| | Dorothy Moore Feel The Love CD Dorothy Moore Discography of CDs
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Our Price: $14.49 CDFor Sale Usually ships in 1-2 days
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Photographer: Tom Joynt.
Personnel: Dorothy Moore (vocals, background vocals); Jimmy Johnson , Duncan Cameron, Bernard Jenkins, Michael Toles (guitar); David Chappell, Jorge Orbon, Debra Spring, Geremy Miller, Phil Tempkins, Stuart MacDonald, John DiPuccio, Deena Osofsky, Roslind Lang (strings); Harrison Calloway, Jim Horn, Mike Haynes , Charles Rose, Denis Solee (horns); Steve Nathan (keyboards, synthesizer); Roger Hawkins (drums, percussion); Jewel Bass, Thomisene Anderson (background vocals).
Recording information: Criteria Recording Studios, Miami, FL; Malaco Studios, Jackson, MS; Muscle Shoals Sound Studios, Sheffield, AL; Terminal Studios, Jackson, MS.
Feel The Love Music | List Price | $18.98 (You save $4.49) | | Category | Rock/Pop Albums, R&B CDs, Rap, Blues, Religion, Pop, Soul/R&B, Contemporary R&B | | Label | Malaco | | Orig Year | 1990 | | All Time Sales Rank | 101941  | | CD Universe Part number | 1062996 | | Catalog number | 7455 | | Discs | 1 | | Release Date | Jul 01, 1991 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Tommy Couch; Wolf Stephenson | | Engineer | Vickie Lancaster; Dennis Hetzendorfer; Steve Melton; Wolf Stephenson | | Recording Time | 45 minutes | | Personnel | Jim Horn Steve Nathan - keyboards, synthesizer Jimmy Johnson Roger Hawkins - drums, percussion Mike Haynes Charles Rose Harrison Calloway Denis Solee - horns Michael Toles - guitar Duncan Cameron
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Dorothy Moore Feel The Love Songs Feel The Love Review
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Purchase Feel The Love CD To buy, Click on price to add to cart | Dorothy Moore Stay Close To Home CD (1992)
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| | Dr Dre Chronic CD (1992)
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$14.65 A great hip-hop album relies on a balance of two components: lyrical skill and correctly-matched production. Often they can be found in conflict, undermining one another; but when an artist masters both techniques, the results can be incredibly rewarding. On his solo debut THE CHRONIC, Dr. Dre not only discovered this balance but took it to the next level, making gangsta funk a multi-platinum commodity and changing the face of rap forever.
Dre (nee Andre Young) began his musical career with the World Class Wreckin' Cru, but came to prominence as one of the founding members of hip-hop's first super-group, N.W.A. By the time of THE CHRONIC's release, he had already returned to the limelight with a slammin' single, "Deep Cover," on which he shared the stage with a previously unknown rapper named Snoop Doggy Dogg. It was Snoop's idiosyncratic flow that lay behind Dre's Funkadelicized G-Funk and powered THE CHRONIC.
Dre is the West Coast's king of hard-core production, but the content of lyrics such as "A Nigga Witta Gun" and "Rat-Tat-Tat-Tat" hit hard enough. Songs such as "Bitches Ain't S**t" also showed that Dre and the rest of his crew could get away with many controversial opinions by simply adding a mean bass line and a hypnotic beat. Yet, "Nuthin' But A `G' Thing" and "Let Me Ride" both used the smooth G appeal to capture not just rap fans, but the pop audience as well. In fact, THE CHRONIC's success demonstrated G-Funk's mass appeal, and paved the way for hip-hop's gangsta (r)evolution.
With its stylish, sonically detailed production, Dr. Dre's 1992 solo debut The Chronic transformed the entire sound of West Coast rap. Here Dre established his patented G-funk sound: fat, blunted Parliament-Funkadelic beats, soulful backing vocals, and live instruments in the rolling basslines and whiny synths. What's impressive is that Dre crafts tighter singles than his inspiration George Clinton -- he's just as effortlessly funky, and he has a better feel for a hook, a knack that improbably landed gangsta rap on the pop charts. But none of The Chronic's legions of imitators were as rich in personality, and that's due in large part to Dre's monumental discovery, Snoop Doggy Dogg. Snoop livens up every track he touches, sometimes just by joining in the chorus -- and if The Chronic has a flaw, it's that his relative absence from the second half slows the momentum. There was nothing in rap quite like Snoop's singsong, lazy drawl (as it's invariably described), and since Dre's true forte is the producer's chair, Snoop is the signature voice. He sounds utterly unaffected by anything, no matter how extreme, which sets the tone for the album's misogyny, homophobia, and violence. The Rodney King riots are unequivocally celebrated, but the war wasn't just on the streets; Dre enlists his numerous guests in feuds with rivals and ex-bandmates. Yet The Chronic is first and foremost a party album, rooted not only in '70s funk and soul, but also that era's blue party comedy, ...
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