| | Bassholes When My Blue Moon Turns Red Again CD Bassholes Discography of CDs
Personnel: Don Howland (vocals, guitar); Jon Wahl (harmonica, saxophone, organ); Bim Thomas (drums). Recording information: Grandmaster And Studio 12, Hollywood, CA (1998). Photographer: Jay Brown . A staggering 21 tracks long, the Bassholes' 1998 double-album, WHEN MY BLUE MOON TURNS RED, doesn't expand on the group's punked-out blues sound so much as hammer it down into a definitive statement of purpose. There are detours throughout, as on the brooding, Hammond-soaked "Swimming Blues" and the totally unexpected Joy Division cover, "Interzone," but drummer Bim Thomas and singer/guitarist Don Howland bash and wail through each twist and turn with equal aplomb. A document of a good band at its peak, WHEN MY BLUE MOON TURNS RED is timeless and tough, harrowing and compelling, challenging and all the better for it. When My Blue Moon Turns Red Again may just be the definitive statement and expression of the Bassholes' fuzzy-boundaried dilemma of blues, punk, noise, and avant-garde rhythm rock. Landing as it does on the hells of the obtuse, experimental subterranean howl of an album Longway Blues, it'd be hard to think that the Bassholes didn't use that album as an exercise in honing their core out-rock, rock-out sound. On its own, this is a double LP of their trademark wail. Singer/guitarist Don Howland barely keeps up with the slinky, demanding freestyle blues improv drumming of Bim Thomas, but they lock into one another and can clearly read their own idiosyncratic roadmap. The LP is best either taken in small doses or consumed complemented by a six of Budweiser. It's a refreshingly bleak affair. Howland does have a knack for getting at the emotional core of the blues while offering just enough of the style's formal trappings to make you believe that he may just be rocking out. That's why the cover of Joy Division's "Interzone" is utterly perfect here. It's bleak emotional landscape and deceptively simple tune is the perfect canvas for Howland's red-blooded, deep cover blues subterfuge. ~ Chris Handyside When My Blue Moon Turns Red Again Music Bassholes When My Blue Moon Turns Red Again Songs | 1. | Microscope Feeling |
| 2. | I Saw Beauty |
| 3. | Platform Blues |
| 4. | Born To Die |
| 5. | Cockroach Blues |
| 6. | Florida Bus |
| 7. | Bowling Ball |
| 8. | She Came On The Bus |
| 9. | Interzone  |
| 10. | Evil Eagle |
| 11. | Hell Blues |
| 12. | 7 Days |
| 13. | For The River |
| 14. | Swimming Blues |
| 15. | Virginia Valley Blues |
| 16. | Jack And The King's New Ground |
| 17. | Judge Harsh Blues |
| 18. | Moody |
| 19. | Girls Girls Girls |
| 20. | Nakema |
| 21. | (I'm Gonna) Write Me A Letter |
| When My Blue Moon Turns Red Again Review
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$12.85 The singer, songwriter, and LATE NIGHT WITH CONAN O'BRIEN performer Stoley is a former member of the Chicago band the Lupins. His debut album as part of a "power trio" (the P. T. of the band's moniker) combines the loose raunch of the Replacements with the Pixies' mordant pop hooks.
Hailing from New York City by way of outer-space, Stoley P.T. create rambunctious, noisy power-pop bursting with bare-bones guitar-and-drums grit and swirling, synth-filled sweetness.Led by Stoley, a scummy little singer/songwriter turned guitar zero with a resume boasting such credentials as mass-market radio DJ, MTV contest winner, and regular Late Night with Conan O'Brien bit actor, and rounded out by drummer Rob Draghi and bassist David Jr., Stoley P.T. is a power trio bringing fourth an aggressive yet casual brand of rock and roll that kicks you in the face 'til you bleed and then rubs your back and asks if you're feeling any better.Their latest release, Lesson #1 (In Music We Trust Records), is a 10-song slice of life explosion that chronicles despair, hope, death, loneliness, rejection, and ultimately decision-making in a universal, easy-to-relate to way, whether Stoley is singing about not being good enough ("Amateur B.S.") or the beauty in sadness ("Snowflakes").The voyage begins with "T.Y.S.", an emotional mid-tempo chug-chug that sets the stage as Stoley sings "Good morning chest pains, it's nice to have you back where you belong" and builds into a heart-stopping scream-a-thon."It's the first song on the record I suppose because it serves as a manifesto of sorts," explains Stoley. "It kind of sums up this twisted funny/sad perspective ...
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