| | Robert Belfour What's Wrong With You CD Robert Belfour Discography of CDs
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This is Robert Belfour's debut, recorded when he was 59. Born and raised in northern Mississippi, Belfour's acoustic blues are confident and vivid, drawing on influences from the southern delta area of his state. After a move to Memphis and several decades spent working in the construction business, he began performing and touring earnestly in the mid '90s.
Besides his fluid fingerpicking style and strummed guitar playing, he's an impassioned singer and strong writer. These nine songs could have come from just about any decade in the 20th Century, from the '20s onward. Recorded with straightforward simplicity, this set's sound is rich and warm in detail. The album sounds timeless without being museum-bound reverent. Robert Belfour may be part of a tradition, but he's also brought Delta Blues forward with marvelous style and grace.
Acoustic Blues Price Change Eff.2/1/1
Recording information: Money Shot.
Personnel: Robert Belfour (vocals, guitar); Bryan Barry (drums).
Liner Note Author: Matthew Johnson.
CMJ (7/00, p.48) - "...A genuine juke-joint dog with enough bite in his bark to satisfy fans of Fat possum's outsider blues..." What's Wrong With You Music Robert Belfour What's Wrong With You Songs | 1. | My Baby's Gone | $0.99 | |
| 2. | Black Mattie | |
| 3. | What's Wrong With You | |
| 4. | Done Got Old | $0.99 | |
| 5. | Treat Me Right | |
| 6. | Walking' the Floor | |
| 7. | Norene | |
| 8. | Holding My Pillow | |
| 9. | Bad Luck | |
| What's Wrong With You Review
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Purchase What's Wrong With You CD To buy, Click on price to add to cart | Robert Belfour Pushin' My Luck CD (2003)
What's Wrong With You album
$12.59 Robert Belfour's sophomore effort for Fat Possum -- at 63, he is one of the youngest artists on the roster and is by far the most "polished," if the Delta blues can ever really be called that -- proves his debut was indeed only a beginning. In stark contrast to his labelmates, Belfour strictly plays acoustic blues, but he plays them with the same dark, trancelike feel of Junior Kimbrough, haunting spookiness of Fred McDowell, rhythmic intensity of John Lee Hooker, and sprawling drawl of Lightnin' Hopkins. Ted Gainey aids Belfour on a drum kit. While the first album was all of a piece, and everything but the vocal seemed to be recorded at the same level (and even then, Belfour couldn't always be understood among the ringing guitars and shuffling drums), Pushin' My Luck is nervier, a bit more edgy. Belfour's truly nearly unbelievable singing is a bit more in the foreground, enough to add to the hypnotic repetition in his music, while the drums -- played no more elaborately than Meg White's in the White Stripes -- are mixed just a tad higher, bringing it extremely close to the punch this stuff has when played in front of a live audience. Fans of Kimbrough's guitar playing ...
| | Joanna Newsom Milk-Eyed Mender CD (2004)
What's Wrong With You CD music
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| | Arcade Fire Funeral CD (2004)
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$13.85 Where a lot of indie pop bands pay lip service to the old punk "anyone can do it" spirit and the childlike aesthetic of bands from the Beach Boys through Young Marble Giants and Heavenly, it's rare to find a group who puts their money where their mouth is. The Birmingham, AL, sibling duo of Leslie and Reed Lochamy delivers on both counts: respectively, the Lochamys play banjo and clarinet on a song apiece for their debut album, despite the fact that neither had ever picked up either instrument. Meanwhile, the song "TV Shows" features a splatty free jazz-sounding trumpet from the duo's 11-year-old cousin, and the closing track, "So Mean," features lyrics written by another cousin, this one the ripe old age of five. They even do a version of the old Sesame Street song "Dressed for Tea," and the remarkable thing is that it sounds like an original. ...
| | Billy Boy Arnold Boogie 'N' Shuffle CD (2001)
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$14.49 At this point in his career, harmonica legend Billy Boy Arnold could just coast on his Chicago blues laurels, rehashing his old tunes and tricks whenever he decides to cut ...
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