| | Nancy Kelly Singin' & Swingin' CD Nancy Kelly Discography of CDs
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Nancy Kelly has often found herself compared to Dianne Schuur, and the comparison rings true on Singin' and Swingin', a highly arranged CD that has as much to do with pop as it does with jazz. The singer (who has a charming quality to her voice) isn't a hardcore, true-blue improviser, but she does provide some decent scat singing on occasion. Kelly gets into a jazz groove on Duke Pearson's "Jeanine" and Cole Porter's "It's Alright With Me," while her take on Fats Waller's "The Joint Is Jumpin'" isn't unlike the sort of cabaret-influenced jazz Susannah McCorkle would do. But on material ranging from the standard "Young and Foolish" to Chaka Khan's "Through the Fire" and the Captain and Tennille's "Come In From the Rain," you're hearing what is essentially jazzy pop. Although not fantastic and not very challenging, Singin' and Swingin' is a pleasant, if conventional, release that has its moments. ~ Alex Henderson
Personnel: Nancy Kelly (vocals).
Jazz Vocals
JazzTimes (6/99, p.124) - "...Kelly swings a set of standards with sass and class....It's music with a smile!" Nancy Kelly Singin' & Swingin' Songs Singin' & Swingin' Review
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$47.99 Recorded between 1975 and 1982. Includes liner notes by Bill Milkowski.
Digitally remastered by Mark Wilder and Seth Foster (Sony Music Studios, New York, New York).
Comprehensive Japanese collection of this smooth guitar icon contains two additional tracks and popular favourites. 2000, Japanese import.
Sony's third anthology of Return to Forever guitarist Al di Meola's Columbia Records years hits most of the bases and scores extra points by adding four previously unavailable live tracks that account for a whopping 40 minutes of playing time. The double disc features 16 songs from di Meola's seven albums for the label from 1975-1983 and successfully covers highlights from the jazz guitar fusionist's eclectic styles during his early career. Only 22 when his first solo album, Land of the Midnight Sun, was released, di Meola had already cut his teeth for three years with Chick Corea's Return to Forever, and although his style owed a lot to Corea's vision, he had already defined his sound. The guitarist's precise attack, staccato playing, furious speed, and heavily percussive arrangements would serve him well throughout these formative years. Even though he was often criticized for playing too many notes (just listen to the frantic, head-spinning beginning of "Suite: Golden Dawn" from Land of the Midnight Sun), di Meola's more subtle roots in Latin, flamenco, funk, and rock are evident in almost all of his work. He even incorporates strains of the world music that later became the dominant force in his recordings. Although there is evidence of a softer approach, the majority of Anthology concentrates on the hyperactive fret-hopping ability of the young di Meola as he tries to prove he's the fastest guitarist in the world. Even on the acoustic, newly released live tracks from 1978 like the 11-minute "Medley: Short Tales from the Black Forest/Fantasia Suite for Two Guitars," the results are anything but laid-back. Oddly, the disc does not include anything from di Meola's two predominately unplugged trio albums, when he partnered with John McLaughlin and Paco de Lucía for a tremendously successful guitar summit. With three tracks off Tour de Force: Live and another four from concerts ...
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