| | Bill Laswell Dub Chamber 3 CD Bill Laswell Discography of CDs
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There's no doubting Bill Laswell's sincere love of dub (the reggae subgenre that anticipated remix culture by about 20 years). As one of the finest and most tasteful bass players on the planet, Laswell's grounding in reggae is evident in every note he plays, and his mystical, experimental production style has always been heavily influenced by such dubmasters as King Tubby, Scientist, and Lee "Scratch" Perry. But for all of the experimentalism (and sometimes downright abrasiveness) of many of his projects, he has been fairly criticized in the past for getting mushy when he gets into an explicitly dubwise context. Most notoriously, he managed to squander a great opportunity when he turned an entire album's worth of classic Bob Marley material into soupy multi-culti muzak. But the third volume in his Sacred System trilogy (called, confusingly, Dub Chamber 3) is more muscular than some of his other dubwise excursions, and although there's not much here to challenge the mind, the dreamy flavor of this music is consistently fortified by sturdy beats and Laswell's inimitably tasty basslines. The album consists of four long tracks; on all of them, he's joined by guitarist Nicky Skopelitis, and two of them also feature the playing of Norwegian trumpeter Nils Petter Molvaer, whose treated trumpet gives everything a beautiful, eerie sheen. Other guests include bassist Jah Wobble, percussionist Karsh Kale, and pianist Craig Taborn. Recommended. ~ Rick Anderson
With Nils Petter Molvaer,Jah Wobble,Nicky Skopelitis++
Recorded at Orange Music Sound Studios, West Orange, New Jersey.
Personnel: Bill Laswell (keyboards); Nicky Skopelitis (12-string guitar); Nils Petter Molvær (trumpet); Craig Taborn (electric piano).
Unknown Contributor Role: Bill Murphy .
Personnel: Bill Laswell (keyboards, bass, beats); Nicky Skopelitis (6 & 12-string guitars, beats, effects); Nils Petter Molvaer (trumpet, effects); Craig Taborn (electric piano); Jah Wobble (bass); Karsh Kale (drums, tabla).
Q (9/00, p.101) - 3 stars out of 5 - "...His nimble melodic bass both propels and anchors the 4 long tracks as his guests weave in and out of the ambient beats, treatments and dub effects..." The Wire (8/00, p.60) - "...Devotees of [his] deep workouts will not be disappointed..." Dub Chamber 3 Music | Category | Rock Albums, Electronica CDs, New Age, Reggae/Ska/Calypso, Rock/Pop, Experimental Rock, Dub, Jazz | | Label | ROIR | | Orig Year | 2000 | | All Time Sales Rank | 38903  | | CD Universe Part number | 1067542 | | Catalog number | 8263 | | Discs | 1 | | Release Date | May 02, 2000 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Bill Laswell | | Engineer | Robert Musso | | Recording Time | 48 minutes | | Personnel | Bill Laswell - keyboards Karsh Kale - drums, tabla
Also: Jah Wobble, Craig Taborn, Nicky Skopelitis, Nils Petter Molvaer |
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$15.95 Sacha Distel is probably more famous internationally as a singer, and even an actor, than he is as a jazz guitarist. It was as a guitarist, however, that he made his first mark on the entertainment world. This all-instrumental compilation is a document of those beginnings, gathering 14 tracks that he recorded between late 1955 and late 1956 in a variety of settings. Just five of them were credited to Distel; the remaining nine cuts include one with the Lionel Hampton Paris All-Stars, a couple with the Bobby Jaspar All Stars, and five as co-leader of the John Lewis-Sacha Distel Quintette. The mere fact that by his early twenties he was already playing with the likes of Hampton and Lewis is an indication of how highly regarded his talents on guitar were regarded by the jazz world. While there's no indication that the world lost a future Wes Montgomery after Distel switched his focus to pop vocals, these tracks alone are enough to establish his credibility as an instrumentalist in the straight jazz scene. For the most part, they're respectable straight-ahead pieces in the cool-bop-influenced style, Distel taking smooth leads that show a debt to the work of Charlie Christian. Be aware that on some numbers, the focus isn't wholly on Distel, though this isn't such a bad thing if you're a general fan of jazz from the period, especially on the Lewis cuts, where Lewis' piano and contributions by esteemed sidemen such as drummers Kenny Clarke and Connie Kay are also prominent. Also be aware that there are no original Distel compositions on this compilation, which includes material by Lewis, Thelonious Monk, Billy Byers (who plays trombone on the tracks billed to Distel alone), Milt Jackson, and Michel Legrand, as well as standards like "All the Things You Are" (heard in two versions) and "Willow Weep for Me." ~ Richie Unterberger
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