| | Peter Bernstein Somethin's Burnin' CD - Import Peter Bernstein Discography of CDs
 (2 Customer Reviews)
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Guitarist Peter Bernstein, who was 25 at the time, made his recording debut as a leader on this CD. He plays quite well, as does his friend, the up-and-coming pianist Brad Mehldau. Teamed with bassist John Webber and drummer Jimmy Cobb, Bernstein and Mehldau (who was almost recognizable at this early point) play three of the guitarist's originals, four jazz standards, and Lee Morgan's "Mr. Kenyatta," all in the modern hard bop style. Although Bernstein (who often sounds a bit like Wes Montgomery) and Mehldau would grow quite a bit from where they were in 1992, this was a fine start for their careers. ~ Scott Yanow
impressive young guitarist playing w. swing, logic, feeling and taste w. drummer Jimmy Cobb
Recorded in New York, New York on December 22, 1992.
Peter Bernstein Quartet: Peter Bernstein (guitar); Brad Mehldau (piano); John Webber (bass); Jimmy Cobb (drums).
Personnel: Peter Bernstein (guitar); Brad Mehldau (piano); Jimmy Cobb (drums).
Liner Note Author: Mark Gardner.
Recording information: RPM Studio, New York, NY (12/22/1992).
Photographer: Alice Arnold. Peter Bernstein Somethin's Burnin' Songs Somethin's Burnin' Music Review Purchase Somethin's Burnin' CD To buy, Click on price to add to cart | Peter Bernstein Signs Of Life CD (1995)
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Pilar Nieblas was born in Cuba on April 8, 1979. Her childhood and part of her adolescent years were spent at her mother's town, a small city in northeast of Cuba named Holguin. At the early age of 5 years Pilar could read and write. Early on, her family enrolled her to study music in an artist’s academy. There she was taught music and how to play basic piano, classic guitar and to sing in a chorus. Additionally, she completed a course on radio stations, where she performed acting, writing scripts, and radio-stories. She was also a director's assistant and had a space on Saturdays to read and talk about her own poetry from the age of 12 to 15. At 15 she went to Havana (Cuba's capital) to continue her musical studies. At the Cuban National Art’s School she learned how to play Creole Ud and directed a small classical band, which performed at the museums and at activities arranged under the school's direction. By the age of 16, she started playing and singing professionally in a traditional and popular band named Realengo.Pilar began to prepare herself in performance. She went to a dancer's academy and she received singing lessons from the famous Cuban professor Robertina Morales. She started working and performed in many metropolitan places. It was May 2002 when she became part of the top Cuban orchestra Attache Habana, -experience that continued leading her artistic life when 4 members of that band decided to form a small project called Son4, directed by one of the most popular arrangers in Cuba: Asiak Sarria. They worked as an electronic salsa band for a while, but one of the members signed a contract to go to Austria and left, leaving the band in doubt and causing the members to seek other employment. Pilar spent some time arranging and songwriting music for other young singers, doing radio interviews, and creating tracks for fashion shows. Pilar did composing of whole soundtracks for the children's programs produced on the Cuban National TV Channel (work that she started in May 2001 in partnership with her ex-singing teacher and awarded composer Robertina Morales).By the middle of 2003 she was performing in a top cabaret located at the Riviera Hotel, Havana (dancing and singing every night), directed by Tomas Morales, who also was the art director for the great Tropicana Show. Pilar left in the month of September when she received an opportunity with a traditional band working at the Cuban Flagship Hotel "The National". At the National Hotel she learned how to play all kinds of percussion integral to Cuban music such as maracas, guiro and claves. She worked hard and gained a great ...
| | Brian Trainor Why Try To Change Me Now? CD (2006)
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Sadly, Why Try to Change Me Now? turned out to be the final studio project of Brian Trainor, who recorded this rewarding CD in 2004, 2005, and early 2006 and died of an aneurysm at the relatively young age of 55 on July 8, 2006 (two months before the album's release). And Why Try to Change Me Now? also contains some of the last recorded solos of tenor/soprano saxophonist Steve Marcus; Trainor still hadn't finished recording the disc when Marcus (who is heard on six selections) died in his sleep on September 25, 2005. A departure from Trainor's previous releases, Why Try to Change Me Now? was his first vocal-oriented effort. Trainor had employed singer Kelly Rodrigues on his Portraits album in 1994, but not extensively; Why Try to Change Me Now? marked the first time he featured vocalists on almost ...
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