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Garbage - Garbage CD Cover Art
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Garbage CD

 Garbage Discography of CDs
4.6 stars (7 Customer Reviews)

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Live Recording

Garbage: Shirley Manson (vocals, guitar); Duke Erikson (guitar, keyboards, 4- & 6-string basses); Steve Markes (guitar, bass, samples, loops); Butch Vig (drums, loops, noise, sound effects).
Additional personnel: Les Thimmig (clarinet); Mike Kashou (bass); Clyde Stubblefield (drums); Pauli Ryan (percussion); David Frangioni, Rich Mendelson (programming).
Recorded at Smart Studios, Madison, Wisconsin.
Garbage was nominated for the 1997 Grammy Award for Best New Artist. "Stupid Girl" was nominated for 1997 Grammys for Best Rock Song and Best Rock Performance By A Duo Or Group With Vocal.
Personnel: Shirley Manson (vocals, guitar, sampler); Duke Erikson (guitar, keyboards, 6-string bass); Steve Marker (guitar, loops, sampler); Steve Markes (guitar); Les Thimmig (clarinet); Butch Vig (drums, loops, sampler); Clyde Stubblefield (drums); Pauli Ryan, Paul Ryan (percussion); Richard Mendelson, The Clash, David Frangioni (sampler).
Recording information: Smart Studios, Madison, WI.
Editor: Scott Hull.
Photographers: Stephane Sednaoui; Clifford Lecuyer.
Garbage's self-titled debut has all the trappings of alternative rock -- off-kilter arrangements, occasional bursts of noise, a female singer with a thin, airy voice -- but it comes off as pop, thanks to the glossy production courtesy of drummer Butch Vig. Not only is the sound of the record slick and professional, but all the songs are well-crafted pop songs. Unfortunately, only a handful of the songs are memorable, but those that are -- "Vow" and "Queer," in particular -- are small, trashy alternative pop gems. ~ Stephen Thomas Erlewine
Garbage? Little bits and pieces that pile up in the corners of the house, over the years...ok, it seems to fit. Except that this is no typical heap. Alterna-producer extraordinaire Butch Vig (Nirvana's NEVERMIND, for one) has put together a band to suit his own tastes and eclectic percussive skills, and the result is Garbage's self-titled debut.
There are indeed little pieces of everything on GARBAGE. The guitars travel into areas of My Bloody Valentine distortion, while the swinging, sampled loops of noise pound with the same trip-hop tremor as Bjork's solo work. Vocalist Shirley Manson coos and caws, spiralling down from quizical to menacing as she mulls over the various distractions in her life--like "My Lover's Box," or being "Only Happy When It Rains."
And just when you think you've identified the natural origin of one of Garbage's many pieces, they slip into another mode, a heavier drum sound, more organic instruments--in fact, a different style altogether. Hey, what's in this stuff, anyway?

Rolling Stone (5/13/99, p.61) - Included in Rolling Stone's "Essential Recordings of the 90's."
Rolling Stone (9/21/95, p.82) - 4 Stars (out of 5) - "...Like so much fun and important rock & roll, it's the product of brilliant misunderstandings."
Spin (10/95, p.112) - 7 (out of 10) - "...fluff deluxe. Vig's...genius as an alternative rock producer is the ability to make avant-pop sonic distortions ring out like cash registers....Rarest of all for American guitar music, dance beats proliferate everywhere...with techno and dub equally strong influences..."
Entertainment Weekly (8/11/95, p.52) - "...With their menacing sexuality, sonic playfulness, inventive guitar treatments, and cool vocals by Shirley Manson, Garbage comes off like a punkier, less cerebral Golden Palominos."
- Rating: A
Q (10/95, pp.114-115) - 4 Stars (out of 5) - "...Garbage flip continually between restraint and letting loose, handling the changing energy levels with considerable skill..."
Melody Maker (12/23-30/95, pp.66-67) - Ranked #18 on Melody Maker's list of 1995's `Albums Of The Year.'
Melody Maker (9/30/95, p.34) - Recommended - "...way too gritty, too dark and grainy and stuck with metal burrs, it slouches and sulks and is too determinedly cynical to ever be considered beautiful...but...it brushes as close to perfection as a pop/rock record ever can..."
Musician (11/95, p.93) - "...Despite its decidedly standard instrumentation, there's nothing conventional about Garbage's sound...the textures are as pliable as silly putty. Yet for all its sonic manipulation, the album never loses sight of the basic values of melody and groove..."
Village Voice (2/20/96) - Ranked #19 in Village Voice's 1995 Pazz & Jop Critics' Poll.
NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #19 in NME's `Top 50 Albums Of The Year' for 1995.
NME (Magazine) (9/23/95, p.48) - 8 (out of 10) - "...they're the bees knees as far as alternative jangle-rock is concerned....GARBAGE is a reminder of how sweet angst can be in the hands of talented players..."
Garbage Music


Detailed Garbage Music Information



List Price $18.98 (You save $3.63)
Category Rock Albums, Alternative CDs, Rock/Pop
Label Almo Sounds
Orig Year 1995
All Time Sales Rank   905  
CD Universe Part number 1065932
Catalog number 80004
Discs 1
Release Date Aug 15, 1995
Studio/Live Studio
Mono/Stereo Stereo
Producer Butch Vig
Engineer Garbage; Mike Zirkel
Recording Time 50 minutes
Personnel Butch Vig - drums, loops, noise, sound effects
Shirley Manson - vocals, guitar
Duke Erikson - guitar, keyboards, 4- & 6-string basses
Steve Markes - guitar, bass, samples, loops

Also: Pauli Ryan, Clyde Stubblefield, David Frangioni, Les Thimmig, Mike Kashou, Rich Mendelson
Garbage Songs


Garbage Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Supervixen  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Queer  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Only Happy When It Rains  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.As Heaven Is Wide  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Not My Idea  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Stroke of Luck, A  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Vow  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Stupid Girl  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Dog New Tricks  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.My Lover's Box  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Fix Me Now  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Milk  $0.99

Garbage Music


Garbage Other Versions



Garbage Music Review


Customer Garbage Reviews 




Average Rating: (4.6 out of 5 stars) 4.5 stars

List All Reviews

3 stars This is a good group!
"Stupid Girl" is one great selection and Marilyn Manson commands your attention whenever on stage. When you watch this group of talented people you can truly say..WOW, THIS IS A GOOD BAND. Enjoy!
Submitted by rreyes36 (San Antonio, TX, USA) Verified Buyer
Was This Review Helpful? Yes No

5 stars Their name may be "Garbage" but their sound isn't.
This band from the mid 90's seemingly had only one hit from this album "Stupid Girl" and another song that received moderate airplay "Only Happy When It Rains" (which is also excessively used in MTV snippets from their own productions like "The Real World", etc). Overall, this is an excellent and highly underrated album. Shirley Manson's hypnotic and powerful vocals ooze sex appeal. It is no wonder this band was tapped to sing the title song for the James Bond flick "The World is Not Enough". The guitar riffs and song arrangement is simple yet exquisite. Definitely a "must have" if you don't own it already.
Submitted by buckwheatnoodles (Austin, TX) Verified Buyer
Was This Review Helpful? Yes No

4 stars Very sexy
I love this album. It's the best that Garbage has to offer
Submitted by a reviewer (Fort Lauderdale, FL, USA) Verified Buyer
Was This Review Helpful? Yes No

5 stars Garbage
I love this cd,I love this group.Unique sound on their own.It's not like everything you hear on the radio, same old stuff.Garbage is definitely one of the best.
Submitted by Spookychic (Bx, Ny)
Was This Review Helpful? Yes No

5 stars their best one!!!
OF all their albums I agree also that this one is their best one!!! Too bad it's missing tracks like subhuman, #1 Crush and alien sex fiend. It's still an impressive album that was also very influential!
Submitted by a reviewer (new york, new york)
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Version 2.0
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Garbage Version 2.0 CD  (1998)

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Garbage: Shirley Manson (vocals); Butch Vig, Duke Erikson, Steve Marker.
Additional personnel: Jon J. Vriesacker (violin); Michael Masley (cymbalom); Daniel Shulman (bass); Todd Malcolm Michiles (scratches).
Recorded at Smart Studios, Madison, Wisconsin.
VERSION 2.0 was nominated for the 1999 Grammy Award for Album Of The Year and Best Rock Album. "Special" was nominated for the 2000 Grammy Award for Best Rock Song.
"Special" was nominated for the 2000 Grammy Award for Best Rock Performance By A Duo Or Group With Vocal.
Neither a flat-out retread nor a full-fledged progression, Version 2.0 is almost too accurate a title for Garbage's second album. Everything that made Garbage a success is here -- Shirley Manson's seductive strength, strong pop sensibility, a production that falls halfway between alternative rock and techno -- presented in a slightly newer form. Version 2.0 may be gilded with fresh drum loops and shiny, computerized ...

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No Doubt: Gwen Stefani (vocals); Tom Dumont (guitar); Eric Stefani (piano, keyboards); Tony Kanal (bass); Adrian Young (drums, percussion).
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Engineers include: Matt Hyde, Phil Kaffel, George Landress.
No Doubt was nominated for the 1997 Grammy Award for Best New Artist. TRAGIC KINGDOM was nominated for a 1997 Grammy for Best Rock Album. "Don't ...

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Psychedelicate
Slumber Party Psychedelicate CD  (2001)

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Slumber Party: Aliccia Berg (vocals, guitar, organ); Gretchen Gonzales (vocals, guitar); Marcie Bolen (vocals, bass); Leigh Sabo (vocals, drums).
Recorded at Ghetto Recorders, Detroit, Michigan in 2001.
Personnel: Aliccia Berg (vocals, guitar, piano, organ); Gretchen Gonzales (vocals, guitar).
Recording information: Ghetto Recorders, Detroit, MI.
Photographers: Greg Lyons; Steve Shaw.
The title of Detroit-based Slumber Party's sophomore album accurately sums this one up nicely, as it comes across as both neo-psychedelic and somewhat delicate all at once, recalling the paisley underground revival pop of groups like ...

Paris Jazz Concert: Vol. 1, Alhambra, 29 October, 1958
Duke Ellington Paris Jazz Concert: Vol. 1, Alhambra, 29 October, 1958 CD  (1999) (Import) Japan

Garbage
CD $34.95
Personnel includes: Duke Ellington (piano); Ozzie Bailey (vocals); Johnny Hodges (alto saxophone); Russell Procope (clarinet); Paul Gonsalves (tenor saxophone); Clark Terry (trumpet, flugelhorn); Jimmy Woode (bass); Sam Woodyard (drums).
Recorded live at the Alhambra Theater, Paris, France on October 29, 1958.
Includes liner notes by Claude Carriere.
Many Duke Ellington concerts have appeared as new releases following his death in 1974, this CD documents a entire live set better than many others have because it preserves not only the maestro's introduction of individual numbers and their featured soloists, but keeps the songs in the order which they were originally presented on stage. Ellington knew a lot more about pacing his material for his audience then record producers who insisted on juggling the order of the music. None of the material is particularly surprising or unusual, except for the one song not written by Ellington or Billy Strayhorn, "Deep Purple," a standard played on less than a dozen occasions by the band. Trumpeter Clark Terry, clarinetist Jimmy Hamilton, and alto saxophonist Johnny Hodges are the most potent soloists during their multiple features. The sound is excellent, and the only minor flaw is the omission of the first several bars of "Take the 'A' Train," which was very likely caused by a late fade up when the original recording was made. Ellington fans will definitely want to acquire this enjoyable CD. ~ Ken Dryden
The tracks within this first of two volumes were drawn from two separate concerts recorded on the same evening at the Alhambra in Paris. Like many releases of quasi-legal origin, it is hard to say that Duke Ellington himself would have authorized the release of these performances, as there are some problems with a squeaky reed in spots. "Take the 'A' Train" is joined in progress, while there are numerous other live versions of medleys like "Black and Tan Fantasy/Creole Love Call/The Mooche" and "Kinda Dukish/Rockin' in Rhythm." That said, the band is in good form. Among the highlights are works of fairly recent vintage: "Newport Up" (showcasing a wild tradeoff of brief exchanges between Clark Terry, Paul Gonsalves and clarinetist Jimmy Hamilton), a medley of "Such Sweet Thunder" and "Sonnet to Hank Cinq," though "What Else Can You Do With a Drum" is a bit of a dud. As usual, Johnny Hodges' masterful alto sax is generously featured in several numbers, including "Jeep's Blues," "All of Me" and a rousing "Things Ain't What They Used to Be." Ellington collectors will want to look for this European import, which has also been issued by other labels. ~ Ken Dryden
In 1958 Duke Ellington and his band were still ...

Incoherence
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'Incoherence' is the Van Der Graaf Generator keyboardist's 26th solo album of completely new material, featuring 14 tracks, although the artist's intention is that this piece be taken as a whole. Fie. 2004. Unlike anything else Peter Hammill has done before, Incoherence seems to counterbalance the relative simplicity of his previous studio outing, Clutch. A multi-tracked keyboard extravaganza, Incoherence consists of a single 42-minute suite in 14 movements. There are separate songs, but they are segued in ways that make the transitions unnoticeable, especially on first listen. That alone is enough to set the album apart from its neighbors in Hammill's discography, but there is more: a renewed urge to experiment with forms and textures within the song format; a rare level of richness and complexity in the arrangements; ...
Fevergreens
Jono El Grande Fevergreens CD  (2003) (Import) Norway

Garbage
CD $15.59  Audio Samples
Personnel: Jono El Grande (guitar, harp, synthesizer, programming); Kjell-Asbjorn Bunaes (flute); Erik Lokra, Rolf-Erik Nystrom (saxophone); Karl Stromme (trumpet); Tomas Gantelius (piano, synthesizer); Hakon Stene (vibraphone, xylophone, glockenspiel, percussion); Kjell Tore Innervik (xylophone); Hakon Thelin (doublebass); Terje Engen (drums).
Personnel: Jono El Grande (acoustic guitar, electric guitar, harp, synthesizer, programming); Kjell Asbjorn Bunæs (flute); Rolf Erik Nystrom (soprano saxophone, alto saxophone, baritone saxophone); Erik Lokra (soprano saxophone, tenor saxophone); Karl Stromme (trumpet); Håkon Thelin (double bass).
Audio Mixers: Rune Kristoffersen; Jono El Grande.
Recording information: Musikkloftet (2002-2003).
Arranger: Jono El Grande.
What is most surprising about Fevergreens is that it came out on Rune Grammofon, a Norwegian label mostly known for experimental electronica and free improvisation by the likes of Arne Nordheim and Supersilent. The music of Jono El Grande is neither electronic nor improvised. It is in fact extremely well composed and arranged for an expanded rock band, the instrumentation of which is highly similar to Frank Zappa's "Small Wazoo" band. And the music itself is strongly reminiscent of Zappa's "big-band" writing on The Grand Wazoo and Waka/Jawaka. Those are pretty strong comparisons ...

About You
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Garbage
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No Wait Wait's second release on the Chairkickers' label, About You has a promising start; unfortunately, the album is ultimately done in by its warring artistic influences. At first, it sounds like About You is made up of the stuff that worked on the band's first album -- a combination of new wave synthesizers, plaintive, vibrato-shy vocals, and some vaguely mid-'90s guitar riffs. But the album quickly takes a turn for the worse with the introduction of a drum machine and some pretty awful synthesizers on "Amends." If the band is trying to emulate Radiohead on ...
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Obituary: John Tardy (vocals); Trevor Peres (guitar); Drummer Tardy (drums).
Scandinavia has been dominating death metal since the '90s, but it is important to remember that many of the early death metal bands were from the United States (Death, Slayer, Deicide, Morbid Angel) and England (Napalm Death, Carcass). Those were some of the pioneers -- the bands that, in the '80s, took thrash metal to a brutal extreme and paved the way for the Scandinavian death metal explosion of the '90s. And the phrase "death metal pioneers" certainly applies to Obituary, who were formed in 1984 and celebrated their 23rd anniversary in 2007. This 2007 release lets listeners know ...

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