s, jazz singer Nancy Wilson was nonetheless able to maintain her popularity. Wilson's bright but cozy delivery is equally effective on uptempo swingers, mellow ballads, and pop and R&B numbers. A live set recorded in 1965, SHOW finds Wilson accompanied by a large band and confidently presiding over a program of jazz and pop standards such as "Don't Talk, Just Sing" and "I'm Beginning To See The Light."
Personnel: Fred Haller, Bob Davis (clarinet, alto saxophone); Butch Stone (bass clarinet, baritone saxophone); John Newsome, Abe Aaron (tenor saxophone); Jules Vogel, Mickey MacMahon, Don Smith , Bob Clark (trumpet); ...
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Rachmaninoff: The Three Symphonies / Slatkin, St Louis Sym
$13.19
The use of the title Soul, which, the liner notes pointed out, had "recently become one of the most frequently-used nouns and adjectives in the world of popular music," suggested that Lena Horne might be belting out emotionally in the Motown style of the Supremes and Martha and the Vandellas on her third United Artists Records LP. That wasn't the case, of course, but the title did mean to alert potential customers that Horne would be tackling contemporary material in contemporary arrangements. With Ray Ellis at the podium and a 48-year-old singer steeped in Hollywood and nightclub traditions at the microphone, however, things could only get so trendy. Nevertheless, Horne dutifully tried on newly written material such as "Wonder What I'm Gonna Do," which put her in Dionne Warwick/Dusty Springfield territory, and "Love Bug," a peppy Don Covay-written attempt at the pop and R&B charts (both songs were issued on a single that had no commercial impact). And she cut such 1965 hits as "What the World Needs Now Is Love," "Unchained Melody," and "A Taste of Honey" in her own style. Perhaps most curiously to future ears, she led things off with Ellis and Al Stillman's "I Got a Worried Man," an adaptation of the folk song "A Worried Man" with a riff that sounded a lot like the theme from the TV series Hawaii Five-O -- except that Mort Stevens' theme music wouldn't have its first broadcast for another two years! Though Horne handled all this material with her usual fervor, much of it was not suited to her and none of it really had much hope of making a commercial impact. After a Christmas collection closed out her United Artists contract later in 1966, she didn't record again for three years. ~ William Ruhlmann
The use of the title Soul, which, the liner notes of the original 1966 release pointed out, had "recently become one of the most frequently-used nouns and adjectives in the world of popular music," suggested that Lena Horne might be belting out emotionally ...
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Rachmaninoff: The Three Symphonies / Slatkin, St Louis Sym
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One of the longest-lived jazz bands in history is the Keith Jarrett Trio, often referred to as Jarrett's Standards trio. Pianist Jarrett, bassist Gary Peacock, and drummer Jack DeJohnette have a musical empathy that can only emerge from a group with a 25-year history (or further since both Peacock and DeJohnette have played with pianist Bill Evans). YESTERDAYS finds the big three going to town on classic bebop ("Shaw'nuff") and classic balladry ("You've Changed," "Stella By Starlight"), proving once again that done-to-death standards can be given a new lease on life. Everyone is at the top of their game, especially Peacock, whose nimble bass gets a little more-than-usual space here.
Recording information: Metropolitan Festival Hall, Tokyo, Japan (04/24/2001-04/30/2001); Orchard Hall, Tokyo, ...
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Rachmaninoff: The Three Symphonies / Slatkin, St Louis Sym
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Rachmaninoff: The Three Symphonies / Slatkin, St Louis Sym
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Track Listing of songs: Peace On Earth; Sunsets in the Fall; Renaissance Man; The One; ...
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