| | Herb Morand 1950-1951 CD Herb Morand Discography of CDs
album combines tracks of Morand's New Orleans Jazz Band (Albert Burbank, Eddie Pierson, Lester Santiago, Louis James, Morris Morand) originally issued on two 78s (on Oren Blackstone's label) w. 8 songs recorded by Paul Barbarin in 1951 1950-1951 Review
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With the musical influences of artists such as CeCe ...
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From the liner notes:I believe that the first time I played with Jimmy Halperin was in the early 1980's.I had a weekly gig at a Mexican restaurant in Pelham, NY & Jimmy would make the gig from time to time. It was then as it is now - 20+ years later - a total gas to make music with him. I have said in the past that I was able to inhabit musical places otherwise unavailable to me, when playing for, & with my teacher & mentor Sal Mosca. I experience the same phenomenon when playing with Jimmy, & have since our first musical encounter. Jimmy Halperin evinces that perfect combination of immense talent, combined with unwavering dedication, focus, & hard work.After a 10+ year gap in playing together - for no other reason than our being in different orbits - Jimmy & I began playing together again in January 2007, this time as a duo in an Upper Westside Manhattan venue. Strange though it may sound, I think that we began playing telepathically before the actual gig night - this I believe to be the result of an unconscious awareness of each other's playing, in anticipation of again making music together. Playing our first tune of the evening was akin to resuming a conversation started years ago, as if there had been no pause. Happily, our saxophone - guitar duo is a positive example of the 'less is more' concept.I toyed with the idea of titling this CD "Small Big Band", because while we benefit from the musical intimacy of a duo, we create a lot of sound, & make use of textures & spatial relationships to create from a broad palette. About the music...We improvise - we de-construct & re-build harmonic structures from the Great American Songbook...we generally do not state the melodies, but instead allow our deep awareness & knowledge of those very melodies to inform our improvising from within. Please note that on 'Round Midnight we play not only the brilliant Thelonious Monk melody, but the classic intro & outro associated with this tune.We are both improvising at all times - when I accompany Jimmy's solos, I am improvising the background, & reacting to, & commenting on what he is saying. When I am soloing I can feel his acute listening, & know that what I am playing will impact his next statement. We play simultaneous improvised lines...This is perhaps my favorite aspect of playing together & is the fullest realization of spontaneous musical discussion.A note of love & remembrance....Love For Sal & Carla-la are offered respectively & respectfully, in memory of Sal Mosca ...
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In 1985 Javier Galvan y FAMA made an astounding debut, and soon earned recognition as one of the most dominating bands in the Tejano industry across the nation. A string of career hit singles came their way in the mid '90s' when "Lagrimas De Alegria", "Quiero Volverte A Ver", "Querer Tu Amor", "Te Voy A Enseñar", "Ojitos Color Cafe", "Amor Perdoname", "Boulevard De Sueños" and "Llorando" dominated the airwaves as they spent numerous weeks atop Tejano and Latin Billboard airplay charts, earning numerous awards and nominations from BMI, Premios Lo Nuestro, and Univision's Premios A La Musica Latina. In the process, Fama also appeared on numerous international Latin television programs such as: Despierta America, El Gordo y La Flaca, Escadalo TV, Padrisimo, Control, and Sabado Gigante. Statistically speaking Javier Galvan y Fama have ...
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Bongo Love formed in Bulawayo, Zimbabwe, a collaboration between John Mambira and Nhlanhla Ngwenya. When Nlhanhla relocated to the UK, Themba Mawoko was recruited for the lead marimba, Trymore Jombo for mbira and Mpho Mambira for the baritone marimba."Afro-coustics" is the unique sound created by musicians whose foundation is rooted in the instruments, songs and musical traditions of their homeland yet still have absorbed and been moved by a wide spectrum of influences ranging from Afro pop to Reggae. With more than 5 languages spoken since childhood, their song list and set moves effortlessly through Shona, Ndebele, Zulu, Swahili and English. Since moving to Harare from Bulawayo in 2005, the fabulous quad has gone from playing mostly private functions to performing in some very popular clubs in Zimbabwe's capital, putting on a stellar show every time and winning over countless audiences.Climbing fast in popularity, they were invited to teach ...
| | Belohlavek Piano Concertos CD (2009)
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