| | Benny Carter Groovin' High In Los Angeles 1946 CD - Import Benny Carter Discography of CDs
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Our Price: $14.95  CDFor Sale Usually ships in 1-2 days
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Personnel includes: Benny Carter, The Wilbert Baranco Orchestra, The Gerald Wilson Orchestra, The Jimmy Mundy Orchestra. Groovin' High In Los Angeles 1946 Music Benny Carter Groovin' High In Los Angeles 1946 Songs Groovin' High In Los Angeles 1946 Review
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Buy Groovin' High In Los Angeles 1946 CD Purchase Groovin' High In Los Angeles 1946 CD To buy, Click on price to add to cart | Gennett Rarities Recorded In Birmingham, Alabama & Richmond, Indiana CD (1999)
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| | Everette Harp First Love CD (2009)
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On FIRST LOVE, contemporary jazz saxophonist and composer Everette Harp moves deeper into the space he addressed on 2007's excellent MY INSPIRATION. Produced by George Duke, the meld of acoustic and electric instruments here is perfectly balanced. Melodic and harmonic structures are much more complex and don't always fit the C-jazz cookie-cutter mold. Check his original "The Council of Nicea," one of the most satisfying things here. Harp's tenor is accompanied by James Genus' acoustic bass, and some spot-on breaks by Terri Lyne Carrington, a beautiful bluesy, hard bop trumpet solo by Michael "Patches" Stewart, and Lenny Castro's hand percussion. Directing the band is Duke on Fender Rhodes with help from the exquisite if understated electric guitar work from Dwight Sills. The ballad "Before You Leave" follows suit with Carrington providing elegant brushwork. These are pretty basic straight-ahead numbers. This is not to suggest that there isn't some funky work here, too. Check Duke's "Soul Fries" with Genus on electric bass. The funkiness of the Rhodes is smokin' and the blues factor in Harp's playing with Stewart gets a solid groove going behind a tight, sophisticated arrangement. Duke contributes one more cut to the set, the killer Latin-ized fusion funk of "Departure." It's a midtempo ballad, but its knotty bridges and Genus' electric bass work turn it all inside out. The biggest surprise here, however, is in the beautifully restrained but intensely soulful reading of Coltrane's "Central Park West." Here is the place where Harp's mastery of the tenor horn is on full display with an abundance ...
| | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
Groovin' High In Los Angeles 1946
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth.
Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield trading licks with Johnny Winter...Johnny was signed to Columbia after this gig!). Newly remastered & now with 4 bonus tracks, ...
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Photographer: Milton Montenegro.
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2006 two CD compilation series from the team that brought you the Blue Series, the biggest selling Jazz series ever. These ...
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Before relocating to Vermont in 2002, Dan Skea spent several decades as house pianist in Las Vegas Casino showrooms, including the Sands, Hilton, Sahara and Hacienda. During this time he accompanied numerous headline artists, but his favorites were always those with jazz leanings, such as Joe Williams, Mel Torme, Marlena Shaw and Diahann Carroll. In 1976 he formed the jazz-fusion group Full Circle, which released ...
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