| | Miles Davis Get Up With It CD Miles Davis Discography of CDs
(1 Customer Review)
Recorded between 1970 and 1974. Includes liner notes by Dave Liebman.
Digitally remastered by Seth Foster (Sony Music Studios, New York, New York).
By 1974, Miles Davis had become not only a music legend in general and a jazz legend in particular, but also a reclusive and confounding character. Davis' music had excited many and exasperated others, including many of his older fans, with its forays into space-age free-form meta-funk. Released in 1974 but unavailable on CD in the US until 2000, GET UP WITH IT is a compendium of several of Miles's early-to-mid-'70s studio adventures, and one of the most challenging albums in his catalog.
His tribute to Duke Ellington, "He Loved Him Madly," is a darkly intense, 30-minute-plus exercise evoking the dense textures of such contemporary classical composers as Paul Schutze and Georgy Ligeti. "Red China Blues," a wry homage of sorts to Chicago blues, features some stinging trumpet by Davis and some earnest blues harmonica. The 2-CD GET UP WITH IT is a collection of feverish, dense textures and deep grooves, which range from sensual, to bereaved, to confrontational, and features the outstanding players with whom Davis surrounded himself during this period. Fans of electric Miles Davis will find this a must-have, displaying as it does Davis's anticipation of much of the music of the '90s and beyond.
2 CD-24 Bit Mastering
Reissue producer: Bob Belden.
Personnel: Miles Davis (trumpet, piano, electric piano, organ); Reggie Lucas, Cornell Dupree, Dominique Gaumont, John McLaughlin , Pete Cosey (guitar); Khalil Balakrishna (sitar, electric sitar); David Liebman (flute, alto flute, tenor saxophone); Sonny Fortune (flute, saxophone); Wally Chambers (harmonica); Carlos Garnett (saxophone, soprano saxophone); John Stubblefield, Steve Grossman (soprano saxophone); Cedric Lawson (piano, electric piano, Fender Rhodes piano); Keith Jarrett (electric piano, Fender Rhodes piano, keyboards); Herbie Hancock (Clavinet, keyboards); Michael Henderson (bass guitar); Al Foster, Bernard "Pretty" Purdie, Billy Cobham (drums); Badal Roy (tabla); James "Mtume" Forman, Airto Moreira, Mtume (percussion).
Audio Remixers: John Guerriere; Stan Weiss.
Recording information: Columbia Studio E (09/06/1972-10/07/1974).
Photographers: Paul Slaughter; Urve Kuusik.
Arrangers: Wally Chambers; Billy Jackson.
Personnel includes: Miles Davis (trumpet, piano, organ); Steve Grossman, John Stubblefield, Carlos Garnett (soprano saxophone); Sonny Fortune (flute); Dave Liebman (alto flute); Keith Jarrett, Cedric Lawson (Fender Rhodes piano); Herbie Hancock (Clavinet); Pete Cosey, John McLaughlin, Reggie Lucas, Dominique Gaumont (guitar); Khalil Balakrishna (electric sitar); Michael Henderson (electric bass); Al Foster, Billy Cobham (drums); Badal Roy (tabla); Mtume, Airto Moreira (percussion).
Producers: Teo Macero, Billy Jackson.
Alternative Press (11/00, pp.104-6) - 5 out of 5 - "...Essential....the overlooked classic of psychedelic soul and outlandish improv....representing the high water mark of his experiments in the fusion of rock, funk, electronica and jazz..." JazzTimes (11/00, p.70) - "...Intensely spacious....rhythmic cross currents and textural landscapes serve as the focal point..." Miles Davis Get Up With It Songs Get Up With It Music Review Purchase Get Up With It CD To buy, Click on price to add to cart | Miles Davis Pangaea CDs (1975)
Get Up With It album
$15.99 PANGAEA was the last album Miles Davis made before his 5 year retirement.
Recorded live at Osaka Festival Hall, Osaka, Japan on February 1, 1975. Includes liner notes by Kevin Whitehead.
The companion set to AGARTHA, PANGAEA presents the Davis band in that evening's concert performance at Osaka Festival Hall on February 1, 1975. The difference in moods is readily apparent, as the band ...
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Get Up With It CD music
$15.59 Recorded live at Osaka Festival Hall, Osaka, Japan on February 1, 1975. Includes liner notes by Lee Jeske.
Digitally ...
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Get Up With It music CDs
$15.95 In the period following Miles Davis' crossover breakthrough, BITCHES BREW, the trumpeter recorded incessantly, trying out new combinations of ideas and musicians. These progressive young musicians went on to forge a new alloy of music from the ore of funk, electric soul, psychedelic blues ...
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Get Up With It CD music
$9.35 Roy Ayers' Virgin Ubiquity, Vol. 2: Unreleased Recordings 1976-1981 is another hodgepodge of demos and outtake cuts that were left off official releases for various reasons. That said, for Ayers fans, the set is consistent. "I Am Your Mind, Pt. 2" is an alternate of the classic, and offers a solid contrast. "Slow Tarzan (Funk in the Hole)" is a slippery little groove track with nothing much behind it except it feels good. "Liquid Love" (a song about kissing) should have surfaced somewhere with its juxtaposition of Rhodes with vibes and strings and a popping backbeat. "Third Time" is a throwaway but has plenty of ambition and a smoking string arrangement ...
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Get Up With It songs
$13.65 The way smooth jazz was evolving by the mid-2000s, it became increasingly hard for indie saxophonists to break into the kind of regular festival, package tour, and cruise dates that would catapult them to stardom. But with two albums on Billboard's Top Ten Contemporary Jazz chart and the same label that launched Najee and Alex Bugnon to stardom behind him, versatile Chicago native André Ward was still aiming high. With a soprano tone that flows easy like Kim Waters and Najee, he gets off to a promising start on Crystal City's sensual funk opener, "They Keep Calling Me"; as he takes the melody higher and begins improvising on soprano, Ward also imbues the lead instrument with sizzling alto and tenor textures. The emotional strength of that track would have made it an obvious first single, but the one actually chosen was the likable urban vocal tune that follows, "Wishful Thinking," which relegates Ward to a supporting role behind the Anita Baker-like vocals of Barbara Fowler. Just as Najee once did with "Najee's Theme," Ward makes a similar statement about his identity on the cool and simmering retro-soul tune "André's Theme," which features Yasha's cool Rhodes harmonies. Before getting back to the core of the disc -- his heartfelt, urgent, and melodic playing on any of his three saxes -- Ward makes the mistake of thinking that the EWI was still a hip instrument in 2007. His thumping shout-out to his hometown, "Chicago (Here We Go)," is a fun and whimsical piece that would be much more effective with a real horn taking the lead melody. This misstep is ...
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