| | Right In The Nuts: Aerosmith CD
Detroit's Small Stone Records pays tribute to Aerosmith with the two-CD set Right in the Nuts. On this album, known Detroit rockers Five Horse Johnson, Speedball, and Soul Clique join the city's diabolical rappers Natas. Lined up right beside them are such underground hard rock heroes as Electric Frankenstein, Raging Slab, and Drunk Horse. Also on the tribute is Puny Human. (Small Stone released the debut LP by this New York band.) Their sound is a heavy sludge rock cross between White Zombie and Black Sabbath. ~ Tom SchulteAlternative Press (12/00, p.112) - 3 out of 5 - "...If you like maximum riffs with your bong hits...this tribute will feed your Aerosmith jones..."
CMJ (10/00, p.57) - "...Sets the 2nd-generation stoner contingent loose on a new set of licks and promises....worth hearing..." Right In The Nuts: Aerosmith Music Right In The Nuts: Aerosmith Songs Right In The Nuts: Aerosmith Review
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This ten-track compilation appeared at a time when Jennifer Warnes had released only two albums on Arista, resulting in five pop singles chart entries, including the Top Ten hit "Right Time of the Night" and the Top 40 hit "I Know a Heartache When I See One." This album contained four of the five, plus "Could It Be Love" and "Come to Me," which subsequently charted, a third newly recorded song, "Run to Her," two LP tracks composed by Warnes, and "It Goes Like It Goes," the theme from the movie Norma Rae, which had won an Academy Award. It is easy for consumers to pick it up assuming it contains later Warnes hits like "Up Where We Belong" and "(I've Had) The Time of My Life." In fact, since Warnes has been on many labels and several of her hits are one-off movie themes, there is no reliable compilation of her work; this works more as an overview of part of her career, not the whole thing. ~ William Ruhlmann
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This album, originally released as a double LP in early 1975, was supposed to buy a little time for Argent as the group worked two new members, John Verity and John Grimaldi, into its lineup in the wake of the departure of co-founder Russ Ballard. As a result, it showcased a band that had already evolved out of the sound represented here, which must have seemed a pity for the fans who bought it. The sound captured on this album combines equal measures of progressive rock and hard-driving pop/rock into a whole that never lost its sight on rock & roll, as on "Thunder and Lightning" and "Music of the Spheres," or the more traditional sound of "Keep on Rollin'." With Ballard's guitar and the rhythm section of Jim Rodford (bass) and Bob Henrit (drums), the band could only stray so far from rock, and they and keyboardist Rod Argent, pulling in those opposite directions, ended up creating a scintillating whole on much of this record. Even the extended jams are focused and always maintain some serious forward momentum, though the opener, "The Coming of Kohoutek," comes dangerously close to fatal digression -- one can only quote Berlioz so far before the piece it's in loses its purpose as rock & roll. The 11-minute jam of "Hold Your Head Up" seemed a little excessive at the time -- a reaction probably caused, in part, by the substandard pressings by which the vinyl version of this release was seemingly universally represented -- but it holds up well today. And the band encored with "Time of the Season," a selection with which no one could possibly take serious issue -- ...
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Furious Frank is a formidable yet friendly group of Chicagoans who, on their debut album The Hobocamp Mud Show, are diligently working at the perfection of a unique ...
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