| | Sexteto Habanero 1926-1931 CD Sexteto Habanero Discography of CDs
 (1 Customer Review)
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Our Price: $14.39  CDFor Sale Usually ships in 1-2 days
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over an hour of the earliest titles by one of Cuba's finest sextetos
Recording information: Havana, Cuba (09/02/1926-02/28/1931); New York, NY (09/02/1926-02/28/1931).
Personnel: Gerardo Martinez (vocals, marimbula); Jose Jimenez, Jose Jimenez (vocals, claves); Felipe Cabrera (vocals, maracas); Miguel Garcia (vocals); Guillermo Castillo (guitar); Carlos Godinez (tres); José Interian (cornet); Agustin Gutierrez (bongos).
Audio Remasterer: Charlie Crump.
Sexteto Habanero 1926-1931 Songs | 1. | Tin Cun Tan | |
| 2. | Alza los Pies | |
| 3. | Chambelona, La | |
| 4. | Que Diran | |
| 5. | Donde Estas Corazon | |
| 6. | No Hay Quien Pase | |
| 7. | Espabilate | |
| 8. | Como Esta Miguel | |
| 9. | Cuatro Milpas, Las | |
| 10. | Tres Lindas Cubanas | $0.99 | |
| 11. | Sonero, El | |
| 12. | Sacudiendo Mis Maracas | |
| 13. | Preludio de Godinez | |
| 14. | Gloria a Mis Claves | |
| 15. | Debajo de la Mata | |
| 16. | De Mi Cubita la Cana | |
| 17. | Que Hay Que Hay | |
| 18. | Mujer Mariposa | |
| 19. | Criolla Carabili | |
| 20. | Quiero Que Tu Me des un Besito a Mi | |
| 21. | Olvido | |
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Purchase 1926-1931 CD To buy, Click on price to add to cart | Honky Tonk! CD (2000) (Import) United Kingdom
1926-1931
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Honky Tonk! is an excellent Ace compilation containing 24 tracks from the vaults of King and Federal records. These instrumental R&B gems are the cream of the crop, many of them jukebox hits released between 1948 and 1964. Freddie King, Sonny Thompson, Jimmy Nolen, Johnny "Guitar" Watson, Mickey Baker, King Curtis, and Bill ...
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| | Antobal's Cubans 1932-1937 CD (1998)
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The liner notes are full of tidbits from interviews with Antobal's family and musicians who worked with him (many of whom went on to achieve fame with their own bands) as well as illustrations. As there are no photos of Antobal himself, one is left of the impression of a reclusive impressario who was good at managing his band, but wanted to avoid the spotlight himself. ~ Megan Lynch
excellent Cuban studio band featuring Alberto Socarras, vocalists Johnny Rodriguez and Panchito Riset and led by the brother of Don Azpiazu whose PEANUT VENDOR broke Latin music in the US.
First released on LP in 1991 as Harlequin HQ 2081, the liner notes have been revised and many new tracks added. Antobal was the excellent Don Azpiazu's brother; both led bands in the vanguard of the movement to bring Cuban music to the North American public. The rhumba was the main musical form that these bands showcased, but this compilation also includes some congas. Both Antobal and Azpiazu were educated in the United States and thus in a good position to present Cuban music in a way that would appeal to Yankee tastes. They apparently calculated well, for both bands were very popular in the '30s, making tours of Europe and appearances at plum U.S. venues. This doesn't mean that the polyrhythms were utterly watered down, though. These recordings are as compelling as any Cuban music recorded ...
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| | How Great Thou Art CD (1998)
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$18.39 | | Edition Pierre Verger: Louisiana - From Lafayette To New Orleans CD (2006) (Import) Import; France
1926-1931
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Louisiana -- From Lafayette to New Orleans is a fair album of Cajun, zydeco, and New Orleans jazz from the old catalogs of Sunset France and Playasound. The music has its highs and lows here, with the Cajun represented largely by Groupe File and a quartet of other players. Unfortunately, the music tends toward the sloppy end in this section of the album -- still rollicking, but not with the tight performance that one normally expects. It's a bit slow, a bit dreary, and not quite helped enough by a cameo from the great Dewey Balfa. The Dockery Boys hold up the zydeco end, and tighten up the mechanics of the music a bit from the Cajun performers. The music still tends toward the slower end (an oddity for zydeco), but it's a step forward. The Mississippi Stompers hold up the tail end of the album with some New Orleans jazz, and finally it comes together well. It's a bit odd-seeming in the instrumentation (a trombone takes lead on "Old Man River," a tinkling piano takes a bit of a stance here and there), but the collective improvisation is good. With the true wealth of Louisiana's music out there to be ...
| | Fareal Second Chance CD (2004)
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Born in East St. louis Illinois me and my parents moved to Marietta Ga. When I was 9 at the age of 15 I was in the way of the drugs, sex and alcohol selling crack was a everyday thing 'til one day I was 18 years old when I got robbed after getting out of jail. My life was going down hill. I got kicked out of high ...
| | Let's Dance Pepe Li Lets Dance CD (Import)
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