| | Carl Heinrich Reinecke: Piano Concertos Nos. 1-4 CD (1 Customer Review)
Carl Heinrich Reinecke: Piano Concertos Nos. 1-4 Music | List Price | $17.97 (You save $3.62) | | Label | CPO | | Orig Year | 7/18/1995 | | All Time Sales Rank |  3301  | | CD Universe Part number | 1068946 | | Discs | 2 | | Release Date | Jan 01, 2004 | | Recording Time | 1 53 |
Carl Heinrich Reinecke: Piano Concertos Nos. 1-4 Classical Review Carl Heinrich Reinecke: Piano Concertos Nos. 1-4 Songs 1. Piano Concerto No. 1 in F sharp minor, Op. 72: Allegro (30:04)  Windows Media  Real Audio | | Common Name | Piano Concerto 1 | | Composer | Carl Reinecke (1824 - 1910) | | Conductor | Alun Francis | | Performer | Klaus Hellwig (Piano) | | Genre | Concerto / Romantic Period | | Date Written | 1879 | | Period | Romantic | | Venue | Schützenhof, Herford, Germany | | Notes | Schützenhof, Herford, Germany (02/14/1994-02/17/1994) | | 2. Piano Concerto No. 1 in F sharp minor, Op. 72: Adagio ma non troppo (26:58) Windows Media Real Audio | | Common Name | Piano Concerto 2 | | Composer | Carl Reinecke (1824 - 1910) | | Conductor | Alun Francis | | Performer | Klaus Hellwig (Piano) | | Genre | Concerto / Romantic Period | | Date Written | 1872 | | Period | Romantic | | Venue | Schützenhof, Herford, Germany | | Notes | Schützenhof, Herford, Germany (02/14/1994-02/17/1994) | | 3. Piano Concerto No. 1 in F sharp minor, Op. 72: Finale. Allegro con brio (35:14) Windows Media Real Audio | | Common Name | Piano Concerto 3 | | Composer | Carl Reinecke (1824 - 1910) | | Conductor | Alun Francis | | Performer | Klaus Hellwig (Piano) | | Genre | Concerto / Romantic Period | | Date Written | 1877 | | Period | Romantic | | Venue | Schützenhof, Herford, Germany | | Notes | Schützenhof, Herford, Germany (06/29/1993-07/02/1993) | | 4. Piano Concerto No. 2 in E minor, Op. 120: Allegro (20:34) Windows Media Real Audio | | Common Name | Piano Concerto 4 | | Composer | Carl Reinecke (1824 - 1910) | | Conductor | Alun Francis | | Performer | Klaus Hellwig (Piano) | | Genre | Concerto / Romantic Period | | Date Written | 1877 | | Period | Romantic | | Venue | Schützenhof, Herford, Germany | | Notes | Schützenhof, Herford, Germany (06/29/1993-07/02/1993) |
Carl Heinrich Reinecke: Piano Concertos Nos. 1-4 Music Composers on Carl Heinrich Reinecke: Piano Concertos Nos. 1-4 CD : Carl Reinecke Conductors on Carl Heinrich Reinecke: Piano Concertos Nos. 1-4 CD : Alun Francis Genres on Carl Heinrich Reinecke: Piano Concertos Nos. 1-4 CD : Concerto, Romantic Period Performers on Carl Heinrich Reinecke: Piano Concertos Nos. 1-4 CD : Klaus Hellwig Purchase Carl Heinrich Reinecke: Piano Concertos Nos. 1-4 To buy, Click on price to add to cart | Reinecke: Symphonies No 2 & 3 / Howard Shelley, Tasmanian So CD (2001)
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| | Coro Hispano de San Francisco Ramillete CD (2003)
Carl Heinrich Reinecke: Piano Concertos Nos. 1-4
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Ramillete: flowers from field and gardena garland of choral song from Spain and Latin AmericaCoro Hispano de San FranciscoJuan Pedro Gaffney R., director If "Mexican Baroque" has caught your ear, this wide-ranging anthology of choral music from Mexico, Central and South America is a must; it's got Latin American Renaissance, Baroque, Classic, Romantic and folk-originate works in a rich array of textures, styles and sonorities, from chorus-orchestra down to voice-and-guitar, all performed to the nines by the nation's premiere ensemble dedicated to this repertory: Coro Hispano de San Francisco. Brilliant vocal solos and on-target instrumental work by some of the West Coast's leading names in early music combine with foot-stomping Veracruz zapateados and robust, ranchera-style singing in this sampler from a half-dozen different concert programs. Latin America's choral music is a little-known treasure that's been quietly awaiting rediscovery for decades (or centuries- depending on how far back you want to go). Leading the way in its interpretation is the Coro Hispano de San Francisco, which has been exploring and performing this repertory exclusively since its first concert in 1975. On this disc-its third CD release- the nation's premiere Hispanic chorus turns in an amazingly varied sampling of music for voices and instruments from the cathedrals of Puebla, Lima and Sevilla, the ranchos of Early California, the plazas of Veracruz, all the way to the rain-forest missions of Paraguay and the mountain villages of Nigeria.1 TE DEUM LAUDAMUS 2 FECIT POTENCIAM (Magnificat in D )3 LAUDATE DOMINUM 4 CÃNTICO DEL ALBA 5 GLORIA 6 AGNUS DEI 7 VIRGEN SANCTA 8 ¡PLAZA, PLAZA!9 LAS MAÑANITAS GUADALUPANAS 10 LOS COFLADES DE LA ESTLEYA 11 KERESIMESI Ã’DUN DE O 12 O QUAM SUAVIS 13 DIGAN, DIGAN 14 EL TILINGO-LINGO 15 LA GOLONDRINA16 CUANDO UNO QUIERE A UNA 17 TE QUIERO PORQUE TE QUIERO 18 CORRIDO de CÉSAR CHÃVEZ ( music & lyrics: José Luis Orozco)19 ES BUENO DARTE GRACIAS, SEÑOR 19 tracks; total time 77:53. Complete with texts, translations and notes.Four of the nineteen tracks on this disc are taken from live concerts in diverse venues, the rest from dedicated recording sessions, but all in acoustic settings that allow the natural sound of voices and instruments to bloom without tweeking. Most are works complete in themselves; a few are single movements of larger works, which will be re-released in their entirety in subsequent CDs.======Because the composers represented on this disc are virtually unknown- at least up here- listeners may care to know something about them and their music.Track 1 is the opening movement of Francisco Eusebio Delgado's Te Deum in C, composed in 1825 for solo voices, chorus and orchestra. The next track is taken from another work by Delgado, his Magnificat in D , composed in 1818. Mexico's greatest composer from the late-Classic-early Romantic, Delgado was born in Mexico City in 1792 (five years before Schubert), where he received his musical formation and pursued his entire career to the end of his days in 1853. Rich in melodic invention and strong in their architecture, these works shine at the hands of soloists Mimi Ruiz, Mark Hernández, Kenneth Fitch and John Kendall Bailey.track 8: Juan Gutierrez de Padilla's ¡Plaza, ...
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Carl Heinrich Reinecke: Piano Concertos Nos. 1-4
$6.19 | | Hans Arp Dada Antidada Merz CD (2005) (Import)
Carl Heinrich Reinecke: Piano Concertos Nos. 1-4
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Another in the Sub Rosa label's efforts to record the heritage of avant-garde artists, Dada Antidada Merz brings together work recorded by three friends and colleagues -- Hans Arp, Kurt Schwitters, and Raoul Hausmann. Their selections come from wildly differing sources -- Arp's from an album from 1961, Hausmann's mostly from late-'50s recordings, and Schwitters' from the early '30s -- but together make for a striking collection of their spoken word work. Those not fluent in German or French will only be able to appreciate the sound of the poems rather than their meaning, but given Dada's emphasis on upending conventions this is perhaps an appropriate side effect. Arp's work, recorded in a room with a slight bit of reverb that adds to the atmosphere, consists of a series of selections from his poetry, with a dramatic five-minute section of "Die Wolkenpumpe" being a highlight, his voice at once rhythmic and flowing, occasional interruptions punctuated by the turning of a page. Schwitters has only two selections but they are both astonishing highlights, "Anna Blume" and "Ursonate," showing his sense of language play in incredible form. Hausmann's efforts aren't far behind, and on items like "Offeah" and "FMSBW" he seems less like he's reciting than he's speaking in tongues. His tour de force here ...
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