Asleep At The Wheel - Back to the Future Now: Live at Arizona Charlie's CD

Back to the Future Now: Live at Arizona Charlie's album for sale "Man! I Feel Like A Woman!" won the 2000 Grammy Award for Best Female Country Vocal Performance. "Come On Over" won the 2000 Grammy Award for Best Country Song. "You've Got A Way" was nominated for the 2000 Grammy Award for Song Of The Year. "You're Still The One" won the 1999 Grammy Award for Best Female Country Performance and Best Country Song, and was nominated for Record Of The Year and Song Of The Year. COME ON OVER was nominated for a 1999 Grammy for Album Of The Year and Best Country Album. Following her smash hit THE WOMAN IN ME was no easy task for Shania Twain and husband/producer Mutt Lange. With COME ON OVER the sexy vixen of modern country has carved out a bigger niche for herself that is sure to please her growing throng of fans. With a huge helping of rock and roll added to her country trimmings, Twain proves her success has been no fluke. As a rule, she goes out of her way to break the traditional Nashville mold. Personnel: Shania Twain (vocals, background vocals); Brian White , Bryan White (vocals); Bill Watson (guitar, acoustic guitar, electric guitar); Dann Huff (guitar, electric guitar, 12-string guitar, wah-wah guitar, electric sitar, talk box); Brent Mason (electric guitar); Larry Byrom (slide guitar); Bruce Bouton (steel guitar, lap steel guitar); Paul Franklin (steel guitar); Eric Silver (mandolin); Larry Franklin, Rob Hajacos, Aubrey Haynie, Stuart Duncan, Joe Spivey (fiddle); David Hamilton , Carl Marsh (strings); Joey Miskulin (accordion); Arthur Stead (piano, organ, synthesizer); John Hobbs, John Jarvis (piano, Wurlitzer organ); Michael Omartian (piano); Joe Chemay (electric bass, fretless bass); Paul Leim (drums); James Somberg, Jay Alverez, Olle Romo (programming); Robert John "Mutt" Lange (background vocals). Editor: Olle Romo. Photographers: Gus Phillipas; George Holz. Unknown Contributor Role: Bjorn Thorsrud. Arrangers: David Hamilton ; Carl Marsh. Personnel: Shania Twain, Bryan White (vocals); Dann Huff (acoustic, electric & 12-string guitars, electric sitar, 6-string bass); Biff Watson (acoustic & electric guitars); Larry Byrom (slide guitar); Brent Mason (electric guitar); Eric Silver (mandolin); Bruce Bouton (pedal steel & lap steel guitars); John Hughey, Paul Franklin (pedal steel guitar); Larry Franklin, Rob Hajacos, Stuart Duncan, Joe Spivey, Glen Duncan, Aubrey Haynie (fiddle); Joey Miskulin (accordion); John Hobbs (piano, organ, Wurlitzer); Arthur Stead (piano, organ, synthesizer); Michael O'Martian, John Jarvis (piano); Joe Chemay (electric & fretless basses); Paul Leim (drums); Olle Romo (programming); Robert John "Mutt" Lange (background ...

Back to the Future Now: Live at Arizona Charlie's buy CD music For a period in the early 1990s, Garth Brooks was not only the biggest star in country music, he was one of the biggest stars in music, period. An unassuming Oklahoman who fused the blue-collar ethic of new traditionalist country with an unapologetic pop side that drew on his love of 1970s rockers like Kiss and Billy Joel, Garth Brooks fundamentally changed the sound of mainstream country music in much the same way that Hank Williams had in the 1940s and Patsy Cline had in the 1950s. THE ULTIMATE HITS, a three-disc collection that is the first comprehensive career overview for Brooks, contains all of his most beloved songs in remastered sound, plus four brand-new songs and a bonus DVD containing all of Brooks's music videos. Recording information: Jack's Tracks Recording Studio, Nashville, TN; Javelina Studios, Nashville, TN; Sound Emporium, Nashville, TN; Sound Station, Nashville, TN.

Back to the Future Now: Live at Arizona Charlie's CD music THE DIRTY BOOGIE was nominated for the 1999 Grammy Award for Best Pop Album "Jump Jive An' Wail" won the 1999 Grammy Award for Best Pop Performance By A Duo Or Group With Vocal. "Sleepwalk" won the 1999 Grammy Award for Best Pop Instrumental Performance. In his continuing evolution from pompadoured rockabilly revivalist to zoot-suited hipster, Brian Setzer keeps the faith with THE DIRTY BOOGIE, a collection that swings from stem to bow. Backed by hot horns and a bopping rhythm section, Setzer mixes well-arranged originals with well-known covers that show an aficionado's appreciation of jump blues, swing and doo-wop. Tunes by the Skyliners ("Since I Don't Have You"), Santo & Johnny ("Sleepwalk"), Bobby Darin ("As Long As I'm Singin'") and Bullmoose Jackson ("Nosey Joe") all enjoy the combination of Setzer's wide-ranging guitar playing and excellent charts played by his crack orchestra. Elsewhere, Gwen Stefani is LaVerne Baker to Setzer's Jimmy Ricks in a playful reading of "You're The Boss." Clint Stacey's "This Old House" gives Setzer a chance to show off some fancy country finger-picking. The two numbers that will make you want to grab a flat foot floogie and cut a rug in your living room are a Neil Hefti-flavored re-arrangement of "Rock This Town" and a killer cover of Louis Prima's "Jump Jive An' Wail." Recorded at The Village Recorder, West Los Angeles, California. Personnel: Brian Setzer (vocals, guitar); Gwen Stefani (vocals); George Shelby, Bob Sandman, Rick Rossi, Steve Fowler, Steve Marsh , Ray Herrmann, Tim Misica, Don Roberts (saxophone); Dan Fornero, Kevin Norton , Charlie Biggs, Stan Watkins, Dennis Farias, John Fumo (trumpet); Mark Jones, Mike Vlatkovich, George McMullen, Robbie Hioki (trombone); Roger Burn (piano); Bernie Dresel (drums, percussion); Eddie Nichols, Meghan Ivey (background vocals). Audio Mixer: John Holbrook. Recording information: Ocean Way Recording; Village Recorder, West La Crosse, CA. Illustrator: Sir Richard Wentworth. Photographer: Michael Farr. Unknown Contributor Role: Patrick Williams. Arrangers: Michael Acosta; Mark Jones; Ray Herrmann; Brian Setzer. Brian Setzer Orchestra: Brian Setzer (vocals, guitar); Ray Herrmann, Tim Miscia, Steve Marsh, Rick Rossi, Dan Roberts (saxophone); Dan Fornero, John Fumo, Kevin Norton, Dennis Farias (trumpet); George McMullen, Michael Vlatkovich, Mark Jones, Robbie Hioki (trombone); Ernie Nunez, Tony Garnier (bass); Bernie Dresel (drums, percussion). Additional personnel: Gwen Stefani (vocals); Steve Fowler, George Shelby, Bob Sandman (saxophone); Stan Watkins, Charlie Biggs (trumpet); Roger Burn (piano); Bob Parr, Mark W. Winchester (bass); Eddie Nichols, Meghan Ivey (background vocals).

Back to the Future Now: Live at Arizona Charlie's songs "It's Your Love" was nominated for 1998 Grammy Awards for Best Country Collaboration With Vocals and Best Country Song. EVERYWHERE starts out strong with "Where The Green Grass Grows," a rocking anthem for country living, guaranteed to make even city folks hum along. And though the album contains its fair share of up-tempo songs, the real treats here are the slower ballads. Tim McGraw may wear a big, imposing hat, but under the brim lies a sensitive soul. "It's Your Love" is a heartfelt torch song duet with Tim's wife, Faith Hill. Tim's strength stems from willingness to share his vulnerability. The title song tells the story of a past love, now hopelessly out of reach. The singer imagines her everywhere he's not. While the protagonist may never find this woman, no matter where she travels, it's likely to be difficult for her to avoid hearing at least one song off EVERYWHERE, so solid is the appeal of this proven hit-maker. Personnel: Faith Hill, Timothy B. Schmit (vocals); Larry Byrom, B. James Lowry, Biff Watson, J.T. Corenflos (acoustic guitar); Dann Huff, Michael Landau, Pat Buchanan, Brent Rowan (electric guitar); Paul Franklin , Sonny Garrish (steel guitar); Mark Casstevens (banjo); Glen Duncan , Stuart Duncan (fiddle); Bob Mason (cello); Steve Nathan (piano, keyboards); Matt Rollings (piano); Lonnie Wilson (drums); Curtis Wright, Curtis Young (background vocals). Audio Mixer: Chris Lord. Recording information: LOUD Recording; Secret Sound; Sound Stage Studios, Nashville, TN. Photographer: Russ Harrington. Personnel: Tim McGraw, Timothy B. Schmit, Faith Hill (vocals); Larry Byrom, Biff Watson, B. James Lowry, J. T. Corenflos (acoustic guitar); Dann Huff, Michael Landau, Brent Rowan, Pat Buchanan (electric guitar); Sonny Garrish, Paul Franklin (steel guitar); Mark Casstevens (banjo); Glen Duncan, Stuart Duncan (fiddle); Bob Mason (cello); Matt Rollings (piano); Steve Nathan (piano, keyboards); Mike Brignardello (bass); Lonnie Wilson (drums); Curtis Young, Curtis Wright (background vocals). Producers: Byron Gallimore, James Stroud, Tim McGraw.

Back to the Future Now: Live at Arizona Charlie's CD music Recorded in California, Tennessee and Texas in 1998 & 1999. Includes liner notes by Ray Benson. RIDE WITH BOB won the 2000 Grammy Award for Best Recording Package. "Bob's Breakdown" won the 2000 Grammy Award for Best Country Instrumental Performance. RIDE WITH BOB was nominated for the 2000 Grammy Award for Best Country Album. "Going Away Party" and "Roly Poly" were nominated for the 2000 Grammy Award for Best Country Collaboration With Vocals. "Cherokee Maiden" won the 2001 Grammy Award for Best Country Performance by a Duo Or Group With Vocal. THE MAKING OF RIDE WITH BOB was nominated for the 2000 Grammy Award for Best Long Form Music Video. Ray Benson, the driving force behind the 1993 all-star CD A TRIBUTE TO BOB WILLS, continues his role as keeper of the Western Swing flame with RIDE WITH BOB. An all-star lineup gathers to salute music that's jazzy, bluesy, toe-tapping and just plain fun. AATW serves as the "house band," as each guest artist steps up to the mike to demonstrate how Wills' music lends itself to a variety of arrangements and any number of wildly disparate vocal styles. The track featuring Willie Nelson and Manhattan Transfer is just as good a fit as the one featuring the Squirrel Nut Zippers, for example. Other highlights include Tim McGraw's bluesy take on "Milk Cow Blues," and longtime Wills booster Merle Haggard's terrific version of "St. Louis Blues." Dwight Yoakam was born to sing "New San Antonio Rose," while Reba McEntire, tearing into "Right or Wrong," sounds like she hasn't had so much fun in years. While these marquee names are the obvious draw on RIDE WITH BOB--other artists include the Dixie Chicks, Clint Black and Shawn Colvin--the quality of the music itself can't be denied. As Clint Black sings near the end of the CD, "Bob Wills Is Still the King." Dwight Yoakam,Dixie Chicks, Squirrel Nut Zippers,Merle Hag Performers include: Tracy Byrd, Shawn Colvin, The Dixie Chicks, Vince Gill, Merle Haggard, Lyle Lovett, Manhattan Transfer, Reba McEntire, Tim McGraw, Willie Nelson, The Squirrel Nut Zippers, Clay Walke, Don Walser, Steve Wariner, Lee Ann Womack, Dwight Yoakam. Recording information: Bismeaux Studio (06/08/1998-03/15/1999); Hum Depot (06/08/1998-03/15/1999); Loud Recording, Nashville, TN (06/08/1998-03/15/1999); Westwood Studio (06/08/1998-03/15/1999). Arrangers: Ray Benson; Tim "Herb" Alexander ; Janis Seigel. Asleep At The Wheel: Ray Benson (vocals, guitar); Cindy Cashdollar (steel guitar); Jason Roberts (mandolin, fiddle, background vocals); Michael Francis (clarinet, alto, tenor & baritone saxophones); Chris Booher (piano); David Miller (bass, background vocals); David Sanger (drums). Additional personnel: Willie Nelson, The Manhattan Transfer, Tim McGraw, Reba McEntire, Merle Haggard, Lee Ann Womack, Shawn Colvin, Lyle Lovett, Steve Wariner, Vince Gill, Dwight Yoakam, Don Walser, Ray Benson, Tracy Byrd, Clay Walker, Mark Chesnutt, Clint Black (vocals); Tommy Allsup (guitar); Herb Remington (steel guitar); Johnny Gimble (mandolin, fiddle); Floyd Domino, Curly Hollingsworth (piano); Viktor Kraus (bass); The Dixie Chicks, The Squirrel Nut Zippers.

Back to the Future Now: Live at Arizona Charlie's buy CD music Vince Gill has the ability to create all kinds of moods, recording albums that are exciting listens from beginning to end. I STILL BELIEVE IN YOU is his crowning achievement, and an album that will be hard to top. On it, Gill gives an intensely direct performance, his searing tenor ripping into the soul, heart, and mind of the listener. "I Still Believe In You" is one of those instant classics, offering an uplifting message of strength; THE love song for our troubled times. And those notes he hits... Old country messages are thrown aside on this very '90s, "new traditional" gem. I STILL BELIEVE IN YOU rejects the usual stances on staple country topics like adultery ("Under These Conditions") and smooth-talking hustlers ("Pretty Words"). Traditional textures are also brought back in a modern setting, as in the bluegrass hill sound of "Pretty Words," and on "No Future In The Past" with its piercing, keening chorus. "Say Hello" is an old-timey Texas shuffle; "Nothing Like A Woman" sounds like it was retrieved from '60s soul vault; and those notes he hits... There are chart-toppers aplenty here--the heartfelt plea of "Don't Let Our Love Start Slippin' Away," the tormented "Tryin' To Get Over You," the carefree rollick that is "One More Last Chance." I STILL BELIEVE IN YOU shows why Vince Gill is so respected by his peers as a songwriter and musician. And those notes he hits... Audio Mixer: John Guess. Recording information: Masterfonics Studio 6; Sound Stage Studios, Nashville, TN. Photographer: Victoria Pearson-Cameron. Unknown Contributor Role: John Hughey. Personnel: Vince Gill (vocals, guitar); Andrea Zonn (vocals, fiddle); Randy Scruggs (acoustic guitar); Steuart Smith (electric guitar); John Hughey (steel guitar); Steve Nathan (organ); Pete Wasner, John Barlow Jarvis (keyboards); Willie Weeks (bass); Carlos Vega (drums); Vicki Hampton, Bob Bailey, Yvonne Hodges, Kim Fleming, Harry Stinson, Billy Thomas, Dawn Sears (background vocals). Personnel: Vince Gill (vocals, guitar, acoustic guitar, electric guitar, background vocals); Randy Scruggs, Richard Bennett (acoustic guitar); Steuart Smith (electric guitar); John Hughey (steel guitar); Andrea Zonn (fiddle, background vocals); Delbert McClinton (harmonica); John Barlow Jarvis, Pete Wasner (keyboards); Carlos Vega (drums); Dawn Sears, Harry Stinson, Lou Reed, Vicki Hampton, Billy Thomas, Kim Fleming, Bob Bailey, Yvonne Hodges (background vocals).