| | Aerosmith Toys In The Attic CD Aerosmith Discography of CDs
 (12 Customer Reviews)
A truly inventive Aerosmith album, still suffused with a gloriously raspy sense of the blues, but quietly evocative in its timbre and approach. It showed Tyler working out lyrics that were so much more than simple cars and girls fodder, 'Adam's Apple' theorizing that creation could quite possibly have occurred with an alien mothership landing on earth and setting the wheels of the human race in motion. 'Sweet Emotion' throbbed slowly into life, 'Big Ten Inch Record', a salty R&B work-out, while 'You See Me Crying' was heightened and given body by a warm orchestration. A clear steeple of great work amid a skyline of repeating successes.
Recorded at the Record Plant, New York, New York.
Personnel: Joe Perry (vocals, guitar, acoustic guitar, slide guitar, percussion, background vocals); Steven Tyler (vocals, harmonica, keyboards, percussion); Joey Kramer (vocals, drums, percussion); Tom Hamilton, Brad Whitford (guitar); Scott Cushnie (piano); Jay Messina (marimba, percussion).
Recording information: Record Plant, NY; The Record Plant, NY.
Directors: Steve Leber; David Krebs.
Illustrator: Ingrid Haenke.
Photographers: Bob Belott; Jimmy Lenner, Jr.; Jimmy Ienner, Jr.
Arrangers: Jack Douglas; Aerosmith; Michael Mainieri, Jr.; Steven Tyler.
Aerosmith: Steven Tyler (vocals, harmonica, keyboards, percussion); Joe Perry (acoustic guitar, slide guitar, percussion, background vocals); Tom Hamilton (guitar, bass); Brad Whitford (guitar); Joey Kramer (drums, percussion).
Additional personnel: Scott Cushnie (piano); Jay Messina (bass marimba).
Q (6/91) - 4 Stars - Excellent - "...Aerosmith at their best don't just let their songs rest on a good riff, and "Toys" is full of the intricate harmonies and nifty instrumental breaks that make a hard rock record fun to listen to even with the volume down low..." Toys In The Attic Music | List Price | $7.94 (You save $1.19) | | Category | Rock Albums, Pop CDs, Rock/Pop, Hard Rock, Super Audio | | Label | Columbia | | Orig Year | 1975 | | All Time Sales Rank |  424   | | CD Universe Part number | 1087810 | | Catalog number | 57362 | | Discs | 1 | | Release Date | Sep 07, 1993 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Jack Douglas | | Engineer | Jay Messina | | Recording Time | 37 minutes | | Personnel | Steven Tyler - vocals, harmonica, keyboards, percussion
Joe Perry - vocals, guitar, acoustic guitar, slide guitar, percussion, background vocals
Tom Hamilton - guitar, bass
Joey Kramer - vocals, drums, percussion
Brad Whitford - guitar
Also: Scott Cushnie, Jay Messina | | Additional Info | Remastered |
Aerosmith Toys In The Attic Songs Toys In The Attic Music Review Purchase Toys In The Attic CD To buy, Click on price to add to cart | Aerosmith CD (1973) Remastered
Toys In The Attic album
 $6.75  
Also available in a 3-pack with GET YOUR WINGS and TOYS IN THE ATTIC.
With their sharp-edged, bluesy swagger and irresistible riffs, Aerosmith made some of the best and most ...
| | Aerosmith Get Your Wings CD (1974) Remastered
Toys In The Attic CD music
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By the time Aerosmith released GET YOUR WINGS they were gaining serious momentum as edgy, sassy hard rock contenders. The band's sophomore effort, WINGS was the first time the five-piece band hooked up with eventual long-time producer Jack Douglas, and the result was an eight-song juggernaut of slashing guitars, pounding rhythms, and in-your-face attitude. The band's trademark dual-guitar raunch and vocalist Steven Tyler's vowel-chewing yelp can be heard loud and clear on slinky rockers like "Same Old Song and Dance" and "Pandora's Box."
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This is a Hyper CD, which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser.
It will always be a mystery how a grown man can spend his life wearing ...
| | Bat Head Soup: A Tribute To Ozzy CD (2000)
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Ozzy Osbourne may well be ripe for mainstream acclaim as a founding father of heavy metal, but thankfully Bat Head Soup: A Tribute to Ozzy is not one of those increasingly common, cute, and "eclectic" tribute albums where bands and artists are seemingly chosen on the basis of how far away they are, musically, from the honoree. Nor is it -- like Legend of a Madman, Ozzified, and Land of the Wizard, the previous Osbourne tributes -- an attempt by record labels to showcase the no-name acts on their roster. This one gives the Ozzy Osbourne songbook the full-bore, hard rock treatment with a lineup that includes members and ex-members of Ratt, Kiss, Night Ranger, Poison, Slaughter, Twisted Sister, and Judas Priest, to name just a few. There are more guitar heroes, virtuoso bassists, hotshot session drummers, and '80s wild-child screamers in this lineup than you could shake a dead pigeon at. Most of the covers are, by and large, faithful to the originals, if a little too heavy on the guitar pyrotechnics, but that comes with the territory on an album that features Paul Gilbert, Reb Beach, Richie Kotzen, Steve Lukather, George Lynch, Doug Aldrich, Dweezil Zappa, Brad Gillis, and Yngwie Malmsteen. On the one hand, the guitar overkill is what keeps the songs from being note-identical copies of the originals; on the other, it is a tiny bit hard to digest after a point if you're not a shred fan. Speaking ...
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This digitally remastered edition features sleevenotes by John Tobler.
Elton John was in something of a transitional period in the early 1980s. After he stopped touring in 1977, he continued to appear on the charts, but he no longer dominated them. In 1982, when JUMP UP was released, he was tinkering with his sound, as some of the more synthesizer-driven songs here demonstrate. But, more importantly, his extraordinary partnership with Bernie Taupin had broken up and reformed, leaving Taupin as one of four lyricists on JUMP UP; it was the Taupin collaboration on "Empty Garden," a tribute to John Lennon, that proved to be ...
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Madlib's Sound Directions project follows in the footsteps of Yesterdays New Quintet by presenting a small group of jazz players (most, if not all of them, Otis Jackson himself) loosely playing a down-home and funky brand of jazz music perfectly suited for a hip lounge. The Funky Side of Life is heavy on the covers -- not standards -- and that makes a big difference. (Jackson usually just needs a good riff to cover his vamping style ...
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