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Petrucciani, Michel - Trio In Tokyo CD Cover Art CD music music CDs songs album

Michel Petrucciani Trio In Tokyo CD

 Michel Petrucciani Discography of CDs
5 stars (1 Customer Review)


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Recorded live at The Blue Note, Tokyo, Japan in November 1997. Includes liner notes by Pascal Anquetil.

Pianist Petrucciani was somewhat of a chameleon, inclined to go from mainstream jazz to more contemporary beats, which makes the rhythm team of electric bass guitarist Anthony Jackson and drummer Steve Gadd a good combination. They push and pull the pianist, flexing their fusion-oriented muscles while providing a swinging backdrop that Petrucciani can relate to, allowing him to exhibit his unbridled lyricism. This is a live club date done at the Blue Note in Tokyo, and the crowd response is indicative of the kineticism flowing on the bandstand from these three outstanding musicians. The trio swings hard on "Training," one of seven Petrucciani originals. It's a basic melody rivaling the best of Tommy Flanagan's work. Gadd's swing/funk informs "September Second," which sets the pianist on a melodic tear of modally repeated choruses as a basis for his startling improvisations. The lilting ballad "Home," with its slight samba inferences, goes into a disco shuffle and "Just the Way You Are" tonalities. Then the trio cuts loose for Petrucciani's flying bop number "Little Peace in C For U," a showstopper no matter your preference. Gadd's seldom-heard brush work on the ballad-to-easy-swing of "Love Letter" has the band gelling nicely, while "Cantabile" incorporates light funk underneath Petrucciani's paraphrasings of snippets from "Blues Skies" and "Without a Song." A more rambling melodicism that can go anywhere -- and does -- accents the modal, pedal-point base of the funky lite blue "Colors" with quotes straight from "But Beautiful" and "But Not for Me." As an encore closer, the trio begins politely on the Miles Davis evergreen "So What!," but grows energetic and animated halfway through. There is an emphasis on interplay, especially from Gadd on the latter bridgework. This is another posthumous reminder of how wonderful Petrucciani could be in a spontaneous concert setting, playing his own music with most capable musicians. Recommended. ~ Michael G. Nastos

/Steve Gadd/Anthony Jackson.

W/Steve Gadd+Anthony Jackson; Live At Blue Note,Tokyo 1997

Personnel: Michel Petrucciani (piano); Anthony Jackson (bass); Steve Gadd (drums).

Personnel: Michel Petrucciani (piano); Steve Gadd (drums).

Audio Mixers: Babass Grave; Cedric Grave; Jeff Grave; Rene Ameline .

Liner Note Author: Pascal Anquetil.

Recording information: Blue Note, Tokyo, Japan (11/1997); Blue Note, Toyko, Japan (11/1997).

Photographers: William Laxton; Jean Ber.

Translator: Charles Tobermann.CMJ (11/29/99, p.27) - "...the playing is remarkably supple, lyrical and expressive....the upbeat numbers are a glimpse of driving, undiluted emotion."
JazzTimes (5/00, p.134) - "...Keyboard wizardry....it is study in crescendo....the sensation of a floating bossa nova and [his] syncopated, jabbing left hand produces a wave of intensity so perfectly controlled you wonder whether the tempo has doubled....there is nothing more satisfying..."
Trio In Tokyo Music


Detailed Trio In Tokyo Music Information



Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Live Performances, Piano
Label Dreyfus
Orig Year 1999
All Time Sales Rank   56000  
CD Universe Part number 1078852
Discs 1
Release Date Nov 16, 1999
Studio/Live Live
Mono/Stereo Stereo
Producer Francis Dreyfus
Engineer Roger Roche
Recording Time 62 minutes
Michel Petrucciani Trio In Tokyo Songs


Michel Petrucciani Trio In Tokyo Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Training
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.September Second
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Home
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Little Peace in C for U
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Love Letter
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Cantabile
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Colors
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.So What

Trio In Tokyo Music


Trio In Tokyo Other Versions



Trio In Tokyo Music Review


Customer Trio In Tokyo Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars Mainstream reinvented
Although the late Petrucciani may be described as vaguely mainstream, he seems to reinvent the style every time he plays. In this live concert he uses to musicians not normally associated with the concept of acoustic mainstream jazz. Steve Gadd and Anthony Jackson are the kings of studio session musicians renowned for their grooving abilities. This unlikely trio strikes it off from the first note and keeps you pinned to your seat right up until the last theme from So What is played by would you believe Steve Gadd. (yes on the drums). There are all sorts of grooves and feels on this record and it all seems so natural that you don't realise that there is almost none of the traditional swing/shuffle feel in there. The level of playing is only matched by the sublime communication that the trio maintains throughout. Petrucciani has many surprises up his sleeve as he develops his ideas. On Home, he starts off with a solo ballad intro. This goes into a very laid back bossa-type feel for a while until he suddenly starts off a syncopated punctuated rhythm in the left hand which keeps going whilst the band gradually builds in intensity. Meanwhile his right hand improvises one passage after the other with ever increasing ebullience. The level of joy that he creates with this gets to the point where you don't think you take any more. Just at this moment every comes together in a homogenous tutti. Then take the encore, Miles Davis' classic So What. Here Petrucciani has changed the mode from the original Dorian to a kind of gospelish bluesy tonality. The form of this piece is so simple that only the really top musicians can create interesting forms out of it. What Petrucciani does has to be heard to be believed. His playing is totally absorbing and utterly infectious with the joy it communicates. It is simply impossible to stay in a bad mood for more than one and a half tracks of this stuff. So are there no downsides to this record. None musically. My only quibble is with the sound quality. The piano sounds fine on some of the tracks, but there are passages where the instrument has the sound of a cheap upright. It sounds as though the engineer may have been using too many mics and is having problems with out-phasing. Apart from that, this record is one of those got-to-have.
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