| | Strictly The Best, Vol. 25 CD
The Strictly the Best series is second only to Reggae Gold in terms of presenting the season's hottest dancehall tunes, and Vol. 25 lives up to its title, although these sizzling hits could use a little more fire. Besides Capelton & Moses I's rugged "Crazy Look," Ward 21's clever take on the ubiquitous marijuana ode "Ganja Smoke," and newcomer Alozade's deliciously sinister "Bad Man Nah Pet," the album's indistinct, hard-driving riddims simply melt into each other, with no DJ managing to stand out. Strictly the Best, Vol. 25 provides a good collection of dancehall hits, but nothing exceptional. ~ Rosalind Cummings-Yeates
Producers include: Christopher James, Louis Malcolm, Richard Browne, Patrick Roberts, Lloyd James.
Illustrator: Chris Clarke. Strictly The Best, Vol. 25 Music Strictly The Best, Vol. 25 Songs | 1. | Crazy Look - Pablo Moses/Capleton |
| 2. | Dance the Angel - Harry Toddler |
| 3. | Girls Time - Mr. Vegas |
| 4. | Punanny Medley - Various Artists |
| 5. | Full Hundred - Lexxus |
| 6. | Replacement Killer - Elephant Man |
| 7. | To The Point - Sizzla |
| 8. | Hunt You - Capleton |
| 9. | Damn - Beenie Man |
| 10. | Warlord World - Bounty Killer |
| 11. | Truth - Elephant Man |
| 12. | Business, The - General B/Patchy |
| 13. | Bad Man No Pet Gal - Alozade |
| 14. | Ganja Smoke - Ward 21 |
| 15. | Roll Deep - Beenie Man |
| 16. | Redder Now - Lexxus |
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Strictly The Best, Vol. 25 Review
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About Anthony Geraci:If you were to think of any modern Blues Legend chances are that Anthony Geraci has backed them up. Muddy Waters, B.B., King, Otis Rush, Big Mama Thorton, Chuck Berry and countless others have had Anthony’s fiery piano accompanying them. Anthony was nominated for a Grammy in 2000 for his work on Super Harps I (Telarc Records) that also features James Cotton, Charlie Musselwhite, Billy Branch, and Sugar Ray Norcia. You can also hear him on Ronnie Earls first two releases on the Black Top record label They Call Me Mr. Earl, and Smokin’. Anthony was the leader of his own band “Little Anthony and the Loco-Motives” that toured extensively in the North East United States and Canada, where they played at the Montreal Jazz Festival, and many Labatt Blues Festivals throughout Quebec. Their two records on the Deluge Label Can’t Take It, and Don’t Wait on Me, both received rave reviews.In Spring of 1997 Anthony Toured twelve European Countries with Mark Hummel, and vocalist Michelle Wilson. Later that year he rejoined Ronnie Earl and toured extensively in Europe, Australia, New Zealand, Canada, South America, and the United States, playing such premiere ...
| | Soul Cycle Mosaic CD (2009)
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Soul Cycle brings an infectious blend of jazz, funk, and world music to Mosaic, their eagerly awaited third release. Featuring guest vocals from Rogiérs (Alicia Keys, Platinum Pied Pipers), as well as the core lineup of keyboardist Jesse Fischer (Laura Izibor), saxophonist Brian Hogans (Sean Jones), bassist Josh David (Q-Tip), drummer Corey Rawls (Kenny Garrett), and percussionist Shawn Banks, Mosaic presents seven fresh compositions by bandmembers, as well as captivating renditions of the jazz standard “Blue in Green” and Al Green’s classic “Simply Beautiful.”Inspired by artists as diverse as Herbie Hancock, Richard Bona, Meshell Ndegeocello, J Dilla, James Brown, Chopin, and Bach, Brooklyn-based Soul Cycle has developed a distinctive brand of world fusion, incorporating sounds from jazz, funk, hip-hop, R&B, gospel, reggae, Latin, Jewish, African, and classical music. DustyGroove.com calls them “one of the hippest contemporary soul combos we’ve ever heard,” and Christopher Whaley of SoulTracks.com described Soul Cycle’s last album as “the year’s first must-have project... highly recommended.”“Every trend has a counter-trend,” says Jesse Fischer, the 29-year-old bandleader and keyboardist. “Even in today’s world of Pro Tools and Auto-Tune, people still need to hear something that comes straight from the soul.” Recorded entirely without sequencers, click tracks, or virtual instruments, Mosaic captures the intimate energy of a live perfomance, resulting in honest music that ranges broadly from contemplative to joyous, from introspective ...
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