Nas I Am... CD

Parental Advisory

Personnel includes: Nas, Puff Daddy, Aaliyah, Scarface, DMX.
Producers include: DJ Premier, Pretty Boy, Nashiem Myrick, L.E.S., Grease.
Engineers include: Eddie Sancho, Kevin Crouse, Steve Souder.
I AM was nominated for the 2000 Grammy Award for Best Rap Album.
I Am... is the third album and fourth stage in the evolution of Queensbridge's living legend Nasir Jones, from Nasty Nas to Nas to Nas Escobar to Nastradamus, the soothsaying mega-thug poet. This third installment is an introspective work from one of hip-hop's made men. Always billed as a hip-hop messiah, Nas rose through the ranks of hip-hop on the strength of powerful poetry. Contrary to the album's title, the scope of the work extends beyond the autobiography as Nas takes on politics, the state of hip-hop, Y2K, race, and religion with his own unique perspective. While Illmatic was Nas at his rawest and It Was Written was Nas' attempt to reconcile his underground leanings with his newfound fame, acclaim, and wealth, the Nas of I Am... is honest about his elevated status yet still feels the tension of no longer being ravenous on the mic. Musically, I Am is somewhat unimaginative by Nas' stratospheric standards. Tried and true producers, the Trackmasters stamp the album with their signature catchy grooves and samples, but some of these tracks lack the sonic depth to do justice to the prophecies of the pharaoh, Nas. Superproducer Premier comes to save the day on two outstanding tracks: "NY State of Mind, Pt. II" and "Nas Is Like." These two cuts are nothing short of Illmatic perfection. "Nas Is Like"'s symphonic composition is the perfect complement for an MC of Nas' supreme vocal quality and precise lyrics. Despite some of the blandness on the production end, Nas still shines as the old soul storyteller and crime rhyme chronicler on cuts like "We Will Survive," a dirge for fallen rappers. Nas also experiments stylistically on "Big Things," sporting a Midwest cadence, and on "You Won't See Me Tonight," a Timbaland-produced duet with R&B songstress Aaliyah. ~ M.F. DiBella
The original street poet is back. The third chapter in Nas' book of scriptures comes at a time when hip-hop starves for what made the rapper famous: intelligent, realistic songs with a hardcore street edge. I AM combines the underground feel of ILLMATIC with the commercial appeal of IT WAS WRITTEN. Fortunately for Nas, the production matches up to his superior lyrical skills, making for yet another hip-hop classic.
Nas keeps the guest appearances to a memorable minimum (DMX, Scarface, etc.) allowing listeners to focus on his own unmatchable talent. And with producers like the critically acclaimed DJ Premier providing the background for the above average "Nas Is Like" and hitmaker Puff Daddy working the boards for the hype-igniting "Hate Me Now," Nas proves that his contribution to hip-hop far surpasses that of many MCs.

Rolling Stone (4/29/99, p.66) - 1/2 Stars (out of 5) - "...jumping from the virtues of getting heave, seven figure lifestyles and busting guns to existentialism and back again, all in seconds..."
Entertainment Weekly (4/2/99, p.91) - "...With the right choreography and costumes, I AM... could easily be marketed as rap's answer to RENT. And Nas may touch on enough universal themes--sex, death, inequity, jealousy, retribution--to convince high-falutin critics that his vision is worthy of serious analysis..." - Rating: B
Muzik (5/99, p.81) - 4 Stars (out of 5) - "...a schizophrenic tour de force....there's something for everyone..."
CMJ (4/26/99, p.3) - "...suggests [Nas] has a firm grip on both his past and his present....[positions] him as a curiously contradictory figure in a world of one-sided rhyme heads..."
The Source (2/00, p.95) - Included in The Source's "Top 10 Albums of the Year [1999]."
The Source (4/99, p.195) - 4.5 Mics (out of 5) - "...A cursory listen...will uncover traces of the lyricist we used to call nasty....And as further proof that reports of his demise may have been premature, the one man who has come to embody hip-hop's adoration of all things material declares Esco's continued existence..."
NME (Magazine) (4/3/99, p.40) - "...This, after all, is what makes this autobiography far phatter than the average 25-year-olds."