| | Pied Pipers Good Deal Macneal CD Pied Pipers Discography of CDs
Personnel: Allan Reuss (guitar); Heine Beau, Harry Schuchman, Herbie Haymer, Fred Stulce (reeds); Manny Klein, Clyde Hurley, Ray Linn, Zeke Zarchy (trumpet); Hoyt Bohannon, Elmer Smithers, Les Jenkins, Si Zentner (trombone); Milt Raskin (piano); Nick Fatool (drums). Pied Pipers Good Deal Macneal Songs Good Deal Macneal Review
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Purchase Good Deal Macneal CD To buy, Click on price to add to cart | Peggy Lee Complete Recordings 1941-1947 CDs (1999)
Good Deal Macneal
 $15.89  
| | Hello Stranger: The Best Of Barbara Lewis CD (1994)
Good Deal Macneal
$9.09 
| | As Good As It Gets: Country Blues CD (2000)
Good Deal Macneal
$15.59
| | T-Bone Walker Original Source CDs (2002) (Import) Box Set; United Kingdom
Good Deal Macneal
$21.99
| | Aretha Franklin Queen In Waiting: The Columbia Years 1960-65 CDs (2002) Remastered
Good Deal Macneal
$15.95 
| | Very Best Of Sheryl Crow CD (2003)
Good Deal Macneal
$10.39
| | Percy Faith Theme From 'A Summer Place' CD (1994)
Good Deal Macneal
$10.09
| | Bill Evans Time Remembered CD (1963)
Good Deal Macneal
$9.65
| | Mardi Gras Party CD (1995)
Good Deal Macneal
$9.69 
Live Recording
| | Shiner Egg CD (2001)
Good Deal Macneal
$11.45
Shiner: Jason Gerken, Josh Newton, Paul malinowski, Allen Epley.
Personnel: Allen Epley (vocals, guitar, keyboards); Josh Newton (guitar, keyboards); Jason Gerken (drums); Paul Malinowski (background vocals).
Audio Mixers: J. Robbins; Jason Livermore.
Recording information: Matt Talbot's Studio (03/01/2001).
Shiner's The Egg is the sound of a band stretching itself between the opposite poles of melody and complexity, accessibility and nebulousness, and coming up with something entirely original and unheard of in the process. It's a concept album in the best sense of the word: It doesn't have a cheesy central theme per se, like disillusioned robots or mythical dragons, but it feels as if every song fits into one expansive puzzle, like the album already existed, just waiting for its creators to capture it on tape. Kansas City, MO's Shiner has long been at work in the underground rock trenches spreading the word of its angular, math-y post-rock. Since 1993, the band toured the nation tirelessly and put out three acclaimed full-lengths on independent labels, not to mention enduring several lineup changes. The Egg, however, feels like the album they have been waiting to make. For its fourth release, the group has finally solidified to include Allen Epley (vocals, guitar), Paul Malinowski (bass, backing vocals), Jason Gerken (drums), and Josh Newton (guitars, keyboards, noises). The members' talents mesh together so well, it seems impossible that this is their first complete album together. It doesn't hurt that indie super-producer J. Robbins climbed aboard either; his crisp, lucid sound creates a tug of war with Shiner's natural tendencies to go dark and murky. The constant ebb and flow between sonic radiance and shadow permeate the entire disc. The songs themselves bask in an epic splendor, replete with the kind of arrangements that reward repeat listenings. "The Truth About Cows" melds big rock verses with a minor chorus and Gerken's machine gun drumming, while "Surgery" juxtaposes Malinowski's trudging bass thump with swinging guitars and "bop-bop" backing vocals. "Play Dead" is a bouncing pop gem dressed in angular, distorted guitars and inventive, stop-start arrangements. After these three straight-ahead rockers, Shiner jumps off into the deep end with "The Top of the World," ...
| | Archie Shepp Yasmina, A Black Woman CD (1969)
Good Deal Macneal
$16.95
Originally recorded for the French BYG Actuel label on Aug. 12, 1969, this album features tenor saxophonist Archie Shepp meeting up with members of the Chicago avant-garde school, including Art Ensemble of Chicago members Lester Bowie, Roscoe Mitchell an
Personnel includes: Archie Shepp (tenor & soprano saxophones).
Comes with a free CD sampler.
Personnel: Archie Shepp (vocals, tenor saxophone); Archie Shepp (saxophone); Roscoe Mitchell (reeds, baritone saxophone, bass saxophone); Arthur Jones (alto saxophone); Hank Mobley (tenor saxophone); Laurence Devereaux (balafon); Malachi Favors (double bass); Art Taylor (drums); Lester Bowie (trumpet); Clifford Thornton (cornet); Dave Burrell (piano); Sunny Murray (drums, percussion); Philly Joe Jones (drums).
Liner Note Authors: Stan Britt; Philippe Carles.
Recording information: Paris, France (08/12/1969).
Photographer: Jacques Bisceglia.
Unknown Contributor Role: Art Taylor.
Arranger: Archie Shepp.
This fine1969 offering from tenor and soprano saxophonist Archie Shepp finds the artist deep within the progressive, ...
| | Fernando Samalea Fan CD (2004) (Import) Argentina
Good Deal Macneal
$15.75
| | Merle Haggard Going Where The Lonely Go/That's The Way Love Goes CD (2005)
Good Deal Macneal
$13.05
Live Recording
2 LPs on 1 CD: GOING WHERE THE LONELY GO (1982)/THAT'S THE WAY LOVE GOES (1983).
Personnel: Merle Haggard (guitar); Dave Kirby, Grady Martin, Ray Nichols, Reggie Young , Gregg Galbraith (guitar); Red Lane (acoustic guitar); Norm Hamlet (steel guitar); Tiny Moore (mandolin, fiddle); Jim Belken (fiddle); Terry McMillan (harmonica); Don Markham (horns); Bobby Wood (keyboards, background vocals); Mike Leech (electric bass); Dennis Hronek (bass guitar); Mark Yeary, Gene Chrisman, Biff Adam, Kenny Malone (drums); Mary Fielder, Roger Cook, Judy Rodman (background vocals).
Audio Remasterer: Steve Hoffman.
Liner Note Author: Colin Escott.
Recording information: Eleven-Eleven Sound Studio, Nashville, TN; Woodland Sound Studio.
Photographer: Randee Saint Nicholas.
The 1980s weren't kind to Merle Haggard--the decade's air of ersatz optimism and its featherweight pop songs were anathema to his gritty, workingman ballads, while country music's newfound prissy puritan streak signaled the demise of the traditional drinking song that remained his forte. Despite his lack of chart success, however, Haggard's remarkable songwriting abilities are very much in evidence all over this budget-priced twofer--in GOING WHERE THE LONELY GO's title track, in "Why Am I Drinking" (the kind of barroom classic Haggard seemed to be able to write in his sleep), and in the painful honesty of "Half a Man." Though the focused production of THAT'S THE WAY LOVE GOES has the edge, Haggard's world-weary vocals and unerring ear for a turn of phrase make both these albums worthy of attention.
When Merle Haggard entered Britannia Studios in 1981 with producer Lewis Talley, he recorded a boatload of tracks in two days. The first batch ended up on his Epic debut, Big City. The second set of cuts made up the lion's share of his finest moment for the label, in 1982, entitled Going Where the Lonely Go. In fact, all but two songs came from those sessions. For whatever reason, it and the subsequent disc, 1983's fine That's the Way Love Goes, had never been issued on CD before this fabulous two-fer. Haggard wrote over half of Going Where the Lonely Go, the rest comprised of two songs by his then wife, Leona Williams (whom he was splitting with at the time -- hence the overall downer tone of the set); a co-write with Little Jimmy Dickens; Willie Nelson's "Half a Man"; and Jimmy Davis' "Nobody's Darlin' But Mine." But it's Haggard's songs that make this a stellar outing. The title track is a piece of pure country ...
| | Chris Connor Witch Craft CD (2007) (Import) Japan; 24 Bit Remastered
Good Deal Macneal
$22.35
Witchcraft - Import CD
Chris Connor
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