Carmaig DeForest Death Groove Love Party CD

Death Groove Love Party Music

Category	Rock Albums, Jazz CDs, Rock/Pop, Experimental Rock
Label	Knitting Factory Works
Orig Year	1993
All Time Sales Rank	424437
CD Universe Part number	1079626
Catalog number	145
Discs	1
Release Date	Jan 15, 2002
Studio/Live	Mixed
Mono/Stereo	Stereo
Producer	Greg Freeman; Carmaig DeForest
Engineer	Greg Freeman; Vitus Matare
Recording Time	39 minutes
Personnel	Doug Wieselman - baritone saxophone Will Rigby - drums Jim Sclavunos Andrew C. Lewis Dan Olmsted Danny Frankiel - drums, percussion Haskel Joseph Jim McGrath - percussion Kathy McVey - tenor saxophone, vocals Ned Doherty - bass, piccolo bass, vocals Sara Lapsley - background vocals Tim Vaughan Carmaig de Forest - vocals, harmonica, guitar, ukulele Also: Gordon Gano

Carmaig DeForest Death Groove Love Party Songs

	1.	Million Dollar Bash
	2.	Dark Place
	3.	So Happy Together
	4.	One More Time
	5.	Ice in Her Eyes
	6.	I Feel So Bad Today
	7.	I Can't Get Used to It
	8.	Bend Down Low
	9.	Love Is Strong
	10.	Ponytail Song, The
	11.	Paula Walks
	12.	You Make It Easy
	13.	I Saw Her Standing There / Julie Among The Redwoods

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Originally released on Glitterhouse in Europe in 1991 but only seeing an American issue two years later as Caroline took advantage of the band's newfound major-label status, Tab...25 for many remains the high point of Monster Magnet as extreme downer psych/space rock. For good reason as well, thanks to the over half-hour-long title track that takes up the bulk of the space on the disc. Finding a perfectly steady head-nodder of a groove that wouldn't sound out of place at all on a Loop album, say, and with extremely strung-out guitar soloing madness to boot, "Tab...25" sounds exactly like the nightmarish orange-eye image on the back cover looks: weird, alien, and not quite in control of itself. Dave Wyndorf's singing consists mostly of the occasional wordless wail and slurred vocal, often treated with as much delay and flanging as the guitars themselves, though his one spoken-word break, however slightly inaudible, provides a bit of a rock to cling to amid the slow-grind chaos. Even more feedback and noise gets added as it goes, and while for some listeners patience will be tested, as a massive epic it just can't be beaten. Topping that is impossible, so wisely the group doesn't try, but the other two cuts also do the business in their own ways. "Longhair" is 12 minutes long, but rather than stonily zoning out, the band's rhythm section fires up and rips along, occasional breakdowns for breath aside, while the guitarists whip out some great, blunt playing that Hawkwind could be proud of. Wyndorf's singing is distorted on the verses to sound like bubbling molten lava come to life, while the instrumental conclusion slows down just a touch to concentrate on more almighty riffs before one last explosion. The brief "Lord 13" is much calmer in comparison, though still shot through with a tribal electric psych intensity that's worth hearing. ~ Ned Raggett Originally released on Glitterhouse in Europe in 1991 but only seeing an American issue two years later as Caroline took advantage of the band's newfound major-label status, Tab...25 for many remains the high point of Monster Magnet as extreme downer psych/space rock. For good reason as well, thanks to the over half-hour-long title track that takes up the bulk of the space on the disc. Finding a perfectly steady head-nodder of a groove that wouldn't sound out of place at all on a Loop album, say, and with extremely strung-out guitar soloing madness to boot, "Tab...25" sounds exactly like the nightmarish orange-eye image on the back cover looks: weird, alien, and not quite in control of itself. Dave Wyndorf's singing consists mostly of the occasional wordless wail and slurred vocal, often treated with as much delay and flanging as the guitars themselves, though his one spoken-word break, however slightly inaudible, provides a bit of a rock to cling to amid the slow-grind chaos. Even more feedback and noise gets added as it goes, and while for ...