| | Olivier Messiaen: Complete Organ Works, Vol. 1 CD Innig, Rudolf CDS
Olivier Messiaen: Complete Organ Works, Vol. 1 Music | List Price | $17.97 (You save $3.52) | | Label | MDG | | Orig Year | 5/21/1996 | | CD Universe Part number | 1081037 | | Discs | 1 | | Release Date | May 21, 1996 | | Recording Time | 47 minutes |
Olivier Messiaen: Complete Organ Works, Vol. 1 Review
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Olivier Messiaen: Complete Organ Works, Vol. 1 Music Composers on Olivier Messiaen: Complete Organ Works, Vol. 1 CD : Olivier Messiaen Performers on Olivier Messiaen: Complete Organ Works, Vol. 1 CD : Rudolf Innig Purchase Olivier Messiaen: Complete Organ Works, Vol. 1 To buy, Click on price to add to cart | Trans-Siberian Orchestra Beethoven's Last Night CD (2000)
Olivier Messiaen: Complete Organ Works, Vol. 1
 $10.49   
BEETHOVEN'S LAST NIGHT is a rock opera conceived by Paul O'Neill.
Recorded at Soundtracks, Stellar Productions & Studio 900, New York, New York. Includes liner notes by Paul O'Neill.
Personnel includes: Jon Oliva (vocals, piano, keyboards, bass); Patti Russo, Jody Ashworth, Guy Lemmonnier, Jamie Torcellini, Sylvia Tosun, Zak Stevens, Dave Diamond, Doug Thoms (vocals); Paul O'Neill (acoustic & electric guitars); Dave Wittman (guitar, bass, drums); Al Pitrelli (guitar, bass); Chris ...
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$9.39 
CHRISTMAS COLLECTION is also available with a bonus disc in the limited edition IL DIVO GIFT PACK.
Quickly following up the success of its 2005 self-titled debut, the international pop/opera quartet Il Divo unveiled its first Christmas album later that year. Vocalists David Miller (US), Sebastien Izambard (France), Urs Buhler (Switzerland), ...
| | Phantom Of The Opera CD (1987) Original Soundtrack
Olivier Messiaen: Complete Organ Works, Vol. 1
$15.79
Music composed by Andrew Lloyd Webber. Lyrics by Charles Hart.
It's a testament to Andrew Lloyd Webber's crowd-pleasing compositional skills that the original cast recording of THE PHANTOM OF THE OPERA went on to become the biggest-selling cast album ever. So when the time came to adapt his music for the film version of the monumentally successful theatrical work, Webber enlisted the aid of longtime collaborators Nigel Wright and Simon Lee. They produced an expanded orchestral version of the score, grander and more sumptuous than the original, and assembled a 100-member ensemble to do it justice.
However, the tragic story of the disfigured Phantom and Christine, the beautiful object of his desire, cannot be told without powerful performances of those roles. Gerard Butler and Emmy Rossum quickly dispel any concerns regarding the adequacy of their portrayals. Butler's full-blooded renditions of "The Music of the Night" and the title song are tinged with a dark eroticism, while Rossum's account of "Wishing You Were Somehow Here Again" skillfully conveys her character's vulnerability and conflicted feelings. The soundtrack also features a newly penned song by Webber, the poignant "Learn to Be Lonely," sung by Minnie Driver, who appears in the role of Carlotta in the film.
All tracks have been digitally remastered.
Emmy Rossum,Patrick Wilson, Minnie Driver.
Recorded at EMI Studios & Audio International, London, England. Includes liner notes by Andrew Lloyd Webber.
Principal cast: Michael Crawford (The Phantom Of ...
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Live Recording
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$20.39 | | Al DiMeola Grande Passion CD (2000)
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Recorded from February-April 2000. Includes liner notes by Al DiMeola.
A rich, moody tapestry with flashes of fire, this CD incorporates elements of jazz, fusion, classical, Latin, tango, and Middle Eastern music. Sounding like the romantic soundtrack to an excellent foreign film, it's full of splendid moments, like the wash of colors on "Double Concerto," a sinuous composition by Al di Meola's "musical father and friend," Astor Piazzolla. Di Meola interprets two more beauties from the late Argentine tango legend -- the tender "Soledad" and the churning, incendiary "Libertango," where he uses MIDI technology to approximate the classic bandoleon sound -- and offers six of his own. One of them, the title track, could be the most gorgeous, soulful melody of 2000, stated in ways alternately delicate and powerful; when it finally crescendos it's like the ocean lifting, with the sun sparkling on it. His "Opus in Green," written with fine Argentine pianist Mario Parmisano, is very Return to Forever-like. Di Meola has phenomenal technique and a gift for unhackneyed writing; his famous blistering runs are in here, but only when they further the music -- not gratuitously added for their own sake. The arrangements by di Meola and Parmisano make optimal use of the Toronto Symphony Orchestra and soloists, creating an organically textured whole rather than the stringy soup that too often drowns such collections. ~ Judith Schlesinger
Acoustic Guitars & Percussion
Personnel: Al di Meola (acoustic guitar, bandoneon, oboe, electric piano, cymbals, dumbek, percussion); Hernan Romero (vocals, guitar, charango); Arto Tuncboyaciyan (vocals, percussion); Erica Goodman (harp); Wendy Rose, Bridget Hunt, Virginia Wells, Victoria Richard, Carol Fujino (violin); Daniel Blackman, Christopher Redfield, Kent Teeple (viola); Audrey King, David Hetherington (cello); Cynthia Steljes (oboe); Michael Sweeney (bassoon); Oscar Feldman (tenor saxophone); Michael Mossman (trumpet); Harcus Hennigar, Fred Rizner (French horn); Mario Parmisano (piano, synthesizer, percussion); John Patitucci (acoustic bass, bass guitar, percussion); Gumbi Ortiz (congas); Gilad (percussion).
Recording information: Churchhill Recording Studioss, NJ (02/2000-04/2000).
Unknown Contributor Role: Toronto Symphony ...
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Neil Luckett is a contemporary composer who writes for classical guitar and chamber ensembles. He also plays and sings in alternative rock group "TV for Dogs".Reviews:"Luckett's performance of these works is superb..... colourful and imaginative throughout"-Classical Guitar Magazine "a truly talented player" -Guitarist Magazine "Not only is Neil Luckett a first class guitarist, he is also a brilliant composer for the instrument. He uses the instrument in a highly imaginative way, his music is both lyrical and dynamically charged. Makes me think of an English Leo Brouwer." -Timothy Walker, Royal Academy of Music "Melodic throughout, Luckett's most recent interludes are subtly seductive and offer ambient nods toward the experimental... A welcome addition ...
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