| | Orrin Evans Listen To The Band CD Orrin Evans Discography of CDs
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Winner in the International Thelonius Monk Competition in 1999 presents his 4th recording as a leader for Criss Cross, with a band made up of creative improvisors like Nasheet Walts, Reid Anderson, Duane Eubanks, Ralph Brown & Sam Newsome
Personnel: Orrin Evans (piano); Ralph Bowen, Sam Newsome (saxophone); Duane Eubanks (trumpet); Reid Anderson (bass); Nasheet Waits (drums). The title of Evans' fourth Criss Cross album conveys his excitement over a new, steady trio configuration, with Reid Anderson on bass and Nasheet Waits on drums. Joining the pianist and his trio on many of the cuts are trumpeter Duane Eubanks, soprano saxophonist Sam Newsome, and tenor/alto man Ralph Bowen. This group seems to push Evans into freer, more rhythmically adventurous territory, particularly on a strikingly abstract rendition of "I Want to Be Happy" and on Eubanks' "Diva Black," which goes through a series of stirring tempo and feel changes. Most of the remaining material is quite good but not as unusual. One of Evans' frequent colleagues, bassist Darryl Hall, contributes the wonderful, Wayne Shorter-esque "In His Place," while Anderson, one of the best emerging composers in jazz, rounds out the program with the enigmatic ballad "Forgiven." Evans also waxes meditative with a solo piano rendition of "There Is a Quiet Place." The three Evans originals are "Dorm Life," a cut first heard on his 1997 debut Justin Time, along with "For Miles" and the rather stunning "Mat-Matt" -- named for his two young sons. There's plenty of substance to these pieces, but one should also turn to Evans' independently released Seed for a more complete picture of his compositional ability. All in all, however, there's superior playing from all involved, and an animating vision that makes Listen to the Band a significant step in Evans' career. ~ David R. Adler
Orrin Evans Listen To The Band Songs Listen To The Band Review
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| | Tardo Hammer Somethin' Special CD (2001)
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$13.49 The "underground king of New York bebop piano" makes his return. Here, Hammer continues to spin out elegant, swinging lines on such bop classics as Bud Powell's "John's Abbey" & Sonny Clark's "Somethin' Special."
Personnel: Tardo Hammer (piano); Dennis Irwin (bass); Leroy Williams (drums). Recorded at Systems Two, Brooklyn, New York on May 19, 2000. Includes liner notes by Monifa Carson. Personnel: Tardo Hammer (piano); Leroy Williams (drums). Recording information: Systems Two Studios, Brooklyn, NY (05/19/2000). On his second release ...
| | Bluebottle Kiss Come Across CD (2004)
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$15.19 Although only the group's second album to be distributed in the U.S., Come Across is the Australian band's fifth release, and it sounds it. Bluebottle Kiss' first record came out in 1995, which gave the quartet nearly a decade to tighten and refine their sound for this triumphant 2004 disc. Although by the liner notes alone this looks like a solo project for singer/songwriter/producer Jamie Hutchings who is clearly the band's driving force, the other three members -- augmented by Sophie Hutchings' glistening piano on nearly every track -- are to Jamie as the Who were to Pete Townsend and Crazy Horse were to Neil Young. They flesh out his poetic, often stream of consciousness ramblings, adding musical tension and passion to words and melodies that would not have the same impact without the band's input. Echoes of fellow Australians Paul Kelly, Midnight Oil and Nick Cave drift through these taut tunes whose lyrics are thoughtful and meaningful but never pretentious. The magnificent folk-turned-blistering-rock of "Everything Begins and Ends at Exactly the Right Time," complete with angelic choir, and the seven-minute epic "Cross Purpose," a story song whose doomy narrative is perfectly reflected in the yin-yang pull of the music, are a few of the outstanding set pieces. They work most effectively within the context of the album. Hutchings isn't a terribly happy guy, and his often bleak songs reflect the longing, guilt, conflict and occasional redemption of characters who likely mirror the songwriter's own demons and feelings. All of this turmoil makes for an intense listen that is not for those who are looking for easy resolutions or spoon-fed love songs. This is challenging, rugged, dramatic rock with folk tendencies woven intricately into its coarse fabric. Best digested whole where the dramatic songs build on and off each other, the unrelenting Come Across is a mature, fiery work that deserves to be heard by the masses. ~ Hal Horowitz
Come Across, Australian quartet Bluebottle Kiss' fifth full-length, and second to be released in the U.S., delivers an intense, narrative-driven, swinging affair and it has already received comparisons to such classic Australian rock albums as the Triffid's Born Sandy Devotional or Nick Cave's The Boatman's Call.Let's face it, though, the only people that don't realize the rich musical ...
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