| | Hooters Nervous Night CD Hooters Discography of CDs
 (4 Customer Reviews)
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Nervous Night MP3 Album Price: $9.99
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Personnel: Eric Bazilian (vocals, guitar, mandolin, saxophone); Björn Ulvaeus (vocals, guitar); Rob Hyman (vocals, keyboards); Andy King, Patti Smith, Patty Smyth, Andrew King (vocals); John Lilley (guitar); David Uosikkinen (drums).
Audio Mixers: David Thoener; William Wittman.
Recording information: Record Plant Studios, New York, NY; Studio 4, Philadelphia, PA.
Photographer: Mark Chin.
For the youth of 1980s Philadelphia, The Hooters were local gods among men, occupying an echelon of hometown greatness just one level below Ben Franklin and Phillies slugger Greg Luzinski. Though most City of Brotherly Love natives agree that the band's best album is AMORE (The Hooters' 1983 indie debut), NERVOUS NIGHT is the record that broke The Hooters nationally and made them, albeit briefly, darlings of MTV. The disc includes re-recorded and significantly souped-up versions of a few of AMORE's biggest hits ("All You Zombies," Hanging On A Heartbeat") as well as the radio staple "And We Danced." Sonically, NERVOUS NIGHT's production smoothes out the group's punkish, early Police-esque edge, but also beefs up the vocal harmonies and rhythm section, giving the record a more forceful overall feel.
Often overlooked, the Hooters' Nervous Night was a defining record not only for the band, but for 1985 itself. Filled to the brim with fun, danceable new wave-ish rock, the album is a wonderful representation of a lighthearted era. The peppy vocals of keyboardist Rob Hyman and guitarist Eric Bazilian give the band an assured, happy energy, while the sporadic use of the mandolin and melodica (a combination harmonica/keyboard) gives the group its distinctive sound. "And We Danced" and "Day by Day" became instant pop hits, but the remainder of Nervous Night is almost as strong. "All You Zombies," which refers to stories in the Bible, is the band's most powerful moment; along with "Where Do the Children Go," the track showed that the Hooters could be serious and dramatic as well as upbeat. Although the band wasn't able to maintain its momentum with subsequent records, Nervous Night remains a noteworthy contribution to mid-'80s rock and doesn't sound quite as dated as the work of some of the band's contemporaries. ~ Kenyon HopkinCMJ (1/5/04, p.16) - Ranked #20 in CMJ's "Top 20 Most-Played Albums of 1985"
(8/94, p.125) - 4 Stars - Excellent - "...The Hooter's sound was warm and intensely melodic..." Hooters Nervous Night Songs | 1. | And We Danced (MP3) | $1.29 | |
| 2. | Day by Day (MP3) | $0.99 | |
| 3. | All You Zombies (MP3) | $0.99 | |
| 4. | Don't Take My Car Out Tonight (MP3) | $0.99 | |
| 5. | Nervous Night (MP3) | $0.99 | |
| 6. | Hanging on a Heartbeat (MP3) | $0.99 | |
| 7. | Where Do the Children Go (MP3) | $0.99 | |
| 8. | South Ferry Road (MP3) | $0.99 | |
| 9. | She Comes in Colors (MP3) | $0.99 | |
| 10. | Blood From a Stone (MP3) | $0.99 | |
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Nervous Night Music Review Average Rating: (5 out of 5 stars)  MUST HAVE ALBUM
Excellent; music comes to life
Submitted by gingerswalm (Harrisburg, PA) 
Was This Review Helpful? Yes No Hooterific!
Every song on this CD is great. Not like most CD's where there are only 2-3 good songs. Listen to it a few times and you'll be a fan forever!
Submitted by Traci (Woodward, OK)
Was This Review Helpful? Yes No A wonderful surprise
I got this CD the moment it arrived in stores. As a Hooters fan, l was pleasantly surprised at what l found here - true to themselves, the Hooters re=created some of their sound, adding in more of their reggae roots (see thei first, Indie CD), and a whole slew of other instruments not seen in a rock band. Best of all, this album is *not* sterile! lt reflects a good bit of the joy this band gives and takes, in concert. All in all a wonderful surprise, and l highly recommend it. The big hit is 'And We Danced,'but don't judge this band until you hear 'She Comes In Colors' and 'Don't Take My Car Out Tonight'. You're in for a good ride,with this CD.
Submitted by a reviewer (Detroit, MI)
Was This Review Helpful? Yes No Great New Sound for its Time
This group really surprised me with the Regae sound becuase I really like Rock/Pop more, but they seem to pull it together enough to sound great and bend my ear to listen to it. Now, being from Philadelphia, I might be a little biased towards them, nevertheless, I still enjoy hearing them play !
Bob Kennedy
Submitted by bobalkennedy (Reading, PA)
Was This Review Helpful? Yes No | Have you heard this album? |  |
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Recording information: 1970.
Photographer: Tom Gundelfinger.
Unknown Contributor Roles: Nick St. Nicholas; Steppenwolf.
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"This album raises the bar for musicians everywhere."-- Las Vegas City Life"superfine -- a knockout blow"-- New Orleans Gambit Weekly "Heller takes jazz and makes it alive again."-- Philadelphia InquirerSkip Heller, Bob Drasnin and the Seattle-based battling rhythm section of organist Joe Doria and drummer John Wicks, rematched shortly after their celebrated Battle. Tunes by Grant Green, Bob Dylan, Duke Ellington, Les Baxter, Thelonious Monk, and other fine fine superfine Americans.Guest vocalist Stan Ridgway, too.Fakebook has generated serious raves in the press.Also -- the disc is embedded with a bonus whole other album in mp3 form, containing old favorites and previously unreleased gems. Plus a Quicktime movie of SH being interviewed.AND contains almost all of the tracks from BATTLE IN SEATTLE, which is now out of print forever.
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Recorded in the English countryside with producer Ben Hillier (Doves, Elbow), the Futureheads' sophomore album, NEW AND TRIBUTES, finds the Sunderland-based quartet building on their crisp, punchy self-titled debut. On this outing, the group offers up its trademark euphoric four-part vocal harmonies, while tempering fierce guitar lines and hard-hitting rhythms with more expansive and melodic arrangements. The wonderfully catchy single "Skip to the End" reinforces the Futureheads' link to revered New Wave post-punk acts, particularly, in this case, XTC. Those who favor the Futureheads' more aggressive side will be pleased by the furious "Return of the Berserker," but, overall, the disc goes for a thoughtful, multi-layered approach, as evinced on the melodic track, "Back to the Sea." Easily one of the finest British rock releases of 2006, NEW AND TRIBUTES is the sound of a youthful band maturing while still retaining its initial verve.
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