| | Jambalaya Cajun Band Instrumental Collection CD Jambalaya Cajun Band Discography of CDs
 (1 Customer Review)
Kenneth David (fiddle, bass); Reggie Matte (accordion); Tony Huval (drums, cow bell).
Recorded at La Louisianne Studios, Lafayette, Louisiana.
Personnel: Kenneth David (guitar, fiddle, bass guitar); Bobby Dumatrait (guitar); Terry Huval (dobro, fiddle); David Rachou (fiddle); Reggie Matte (accordion); Tony Huval (drums, bells).
Audio Mixer: Tony Daigle.
Liner Note Author: Pete Bergeron.
Recording information: Louisianne Recording Studios, Lafayette, LA (05/11/1991).
Photographer: Ronald Guidry.
Unknown Contributor Role: Jambalaya.
Jambalaya Cajun Band: Terry Huval (guitar, fiddle); Bobby Dumatrait (guitar);
Instrumental Collection Music | List Price | $15.97 (You save $2.42) | | Category | Rock/Pop Albums, World CDs, Jazz, Blues, Cajun / Zydeco, Zydeco, Cajun Collections, Cajun, Zydeco Collections | | Label | Swallow | | Orig Year | 1992 | | All Time Sales Rank |  92694  | | CD Universe Part number | 1078627 | | Catalog number | 6094 | | Discs | 1 | | Release Date | Dec 08, 1992 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Jambalaya Cajun Band; Kenneth David; Reggie Matte; Tony Huval; Bobby Dumatrait; Terry Huval | | Engineer | David Rachou | | Recording Time | 46 minutes | | Personnel | Bobby Dumatrait - guitar
Reggie Matte - accordion
Terry Huval - guitar, fiddle
Tony Huval - drums, cow bell
Also: David Rachou, Kenneth David |
Jambalaya Cajun Band Instrumental Collection Songs | 1. | Hathaway Two-Step |
| 2. | Big Boy Waltz |
| 3. | Mamou Hot-Step |
| 4. | Chanson de Mardi Gras, Le |
| 5. | Chere Monm |
| 6. | Over the Waves |
| 7. | Veuves de la Coulee, Les |
| 8. | J'Ai Passe Devant Ta Porte |
| 9. | Bayou Teche Two Step |
| 10. | Valse de Grand Bois, La |
| 11. | Jambalaya (On the Bayou) |
| 12. | Osun Two-Step |
| 13. | Madame Sosthene |
| 14. | Mon Bon Vieux Mari |
| 15. | Quoi Faire? |
|
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This 1999 reissue contains five bonus tracks not on the original release.
Principally recorded at Down Town Studio, Los Angeles, California and Riverside Sound, Austin, Texas. Live tracks recorded at The Palace, Hollywood, California on September 23, 1983. Originally released on Epic (38734). Includes liner notes by Michael Ventura.
This is a Super Audio CD playable only on Super Audio CD players.
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This second volume of the complete recordings of Joe Liggins & His Honeydrippers opens with their final 13 sides for the Exclusive label recorded in Los Angeles in 1948 and 1949. There are lots of instrumental tracks here -- nine of the Exclusives, in fact. "Roll 'Em" was a big hit for Liggins, and deservedly so as it is one of his very best boogie-woogie exercises. "Big Baritone" bears more than passing resemblance to Liggins' opus of 1946, "Yvette." "Key Jam" seems to have been closely patterned on Duke Ellington's "Merry Go Round," while "End of a Kiss" resembles both "Don't Get Around Much Any More" and "I Guess I'm Just a Lucky So and So." For an R&B retrospective, this package sure holds a lot of jazz, proving once again that stylistic delineations are relatively illusory half of the time. "Three O'Clock Jump," a cheerful sequel to Count Basie, really rocks and rolls. Part of what made the Honeydrippers band so tasty was the presence of saxophonists James and Little Willie Jackson. The riff spectrum widens as "Hey Mama" and "Fascination" tap into tango and rhumba rhythms. There is a splendid rendering of "I Cover the Waterfront," and "Lonesome Guitar" (featuring Frank Pasley) is a masterpiece of slow blue reverie. ...
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The Atlanta swamp blues rocker's fourth album in four years introduces a new bassist, and more importantly a new female lead singer into the fold. All the elements coalesce immediately as the opening track, "You Don't Have to Go," kicks off with easygoing slide guitars setting up the low-boil funk as vocalist Kristin Markiton purrs the suggestive lyrics in a feisty but sexy croon. Certainly different than previous lead singer Gina Leigh, she nonetheless comfortably meshes with the band's established groove, trading lead vocals with songwriter/guitarist and occasional keyboardist Tom Gray on many of the tracks and bringing an old Delaney & Bonnie feel to the proceedings. A few rearranged covers from relatively obscure blues artists such as the late Frank Edwards ("Put Your Arms Around Me") and Jessie Mae Hemphill ("Lovin in the Moonlight") slot into the band's self-written originals that dominate the disc. The twin slide guitars of Gray and Mark Johnson generally control the vibe, bringing a simmering intensity to the Southern boogie of "Midnight Train," "Officer," and the driving "Let Tomorrow Be." Good and greasy, the arrangements find the space between the instruments, so this never shifts into twin guitar overdrive. Rather, the two lead players hover and intertwine their parts without overwhelming the atmosphere or escalating the dueling nature of the ...
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