| | Anti-Heroes Underneath The Underground CD Anti-Heroes Discography of CDs
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The Anti-Heroes last album, American Pie, was an absolute classic. The kick to the head street punk was in full force along with songs that danced on the grave of Jerry Garcia. Just ignore the lyrical content that shifts in the direction of the right wing, and it's an instant party. This time around, with Underneath the Underground, the Anti-Heroes still maintain that grumpy old man attitude with the message of "kill your radio, kill your TV, buy American, " etc. Tough as nails and a lot of fun, but it's just not as explosive and in your face as their last album; at least they win the creative song title award for "Rich People Don't Go to Jail." ~ Mike DaRonco
Recording information: Bakos Amp Works.
Anti-Heroes: Mark Noah (vocals); Mark McGee (guitar); Mike Jones (bass); Don Shumate (drums).
Personnel: Mark Noah (vocals); Mark McGee (guitar).
Underneath The Underground Music Anti-Heroes Underneath The Underground Songs | 1. | More Stupid Than Stupid | |
| 2. | Phoenix Program | |
| 3. | N.L.C. | |
| 4. | I'm True | |
| 5. | Matt and Me | |
| 6. | Red and White and Black and Blue | |
| 7. | Rich People Don't Go to Jail | $0.99 | |
| 8. | World War 1.3 | |
| 9. | Sunset Limited | |
| 10. | Election Day | |
| 11. | Truckstop Toilet | |
| 12. | Underneath the Underground | |
| 13. | I'm True | |
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Underneath The Underground Review
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Purchase Underneath The Underground CD To buy, Click on price to add to cart | Anti-Heroes American Pie CD (1997)
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| | Train Drops Of Jupiter CD (2001)
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Additional personnel includes: Paul Buckmaster (conductor, arranger).
"Drops Of Jupiter" won the 2002 Grammy Awards for Best Rock Song and for Best Instrumental Arrangement ...
| | Twinkle Golden Lights CD (1993) Bonus Track
Underneath The Underground CD music
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Recalling Twinkle for anything other than the 1965 death ballad "Terry" demands a feat of memory far beyond the majority of British Invasion fans. But dismissing her as simply a one-hit-wonder whose greatest subsequent claim to fame was having a follow-up covered by the Smiths ("Golden Lights") is an injustice that this collection goes out of its way to remedy. "Terry" itself is magnificent -- Phil Spector meets the Shangri-Las on a rain-slicked English back-road. Banned by both the BBC and British TV's top pop show, Ready Steady Go, on the grounds of bad taste, it made the U.K. Top Five without touching the brakes and should have set up Twinkle for never-ending fame. And it might have -- one can only imagine what would have happened had her early career been handled by Andrew Loog Oldham, for example, as opposed to a last-gasp hurrah. For Twinkle's own team was considerably less well-versed in her requirements, while she herself swiftly lost patience with the star machine cranking noisily around her. The shimmering "Golden Lights," the follow-up single, was a barely disguised assault on the ease with which fame changes people, written from the point of view of a faithful girl spurned by her newly glittering boyfriend, while a sparkling cover of Reparata & the Delrons' "Tommy" was harpooned by Twinkle's own loathing of the song. By 1966, Twinkle had retired from the music industry; she was just 17. The first 14 tracks here wrap up Twinkle's heyday with every track she recorded for Decca, and almost all of them stand as shimmering peaks of Invasion-era pop. Three years elapse before "Micky" and "Darby & Joan" finally usher in the partnership she should have been enjoying the first time around. Coaxed out of retirement by Oldham, a new Twinkle 45 proved a mighty highlight for his short-lived Instant label (a subsidiary of Immediate), and that despite Oldham delegating production duties to Michael D'Abo. A third song from that period, "Soldier's Dream," closes the set out with what would have been her follow-up 45, had Twinkle not retired once again. In the great scheme of things, Twinkle was little more than a blip on the British pop scene of the mid-'60s -- how many other artists, after all, scored just one career-defining hit, only to discover they either didn't have, or didn't want, a career in the first place? Twinkle, however, deserves more. She wrote her own songs, she styled her own act, and she had a voice that puts one in mind of ...
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The Minor Canon is an indie rock band from Los Angeles, Calif.Gritty and melancholy, The Minor Canon's music is beautifully dirty and has been described as "honest to god stellar sad pop" (OC Weekly) and "Memphis soul on an indie bender" (Blackbook magazine). The Los Angeles Times named the band one of "10 to Watch in 2007" saying, "So there might not be much commercial potential in a seven-piece with a horn section, but the music is as heartfelt and as inventive as it gets."The Minor Canon began as the solo project of songwriter/singer/multi-instrumentalist Paul Larson (Strictly Ballroom, Dntel, Athalia), and has grown into a six-piece ensemble with a horn section, piano, organ, and, at times, two drummers. Larson’s guitar work can be heard on the much-anticipated new Dntel album (“Dumb Luck” on Sub Pop Records to ...
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