| | Miles Davis Sorcerer CD Miles Davis Discography of CDs
Digitally remastered using 20-bit technology by Mark Wilder and Rob Schwarz (Sony Music Studios, New York, New York).
This is a specially imported limited edition 20-bit digital remaster from Japan.
By the time Miles Davis, Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams recorded SORCERER in 1967, they were the most acclaimed ensemble in all of jazz. The Miles Davis Quintet had by this time perfected an intuitive style of collective improvisation that distilled the revolutionary changes of '60s jazz, but without rejecting elements of the mainstream tradition. In fact the Quintet's approach to melody, harmony and rhythm on SORCERER and NEFERTITI formed the basis for many of the Marsalis Brothers' popular recording projects of the 1980s.
Wayne Shorter's unique style of voice-leading is showcased on four compositions. "Prince Of Darkness" presents an airborne theme over a swinging, restless pulse, as Carter and (especially) Williams answer Shorter's every parry and thrust with lightning and thunder of their own. On his freely inflected "Masqualero," Shorter fragments the Iberian theme between the horns and Hancock's dark, impressionistic chords; the rhythm is crisp and purposeful one second, nebulous and fanciful the next, inspiring a particularly torrid Davis solo. On "Limbo" Shorter and Davis navigate a delightfully circuitous melody as Williams offers crackling rejoinders, while "Vonetta" is a stately ballad over an irregular martial pulse.
You can hear pianist Hancock revelling in the sound of discovery throughout SORCERER and his long, boppish theme and variations on the classic title tune inspires fervent conversations between Davis and Shorter. SORCERER is perfection from start to finish.
Recorded at Columbia Studio B, New York, New York on May 16, 17 & 24, 1967; Columbia Studio A, New York, New York on August 21, 1962; Columbia Studios, Los Angeles, California on May 9, 1967. Includes liner notes by Bob Belden.
Miles Davis Quintet: Miles Davis (trumpet); Wayne Shorter (tenor saxophone); Herbie Hancock (piano); Ron Carter (bass); Tony Williams (drums).
Producers: Teo Macero, Irving Townshend.
Reissue producer: Michael Cuscuna, Bob Belden.
Engineers: Frank Laico, Stan Tonkel, Fred Plaut.
Personnel: Miles Davis (trumpet); Bob Dorough (vocals); Wayne Shorter (saxophone, tenor saxophone); Frank Rehak (trombone); Herbie Hancock (piano, keyboards); Toni Williams, Jimmy Cobb , Tony Williams (drums); Willie Bobo (bongos).
Audio Remixers: Mark Wilder; Vic Anesini.
Liner Note Authors: Chris Albertson; Bob Belden.
Recording information: Columbia Studio A, NY, NY (08/21/1962/05/24/1967); Columbia Studio B, NY, NY (08/21/1962/05/24/1967); Columbia Studios, Los Angeles, CA (08/21/1962/05/24/1967).
Photographers: Francis Wolff; Jan Persson.
Arranger: Gil Evans.
Additional personnel: Bob Dorough (vocals); Frank Rehak (trombone); Paul Chambers, Buster Williams (bass); Jimmy Cobb (drums); Willie Bobo (bongos).
Re-Issue Sorcerer Music | List Price | $12.99 (You save $2.50) | | Category | Rock/Pop Albums, Jazz CDs, Jazz Instrument, Trumpet | | Label | Legacy | | Orig Year | 1967 | | All Time Sales Rank | 23635  | | CD Universe Part number | 1088981 | | Catalog number | 803190 | | Discs | 1 | | Release Date | Oct 13, 1998 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 53 minutes | | Personnel | Miles Davis - trumpet
Also: Paul Chambers, Jimmy Cobb, Jimmy Cobb, Willie Bobo, Buster Williams, Buster Williams, Frank Rehak, Bob Dorough, Herbie Hancock, Ron Carter, Wayne Shorter, Tony Williams |
Miles Davis Sorcerer Songs Sorcerer Review
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Purchase Sorcerer CD To buy, Click on price to add to cart | Miles Davis Miles Ahead CD (1957) Bonus Tracks; Remastered
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$6.13 Digitally remastered using 20-bit technology by Mark Wilder and Rob Schwarz (Sony Music Studios, New York, New York).
NEFERTITI represents the final "straight-ahead" offering by Miles Davis' legendary '60s quintet, the culmination of a creative arc which began with E.S.P.. On four subsequent albums--MILES IN THE SKY, FILLES DE KILIMANJARO, IN A SILENT WAY and BITCHES BREW--Davis forged a fresh creative arc in which he allowed elements of electronics, blues, funk and rock to intermingle with his own post-modernist sensibility to launch the jazz-rock fusion era.
NEFERTITI was the fruition of all Davis' experiments in free form, bebop, cool and modal jazz. Davis's signature as an improviser and musical editor is writ large on each composition, particularly in the provocative use of space. On Shorter's famous title tune, the trumpet and tenor saxophone shadow each other's line in a deliberately inexact manner, almost like a form of silkscreening, as Hancock's piano tolls ...
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Miles Davis' restless curiosity would never allow him to look back, and as a result, he sought out new blood and fresh challenges over the course of six decades of innovation. When modernists such as Ornette Coleman, Cecil Taylor and John Coltrane began stretching the parameters of form and improvisation in the early '60s, Davis was leery, even hostile at first.
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$11.49 Not much has set the jazz community more on its collective ear as when Peter Brotzmann and the rest of his European free jazz associates recorded Machine Gun in May of 1968. Finally released by Atavistic, Fuck de Boere includes two live cuts from that seminal early group at the Frankfurt Jazz Festival. Opening with "Machine Gun," recorded in March of 1968, Peter Brotzmann and his group blast away at what was to become the landmark recording a few months later in the studio. At this time, the group included an additional saxophone player, Gerd Dudek. This version finds itself a bit more playful than Machine Gun's version, not quite as menacing or brooding; the structure is the same, here favoring the longer take, but the interplay and overlap between the instruments is not as urgent. What it lacks in attack, however, it makes up for in improvisation, enthusiasm, and sheer genius of the composition. The second cut, "Fuck De Boere," is itself an audio tornado, buzzing around relentlessly until ...
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