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Bad Brains CD

 Bad Brains Discography of CDs
4.9 stars (7 Customer Reviews)

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BAD BRAINS was originally released on cassette. It was issued on CD for the first time in 1996.

The Bad Brains were one of the most important voices of the East Coast hardcore scene during its halcyon days of the '80s. What they brought to the scene was nothing short of revolutionary--infusing the form's rage with the spiritual conviction of the Rasta tradition and the instrumental prowess of seasoned jazz players, they breathed new life into a genre in danger of stagnation, or worse, homogenization. Their album on the initially cassette-only ROIR label arrived like a new day, brimming with positivity and spirituality, as well as an unarguable mastery of the musical form of hardcore.

From the album's opening strains on "Sailin' On," the book was re-written, or at least opened a little wider. Vocalist H.R., one of punk's speediest singers, growls and screams his message like a man possessed. On the band's most recognizable classic, "Pay To Cum," his staccato delivery truly reaches breakneck speed, barely decipherable, the song is a torrent of sound, a hurtling juggernaut of boundless energy. He extols the praises of having the right mindset most effectively in "Attitude," a testament to the power of positivity. The band reaches deep into its Rasta roots on "Jah Calling" and "I Love I Jah," rounding out the ever-widening, ever-intense world of BAD BRAINS.

Recorded at 171-A Studios, New York, New York between May and October 1981. Includes liner notes by Ira Kaplan.

Bad Brains: H.R. (vocals); Dr. Know (guitar, background vocals); Darryl Jennifer (bass, background vocals); Earl Hudson (drums, background vocals).Spin (5/01, p.109) - Ranked #16 in Spin's "50 Most Essential Punk Records" - "...Givin' whatcha gettin'...while the black band's sweatin' to create hardcore..."
CMJ (4/3/00, p.30) - "...Unbridled ferocity....renowned for their mix of high-throttle hardcore and loose, lively reggae....[They] opened the floodgates and ushered punk into the hardcore age..."
Vibe (2/02, p.87) - Included in Vibe's "Essential Black Rock Recordings".
The Beat (V.15 #3 1996, p.20) - "Bad Brains were treading unknown waters when they mixed up their own style of punk reggae on this 1982 groundbreaker which sounds as raw and energetic as it did back then."
Bad Brains Music


Detailed Bad Brains Music Information



List Price $12.98 (You save $1.73)
Category Rock/Pop Albums, Rock CDs, Alternative, Reggae/Ska/Calypso, Punk
Label ROIR
Orig Year 1982
All Time Sales Rank   4363  
CD Universe Part number 1067503
Catalog number 8223
Discs 1
Release Date Mar 19, 1996
Studio/Live Studio
Mono/Stereo Stereo
Engineer Jay Dublee
Personnel H.R. - vocals
Darryl Jenifer - bass, background vocals
Dr. Know - guitar, background vocals
Earl Hudson - drums, background vocals
Bad Brains Songs


Bad Brains Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Sailin' On  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Don't Need It$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Attitude  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Regulator, The
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Banned in D. C.
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Jah Calling  
7.Supertouch
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Shitfit
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Leaving Babylon  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Fearless Vampire Killers  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.I  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Big Take Over
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample13.Pay to Cum  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample14.Right Brigade  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample15.I Luv I Jah  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample16.Intro

Bad Brains Music


Bad Brains Other Versions



Bad Brains
Bad Brains  (1982) Colors Available: Black / Yellow / Red
Vinyl Record$12.19
Bad Brains Music Review


Customer Bad Brains Reviews 




Average Rating: (4.9 out of 5 stars) 5 stars

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5 stars RASTA PUNK TINGS YA GETS ME....
One of my all time favorites, and probably the best example of a hardcore albulm alongside black flags first outing. bad brains strongly belive in pma, positive mental attitude . and really show there colours on this record-sailin on is a serious anthem fast and aggressive, makes me want to smash evry other albulm in my collection, just when u thought your speakers were ganna explode they drop in a couple of reggea numbers to get your blood pressure down---a must in any ones collection
Submitted by mrbaron168 (East London)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

5 stars A throwbacks view!
As a person who had to look for his music wants in the "import section" back in the mid 80's , I'm happy to find the music that I still like , no love to listen to in a mainstream market. Keep up the good work at finding the hard to find "Hard rock" and "Metel" band albums.
Submitted by a reviewer (The center of the world NEW YORK , USA) Verified Buyer
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4 stars What can I say?
It's a good album, VERY good album. Bad Brains are one of my favorite bands out there. The style of punk and reggae just sounds so amazing. You will not go wrong buying this!
Submitted by brianross671 (Clio, Michigan, USA)
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5 stars good, fast hardcore/reggae
The bad brains (with the exceptions of black flag and some motorhead) are basically responsible for the hardcore movement. They manage to mix twangy, relaxing reggae with loud blitzspeed hardcore punk, and give you an album you'll never forget. If you like peter tosh and/or minor threat, i suggest you immedeatly buy this album. Great mosh and slam dancing music. 5 out of 5 stars ALL THE WAY!!!!!!
Submitted by drewsus (lafayette, CA)
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5 stars You won't ever hear anything like it
Only a few bands can claim the kind of importance Bad Brains hold. Like The Ramones before them, Bad Brains solidified and defined the sound of an entire wave of punk. Bad Brains created the speed, fury, and intensity of the American hardcore movement of the early eighties almost single-handedly. Bad Brains’ influence and importance is immeasurable and stretches from D.C. to New York to San Francisco to L.A., and can be seen in artists ranging from just about everything that has ever happened in hardcore and punk since, to Mos Def and the Beastie Boys, to Living Color and Fishbone and The Red Hot Chilli Peppers. Bad Brains’ self titled release is responsible for igniting the sound that became hardcore and deserve special attention as one of America’s most important bands ever despite the fact most people have never heard of them.
Submitted by Devon (Pittsburgh, PA)
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This 1991 reissue of ROCK FOR LIGHT contains three tracks that weren't on the original LP. Digitally remastered by George Marino (Sterling Sound, New York, New York). In the early-'80s, the Bad Brains recorded many of the same songs at several different sessions, resulting in such releases as 1982's BAD BRAINS and ROCK FOR LIGHT, 1996's BLACK DOTS, and 1997's OMEGA SESSIONS. ROCK FOR LIGHT is made up of songs produced by Cars leader Ric Ocasek, but unlike the sound of his slick, chart-topping new-wave band, Ocasek wisely kept the production on ROCK FOR LIGHT raw and in-your-face. While such hardcore classics as "Attitude," "Right Brigade," "Banned in D.C.," "Supertouch," "I," "Coptic Times," "Sailin' On," and "At the Movies" would be included as different versions on the aforementioned collections, ROCK FOR LIGHT features rare studio takes of such favorites as "I and I Survive," "The ...
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The Washington, D.C. straightedge hardcore punk scene began with Minor Threat. The band recorded two LPs on its own Dischord label, plus an EP and the miscellaneous singles that are collected on this CD. Many of the early recordings on this collection seethe with teen-age angst and indignation. The songs rage against bullies, religious hypocrisy, and the herd mentality. Other songs, taken from later in Minor Threat's career, feature tighter and more sophisticated playing. Metallic flourishes tinge the guitar work, vocal harmonies abound, and song dynamics vary more than on the earlier record. On certain songs, Ian MacKaye's lyrics address the complexities of friendship, loyalty, and self-expression. "Look Back and Laugh," "Little Friend," and "It Follows" all incline more toward introspection and ambiguity; conveying loss and sadness in addition to outrage. This second set of songs seems to especially anticipate MacKaye's later work with Fugazi. The album also contains a few playful numbers like the sing-along cover of "Stepping Stone," and "Cashing In," a mocking dig at greedy musicians. Minor Threat believed completely in the power of its music, helping earn a loyal fan following and the respect of numerous other bands who emulated ...
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This audio document of The Corrs' Dublin homecoming concert has pretty much everything fans of Irish pop could wish for, including an appearance from Bono in his earthly incarnation, fresh from an audience with President George W. Bush. It's to the band's credit that the charismatic singer fails to steal the show, despite creditable efforts via an anthemized version of Ryan Adams' beautifully downtempo "When the Stars Go Blue," and a great, leering rendition of Lee Hazlewood and Nancy Sinatra's "Summer Wine." Somewhat more mysteriously, Rolling Stone Ron Wood also turns up on what sounds dangerously close to a lounge version of Jimi Hendrix's "Little Wing," but this minor faux pas is redeemed by the Irish folk medley "Joy of Life/Trout in the Bath" which arguably features more full-on Irishness than the Dublin production of RIVERDANCE. There's also a lovely rendition of Neil Young's "Only Love Can Break Your Heart" that's topped only by Ron Wood's reappearance on a finale of the Stones' "Ruby Tuesday." ...
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This Montreal ensemble's fiery debut is marked by surging guitars, soulful strings, driving drums, brilliant bass lines, and the quavering vocals of married couple Win Butler and Regine Chassagne. The group's song structures careen through a vast territory of musical and personal history, with lyrics warm with memories of childhood neighborhoods and deceased loved ones, resulting in an alternating current of joy and sadness. Favorably compared to the Flaming Lips, Mercury Rev, and Broken Social Scene, the Arcade Fire's sound seems to come from a lifetime of listening to the Cure, Talking Heads, Elvis Costello, and many others--even a dose of soul gets worked into these grand anthems. Chassagne delivers some spellbinding vocals on "Haiti," while the tinkling piano and strings on "Crown of Love" conjure up a heartbroken surfside prom. In 2004, this made many critics' year-end lists, and it's no wonder--the songs on FUNERAL are so packed with unique instrumentation, mesmerizing build-ups, and galvanizing tempo changes that they seem culled from some enigmatic, decade-spanning rock anthology. Recording information: Hotel 2 Tango (08/2003-??/2004); Win & Regine's Apartment, Montreal, Canada (08/2003-??/2004). Photographer: Hilary Treadwell. Arcade Fire: William Butler (synthesizer, ...
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Lucky Dube is widely considered to be Africa's "King of Reggae" and The Way It Is brilliantly continues his reign. Brandishing one of the most haunting voices in modern reggae, Dube tackles social and political issues with the style and sincerity of Bob Marley, coupled with the ferocity of his biggest influence, Peter Tosh. Opening with melancholy vocals on the sublime "Crying Game," capturing a touch of his South African Mbaqanga roots on "Let the Band Play On," and dabbling in a little classical chamber music for "Till You Lose It All," the singer manages to deliver hardcore roots reggae with a fresh perspective. This album showcases reggae at its best by one of the best. ~ Rosalind Cummings-Yeates Recorded at Downtown Studios, Johannesburg, South Africa. Personnel: Skipper Shabalala (guitar); Soweto String Quartet (strings); Kevin Davidson (saxophone); ...
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