| | Lecuona Cuban Boys, Vol. 5 (1932-1940) CD Lecuona Cuban Boys Discography of CDs
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recordings made in Europe and the Caribbean between 1932-40
Recorded in Europe and Cuba.
Personnel: Adalberto "Chiquito" Orefiche (vocals, tenor saxophone, bongos); Agustin Bruguera (vocals, percussion); Gerardo Bruguera (baritone, tenor saxophone); Ernesto "Jaruco" Vazquez (guitar, trumpet); Guillermo Hernandez (guitar, guiro, maracas, tumba); Jorge Dominguez, Daniel Gonzales (violin, clarinet, alto saxophone); Armando Oréfiche (piano); Eduardo Barrenechea (double bass).
Audio Remasterers: Christian Rosenborg; Charlie Crump.
Liner Note Author: Bruce Bastin.
Recording information: Havana, Cuba (11/01/1932-04/22/1940); London, England (11/01/1932-04/22/1940); Madrid, Spain (11/01/1932-04/22/1940); Paris, France (11/01/1932-04/22/1940).
Director: Armando Oréfiche.
Photographers: Benny Brimer; Nicolas Stranjeff; Armando Oréfiche.
Arrangers: Ernesto "Jaruco" Vazquez; Armando Oréfiche. Lecuona Cuban Boys, Vol. 5 (1932-1940) Music | List Price | $16.99 (You save $0.44) | | Category | World Albums, International CDs, Latin, Spanish, Cuban, Tropical | | Label | Harlequin | | Orig Year | 1994 | | All Time Sales Rank |  86420  | | CD Universe Part number | 1076274 | | Catalog number | 35 | | Discs | 1 | | Release Date | Jun 14, 1994 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | Guillermo Hernandez - guitar, guiro, maracas, tumba
Daniel Gonzales - violin, clarinet, alto saxophone
Jorge Dominguez
Adalberto "Chiquito" Orefiche - vocals, tenor saxophone, bongos
Agustin Bruguera - vocals, percussion
Armando OrTfiche - piano
Eduardo Barrenechea - double bass
Ernesto "Jaruco" Vazquez - guitar, trumpet
Gerardo Bruguera - baritone, tenor saxophone
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Lecuona Cuban Boys, Vol. 5 (1932-1940) Songs | 1. | Como Yo No Hay Dos | |
| 2. | Cafunga | |
| 3. | Cubanacan | |
| 4. | Hindou | |
| 5. | Dime Adios | |
| 6. | Quim-Bam-Ba | |
| 7. | Conga de Jaruco, La | |
| 8. | Rumba Blanca | |
| 9. | Canto Indio | |
| 10. | Panama | |
| 11. | Maria la O | |
| 12. | Noche de Biarritz | |
| 13. | Rumbita, La | |
| 14. | Antillana | |
| 15. | Rumba Internacional | |
| 16. | Rumba Colora | |
| 17. | Ti Pi Tin | |
| 18. | Cucaracha, La | |
| 19. | Conga, La | |
| 20. | Bajo la Luna | |
| 21. | Salvaje | |
| 22. | Comparsa, La | |
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"Kaushiki Chakrabarty is one of the very few classical vocalists who will make a mark in the 21st century...." This was the assessment made by Bhimsen Joshi, one of India's greatest classical vocalists of the modern era. The qualities which have given rise to this level of commendation were certainly evident in this captivating performance of Khayal singing given at the Queen's Theatre, Hornchurch, London on the 30th of August 2003. Born in 1980 in the campus of Sangeet Research Academy, Kolkata, Kaushiki Chakrabarty is now a scholar of this great centre of lndian Cultural learning. The gurus of the Academy repose a great hope in Kaushiki and have blessed her for a glorious musical future.Kaushiki's mother, Chandna Chakrabarty was her first guru noting that she could reproduce virtually any musical and rhythmic phrase when she was only two years old. Kaushiki then became a "ganda-bandh" shagird (disciple) of her father's guru, Jnan Prakash Ghosh, according to India's ancient system of guru-shishya parampara. On account of the old age of her guru and with his consent, she resumed her training under her father, Pandit Ajoy Chakrabarty. The guru-shishya system of teaching is the most intensive and effective route of musical learning in North Indian Classical music. It is the very soul of the oral tradition of India, and embodies the living and learning relationship between master and pupil. Evolving from the era of the great Indian seers, what the tradition signifies is the complete emotional, intellectual and spiritual surrender of the ardent shishya (trainee) to the guru (teacher). Kaushiki has already proved herself as a versatile artist. One of the central tenets of Kaushiki's music is voice culture. ...
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