| | John Stetch Heavens Of A Hundred Days CD John Stetch Discography of CDs
Personnel: John Stetch (piano); Bill McHenry (tenor saxophone); Ben Street (bass); Jeff Ballard (drums).
Recorded at Systems Two, Brooklyn, New York on March 17 & 18, 2000.
Personnel: John Stetch (piano); Bill McHenry (tenor saxophone); Jeff Ballard (drums).
Recording information: Hartt Recording Studio (03/17/2000-03/18/2000); Systems Two, Brooklyn NY (03/17/2000-03/18/2000).
Photographers: Fernando M. Natalici; Jimmy Katz.
Award-winning Canadian pianist John Stetch leads a quartet comprised of tenor saxophonist Bill McHenry, bassist Ben Street, and the dynamic drummer Jeff Ballard on his second release for Justin Time Records entitled Heavens of a Hundred Days. Their grace, stylistic sensitivity, and rhythmic nuance pervade the senses on ten excellent compositions that alternate between the melodic, emotional piano and saxophone stylings of the title track to the up-tempo rhythms on "Rondeau." With sax lines matching note for note with Stetch's piano and Ballard's drums, the amazing interplay of the quartet will hold any jazz lover's attention. The fluid quartet performs a great interpretation of "Autumn in New York," providing vivid, imaginative music for the autumnal imagery with quiet tone colors. The pianist displays evolved compositional integrity and musical growth since his highly acclaimed release in 1998, Green Grove, and with these excellent musical ideas moves forward within the ranks of piano playing composers such as fellow Canadian pianists David Berkman and D.D. Jackson. ~ Paula Edelstein Heavens Of A Hundred Days Music John Stetch Heavens Of A Hundred Days Songs Heavens Of A Hundred Days Review
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Purchase Heavens Of A Hundred Days CD To buy, Click on price to add to cart | Dena DeRose I Can See Clearly Now CDs (2000)
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Vocalist's album brings more of what her fans have come to expect: unique arrangements of jazz & songbook standards brought vividly to life by a voice that is a rare combination of cool elegance & passion, beautifully performed by jazz musicians Joe Lock
Personnel: Dena DeRose (vocals, piano); Joe Frahm (soprano & tenor saxophones); Jim Rotondi (trumpet); Joe Locke (vibraphone); Dwayne Burno (acoustic & electric basses); Mark Taylor, Matt Wilson (drums).
Recorded at Systems Two, Brooklyn, New York on April 5 & 7, 2000. ...
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Martha Cinader\'sPo\'azz Yo\'azzLiving itFor once, we have a review of an album that hasn\'t been released yet. It can be obtained only from the artist Martha Cinader herself. Martha Cinader caught our attention with the phenomenal track \"Living it\", of which the Victor Simonelli remix is extraordinary. The reason this track caught our attention was because of the lyrics, yes, the lyrics ! The lyrics of \"Living it\" are one strong emotional outlet about life in its fullest effect. It breaths the spirit of a creative artistic energetic life which immediately catches ones attention. That made us look furhter at who the artist Martha Cinader was and brought us to her Po\'azz Yo\'azz album. This is not the ordinary album for sure ! It\'s clear that Martha Cinadar offers plenty of interesting views through her lyrics. In fact, she describes her music as a mixture between poetry and music and so it is. Listen to the track \"White Linen\" and you\'ll know. It\'s a sort of poem about becoming old in this society. \"Eat\" is completely differently styled, reflecting societies fast food way of living in both lyrics and tempo. There is \"Yes No\" on drum\'n\'bass music that in some way reflects the undeciding battles between loving people. Weird for sure as the music and lyrics go hand in hand with the emotions. Of course \"Living it\" is here too, but in a much more intimate disguise on drum\'n\'bass music. Here, the vocals get much more accent than on the Victor Simonelli remix. More poetry goes in \"Rosebud\" and \"Belated Mother\'s day\", where we hear Martha Cinader\'s soft voice telling the Rosebud poetry on piano background or the \"Belated Mother\'s day\" on violin. Finally, there is \"Po\'azz yo\'azz\" where Martha Cinader is sort of introducing what it is all about. A little strange she puts this track on the last position. She tells about the mixture of poetry and jazz, about digging one\'s soul to express emotions, and feelings. And that\'s exactly what she has been doing in this full album. It\'s perhaps a combination we\'re not so used to these days, but it\'s sure that Martha Cinader brings an original way of making music, poetry and emotions. She seems to be the kind of person that goes for her own ideas, style, feeling, interpretions, without giving in to commercially dictated styles. And that alone is great !Ý- Freestyle Grooves\"This is a good marriage of spoken word and drum n\' bass. It\'s fresh and definately a new take on things.\" ---- DJ Marquess Wyatt, MIXMAG USA, Feb./March 1998 DMA\" LIVING IT \"DJ JeannieHopper and Sabine Worthmann Featuring Martha Cinader\" You know in this job as a reviewer, I listen to a LOT of vinyl, and it\'s actually VERY rare when something really jumps out and grabs me as much as this piece did. DJ Jeannie Hopper and the LSL crew really caught my attention with this very creative project that marries some interesting spoken word-smithing with various jazz-rooted remixing styles. On the A side, even the ...
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