| | Blue Dog What Is Anything CD Blue Dog Discography of CDs
What, indeed? One of the Knitting Factory's less successful exercises in musical genre-refraction, Blue Dog juxtaposes noise, metal, tango, jazz and what-not in a forced, post-modern admixture that never stays in one place long enough to make a coherent statement of virtually any kind. Composer Mitch Dobday has some excellent ideas, if only he'd commit to one or two for more than a few seconds at a time. The strained irony of the band's approach is just a little more than one can bear (the use of consecutive quotes from "The Girl from Ipanema" and "I Shot the Sheriff" is embarrassingly heavy-handed). There's some potential here; whether or not it's ever realized is up to the musicians involved. ~ Chris Kelsey
Recorded at The Disc, Detroit, Michigan.
Blue Dog: Mick Dobday (piano); Michael Graye (saxophone); Eric Gustafson (acoustic & electric guitars); Alex Trajano (drums).
Additional personnel: Keith Malinowski, Grover Tigue, Paul Randolph, Jaribu Shahid (bass); Roberto Warren (percussion).
Down Beat (11/94, p.58) - 3.5 Stars - Good Plus - "...Blue Dog elevates restless channel surfing into a style....Gags, quotes, and non sequiturs fly by....fine guitar work....Both smartass and kickass..." Blue Dog What Is Anything Songs | 1. | Blue Dog |
| 2. | Radio Bomba |
| 3. | E = MC5 |
| 4. | Theme - (I) |
| 5. | Dream - (II) |
| 6. | Ride - (III) |
| 7. | Flamenco - (IV) |
| 8. | Tango - (V) |
| 9. | Tarantella - (VI) |
| 10. | Bolero - (VII) |
| 11. | Audrey - (VIII) |
| 12. | Train - (IX) |
| 13. | Theme - (X) |
| 14. | Minor Threat |
| 15. | E = MC5 - (radio edit) |
|
What Is Anything Review
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Purchase What Is Anything CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ...
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On FIRST LOVE, contemporary jazz saxophonist and composer Everette Harp moves deeper into the space he addressed on 2007's excellent MY INSPIRATION. Produced by George Duke, the meld of acoustic and electric instruments here is perfectly balanced. Melodic and harmonic structures are much more complex and don't always fit the C-jazz cookie-cutter mold. Check his original "The Council of Nicea," one of the most satisfying things here. Harp's tenor is accompanied by James Genus' acoustic bass, and some spot-on ...
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AND THEN THERE WAS X was nominated for the 2001 Grammy Award for Best Rap Album and "Party Up" was nominated for Best Rap Solo Performance.
No other rapper exerts quite as much energy as Def Jam heavyweight DMX. With his adrenaline-pumped hip-hop anthems, Yonkers native DMX has taken the hip-hop industry by storm. His third album, AND THEN THERE WAS X came only one year after his highly-anticipated second album, FLESH OF MY FLESH..., which came only six months after his multi-platinum debut, IT'S DARK AND HELL IS HOT. With this series of rapid-fire releases, DMX was able to remain on the cutting edge of rap.
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Pamela Rose has a strong and versatile voice that is heard at its best on slower material when she expresses beauty through long notes. However, she also swings well at medium tempos. On Just for a Thrill, a wide-ranging program conceived by Rose and guitarist Danny Caron, she is joined on various selections by two different organ groups, a pair of excellent saxophonists, and a piano trio. The music ranges from Lil Armstrong's "Just for a Thrill" and "Lover Come Back to Me" to a version of "Learning the Blues" that recalls Dinah Washington, a heartfelt "La Vie en Rose," and some saucier material. The sidemen are uniformly excellent (both Jeff Ervin and Charles McNeil have spots on different selections to take saxophone solos), the organists keep the music grooving, and Pamela Rose shows that she is comfortable in several musical genres. Recommended. ~ Scott Yanow
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Holly Golightly isn't the only former Headcoatee with a solo career these days, and with her second album, Ludella Black is proving she's every bit as gifted as the best-known member of Billy Childish's Ladies' Auxiliary. From This Witness Stand features Black singing 14 songs, most written by her significant other, Mick Hampshire, and featuring the estimable backing of Hampshire's combo the Masonics, but even though she gets some valuable assistance on this set, Black is clearly the star of ...
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