Marva Wright Let Them Talk CD

Let Them Talk Music

List Price	$15.99 (You save $2.74)
Category	Rock/Pop Albums, R&B CDs, Blues, Soul/R&B, Urban Soundtrack
Label	Aim
Orig Year	2000
All Time Sales Rank	263754
CD Universe Part number	1080292
Discs	1
Release Date	Nov 28, 2000
Studio/Live	Studio
Mono/Stereo	Stereo
Producer	June Yamagishi; Glenn A. Gaines
Personnel	Brian Murray - horns Cornell Williams Nick Daniels - background vocals Marva Wright - vocals Also: Charmaine Neville, Terrence Simien, Big Chief Bo Dolls
Additional Info	Import

Marva Wright Let Them Talk Songs

1.	I'm Still Wearing Your Name	$0.99
2.	Difficult Woman	$0.99
3.	Love Away the Pain	$0.99
4.	Let Them Talk	$0.99
5.	Weight, The - (featuring Charmaine Neville/Terrance Simien/Big Chief Bo Dolls)	$0.99
6.	Rockin' Pneumonia (I Got It Bad)	$0.99
7.	I Been Hoodood
8.	You've Been Partyin' All Night	$0.99
9.	Maker, The - (featuring Terrance Simien)	$0.99
10.	Serve Somebody	$0.99
11.	Knocking on Heaven's Door	$0.99
12.	You Broke a Beautiful Thing	$0.99
13.	Guess Who?
14.	Cabbage Alley - (featuring Big Chief Bo Dolls)	$0.99

Let Them Talk Review

Guidelines
Remember to focus your comments on Marva Wright Let Them Talk CD.
Check our review guidelines for specific details regarding customer review policy.

To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days.

Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.

To buy, Click on price to add to cart

Also Bought

Johnny Otis 1945-1947 CD (2002)

Let Them Talk

$18.05

Growing up among Afro-Americans in Berkeley, CA, Greek-American Johnny Otis (born John Veliotes) always identified strongly with people of color. Before he had attained the age of 20 he was gigging with black jazz bands throughout the Southwest, and eventually organized an ensemble deliberately patterned after Count Basie's orchestra. This highly charged album of historical musical artifacts documents the very beginning of Johnny Otis' recording career. With one apparently unobtainable exception, the Classics Blues & Rhythm Series has assembled all of Otis' Excelsior recordings, made in Los Angeles between 1945 and 1947. This provides background and context for his more well-known Savoy material, and indeed for everything this amazing person accomplished during the second half of the 20th century. Otis' first act as ...

Also Bought

Philly Steps: Phila-La Of Soul & Arctic Records Remixed Hits CD (2004)

Let Them Talk

$12.85

Also Bought

Jan & Dean Surf City/Dead Man's Curve CD (2004) (Import) United Kingdom

Let Them Talk

$18.49

This two-fer from Beat Goes On features a pair of out-of-print Jan & Dean Liberty LP's: Surf City and Dead Man's Curve/The New Girl in School originally released in 1963 and 1964, respectively. Included among the 24 songs are the hits "Surf City," "Honolulu Lulu," "Dead Man's Curve" and "Linda," along with top-notch hot rod tracks like "3-Window Coupe," "Mighty G.T.O.," and "Bucket "T." This is an enjoyable, fun reissue recommended to both collectors and casual listeners. ~ Al Campbell Digitally remastered collation of two original albums on a single CD of the surf duo's first two releases as they appeared in the U.K. Both were released in 1963 and 1964 respectively and includes the hits "Surf City", "Dead Man's Curve", "The New Girl In School", "It's As Easy As 1,2,3", "Honolulu Lulu" and many more. 2 LPs on 1 CD: SURF CITY (1963)/DEAD MAN'S CURVE (1964). Jan & Dean: Dean Torrence, Jan Berry (vocals). Personnel: Glenn ...

Also Bought

J J Jackson But It's Alright CD (1967)

Let Them Talk

$9.95

Soul belter J.J. Jackson is best known for his 1967 smash, "But It's Alright," but he has some fine singles and a couple of excellent albums as well, and 1967's But It's Alright on the Calla label is one of them. Kicking off with the infectious title track, the record alternates between flat-out rockers like "I Dig Girls," "Come See Me (I'm Your Man)" (which was written by Jackson, covered by the Pretty Things, and then reclaimed powerfully here), and "Boogaloo Baby," midtempo groovers like "You've Got Me Dizzy" and "The Stones That I Throw," and ballads like "Try Me" and a righteous "A Change Is Gonna Come." Jackson's live-wire voice and boundless energy put the songs across and the band kicks up quite a storm as well. The only times Jackson stumbles are when he takes on Lou Rawls' "Love Is a Hurting Thing" and loses the battle and on the Temptations' "Ain't Too Proud to Beg," which is a boring instrumental version. Otherwise, the record is a bit of a lost gem and Collectables ...

Also Bought

Alexis Korner Kornerstoned: Anthology 1958-1983 CD (2006) (Import) United Kingdom

Let Them Talk

$24.79
While MUSICALLY RICH...AND FAMOUS documents the second half of British blues godfather Alexis Korner's career, KORNERSTONED adopts a more comprehensive approach, following the pioneering singer/guitarist from the very beginning of his musical life, all the way through every subsequent phase of his development. So we get not only his mid-1960s work with burgeoning blues-rock giants like Paul Rodgers and Steve Marriott, but also his `50s skiffle recordings (basically the British version of jug-band ...

Also Bought

B B King Mr. Blues/Confessin' The Blues CD (2005) (Import) Remastered; United Kingdom

Let Them Talk

$18.79

This CD contains B.B. King's first ABC-Paramount studio efforts -- Mr. Blues (1962) and Confessin' the Blues (1965), respectively. While there are inevitable similarities between the projects, offering them back-to-back allows listeners an acute sense of King's rapid maturation and development during what was by all accounts the nexus of the guitarist/vocalist's career. The dozen-song Mr. Blues was a haphazard start for King with the contents taken from three different recording sessions in a 13-month period (March 1, 1962 through April 11, 1963). Based on the results, the artist was being presented as a blues shouter, supported by an antiquated big band and/or orchestra. Arguably the best of the lot comes from the Maxwell Davis led ensemble on the first of several Big Joe Turner tunes, the Ahmet Ertegun penned "Chains of Love." The upgrade of Ivory Joe Hunter's "Blues at Midnight" is closer to the spirit of modern era King as he aptly demonstrates his singular testifyin' style. The fun and frolic of both "I'm Gonna Sit in 'Til ...