Mariah Carey - #1's MP3 Download

#1's buy CD music "Man! I Feel Like A Woman!" won the 2000 Grammy Award for Best Female Country Vocal Performance. "Come On Over" won the 2000 Grammy Award for Best Country Song. "You've Got A Way" was nominated for the 2000 Grammy Award for Song Of The Year. "You're Still The One" won the 1999 Grammy Award for Best Female Country Performance and Best Country Song, and was nominated for Record Of The Year and Song Of The Year. COME ON OVER was nominated for a 1999 Grammy for Album Of The Year and Best Country Album. Following her smash hit THE WOMAN IN ME was no easy task for Shania Twain and husband/producer Mutt Lange. With COME ON OVER the sexy vixen of modern country has carved out a bigger niche for herself that is sure to please her growing throng of fans. With a huge helping of rock and roll added to her country trimmings, Twain proves her success has been no fluke. As a rule, she goes out of her way to break the traditional Nashville mold. Personnel: Shania Twain (vocals, background vocals); Brian White , Bryan White (vocals); Bill Watson (guitar, acoustic guitar, electric guitar); Dann Huff (guitar, electric guitar, 12-string guitar, wah-wah guitar, electric sitar, talk box); Brent Mason (electric guitar); Larry Byrom (slide guitar); Bruce Bouton (steel guitar, lap steel guitar); Paul Franklin (steel guitar); Eric Silver (mandolin); Larry Franklin, Rob Hajacos, Aubrey Haynie, Stuart Duncan, Joe Spivey (fiddle); David Hamilton , Carl Marsh (strings); Joey Miskulin (accordion); Arthur Stead (piano, organ, synthesizer); John Hobbs, John Jarvis (piano, Wurlitzer organ); Michael Omartian (piano); Joe Chemay (electric bass, fretless bass); Paul Leim (drums); James Somberg, Jay Alverez, Olle Romo (programming); Robert John "Mutt" Lange (background vocals). Editor: Olle Romo. Photographers: Gus Phillipas; George Holz. Unknown Contributor Role: Bjorn Thorsrud. Arrangers: David Hamilton ; Carl Marsh. Personnel: Shania Twain, Bryan White (vocals); Dann Huff (acoustic, electric & 12-string guitars, electric sitar, 6-string bass); Biff Watson (acoustic & electric guitars); Larry Byrom (slide guitar); Brent Mason (electric guitar); Eric Silver (mandolin); Bruce Bouton (pedal steel & lap steel guitars); John Hughey, Paul Franklin (pedal steel guitar); Larry Franklin, Rob Hajacos, Stuart Duncan, Joe Spivey, Glen Duncan, Aubrey Haynie (fiddle); Joey Miskulin (accordion); John Hobbs (piano, organ, Wurlitzer); Arthur Stead (piano, organ, synthesizer); Michael O'Martian, John Jarvis (piano); Joe Chemay (electric & fretless basses); Paul Leim (drums); Olle Romo (programming); Robert John "Mutt" Lange (background vocals). Engineers include: Jeff Balding, Bob Bullock, Mike Carroll.

#1's CD music THE MISEDUCATION OF LAURYN HILL won the 1999 Grammy Award for Album Of The Year and Best R&B Album. Lauryn Hill won the 1999 Grammy Award for Best New Artist. "Can't Take My Eyes Off Of You" was nominated for the 1999 Grammy Award for Best Female Pop Vocal Performance. "Doo Wop (That Thing)" won the 1999 Grammy Award for Best Female R&B Vocal Performance and Best R&B Song. "Nothing Even Matters" was nominated for a 1999 Grammy for Best R&B Performance By A Duo Or Group With Vocal. "Lost Ones" was nominated for a 1999 Grammy for Best Rap Solo Performance. "Everything Is Everything" was nominated for the 2000 Grammy Award for Best Female R&B Vocal Performance. Lauryn Hill is far from miseducated, as her solo debut album proves. With both critical and popular acclaim from her affiliation with the Fugees, Lauryn uses THE MISEDUCATION OF LAURYN HILL to make a definitive individual statement. The focus here is love: love of self, love of her son, the love of her life, love of hip-hop. Her powerful lyrics and vocal talent put her in a class by herself. One of hip-hop's more strong-willed artists, Lauryn's positivity defies the '90s materialistic rap scene. Although there is much more singing than rapping, Lauryn still covers plenty of hip-hop ground on THE MISEDUCATION, and her music falls into the rap category just as much as it does into R&B. Produced by Hill herself, this album gives us only a few guest artists (D'Angelo, Mary J.) but lots of Lauryn Hill. Personnel: Lauryn Hill (vocals, guitar, background vocals); D'Angelo (vocals, Fender Rhodes piano); Mary J. Blige (vocals); Earl "Chinna" Smith (guitar, background vocals); Francis Dunnery, Johari Newton, Julian Marley, Al Anderson, Andrew Smith , Robert Browne, Carlos Santana (guitar); Elisabeth Valletti, Grace Paradise (harp); Indigo Quartet (strings); Bud Beadle (flute, alto saxophone, tenor saxophone); Lori Holland (clarinet, electric piano, Fender Rhodes piano, organ, Wurlitzer organ); Dean Fraser (tenor saxophone); Kevin Robinson (trumpet, flugelhorn); Everol Ray (trumpet); Nambo Robinson, Fayyaz Virji (trombone); Don-E (piano, Fender Rhodes piano, Wurlitzer organ); Tejumold Newton, John Stephens (piano); James Poyser (celesta, electric piano, Fender Rhodes piano, harpsichord, organ, Wurlitzer organ, bass synthesizer); Jared "Chocolate" Crawford, Squiddly Ranks (drums); Rudy Byrd (percussion); Che Pope (programming); Che Guevara, Vada Nobles (drum programming); Lenesha Randolph, Earl Robinson, Eddie Stockley, Fundisha Johnson, Andrea Simmons, Ahmed Wallace, Racheal Wilson, Tara Wilkons, Chuck Young, Jennifer McNeil, Rasheem "Kio" Pugh, Kenny O. Bobien, Sabrina Johnston (background vocals). DJ: DJ Supreme. Audio Mixers: Commissioner Gordon; Warren Riker. Recording information: Chung King Studio, NY; Circle House Studios, Miami, FL; Marley Music Inc, Kingston, Jamica; Perfect Pair Studios, NJ. Photographers: Marc Baptiste; Eric Johnson . Unknown Contributor Roles: Ramon Rivera; Shelly Thunder . Arranger: Lauryn Hill. Personnel includes: Lauryn Hill, Mary J. Blige, D'Angelo (vocals); Carlos Santana, Johari Newton, Robert Browne, Earl Chinna-Smith (guitar); Grace Paradise (harp); Dean Frasier (saxophone); Everol Ray (trumpet); Nambo Robinson (trombone); Tejumold Newton, John R. Stephens, Joe Wilson (piano); James Poyser (organ, Fender Rhodes, synthesizer bass, background vocals); Chris Meredith, Tom Barney, Matthew Rubano, Paul Fakhourie (bass); Jared "Chocolate" Crawford (drums); Ruby Byrd (percussion); Vada Nobles, Che Guevara (drum programming); Sabrina Johnston, Earl Robinson, Andrea Simmons, Kenny Bobien, Eddie Stockley, Jenni Fujita, Chuck Young, Rasheem "Kilo" Pugh, Fundisha Johnson, Lenesha Randolph, Ahmed Wallace (background vocals). Engineers include: Tony Prendatt, Commissioner Gordon, Warren Riker.

#1's songs Though he made his initial mark on music history as half of the unctuous British duo Wham, George Michael wasted little time in proving himself more than just a pretty pop face. This comprehensive two-disc compilation documents the career of a man who was able to successfully meld pop, R&B and serious, introspective balladry without ever losing sight of the all-important groove and hook. Thankfully, LADIES AND GENTLEMEN doesn't skimp on tracks from Michael's classic solo debut, and tracks like Bo Diddley beat-driven "Faith" and the lusty, Prince-like "I Want Your Sex" sound as fresh as ever. Later cuts show Michael's maturation as both a vocalist and songwriter, and collaborations with Elton John and bossa nova legend Astrud Gilberto serve to emphasize the wide stylistic range Michael is capable of traversing. 2cds-Feat.Elton John,Astrud Gilberto,Mary J.Blige,Aretha F Personnel includes: George Michael, Toby Bourket, Elton John, Aretha Franklin, Queen. Producers include: George Michael, Jon Douglas. Personnel includes: George Michael, Elton John, Astrud Gilberto, Aretha Franklin, Queen. Producers: George Michael, Jon Douglas, Narada Michael Walden, Queen.

#1's album for sale "Thank U" was nominated for the 2000 Grammy Award for Best Female Pop Vocal Performance. Alanis has a lot to answer for; in the process of changing the face of '90s pop music, she opened the door to scores of inferior imitators who crowded the charts with their transparent careerist fury. What they missed was the renegade spirit that lurks beneath Morissette's statements off vengeance and dissatisfaction. It's that spirit that enlivens INFATUATION JUNKIE. From awkward title to the unconventional lyrical construction, it's clear that the years between this album and Morisette's previous breakthrough recording have not dulled her iconoclasm or put soft edges on her anger. INFATUATION JUNKIE is at once more immediate and more artfully constructed than its predecessor. Songs like "Baba" are full of thrusting guitars and sledgehammer rhythms, but from "Front Row" to "So Pure," Morissette displays an expanded understanding of pop song mechanics. It's this melodic progression that helps INFATUATION JUNKIE live up to Morissette's daunting past. Recorded at Royaltone Studios, Los Angeles, California. Personnel: Alanis Morissette (vocals, flute, harmonica, piano); Glen Ballard (guitar, piano, synthesizer, programming); Joel Shearer, Nick Lashley (guitar); Benmont Tench (organ, chamberlin); Gary Novak (drums, percussion); Chris Fogel, Shad T. Scott (programming). Audio Mixer: Chris Fogel. Recording information: Royaltone Studios, L.A., CA. Photographers: Heather Stanley; Regina Thomas; Dash Mihok; Alanis Morissette. Personnel: Alanis Morissette (vocals, harmonica, flute, piano); Glen Ballard (guitar, piano, synthesizer, programming); Nick Lashley, Joel Shearer (guitar); Benmont Tench (organ, chamberlin); Chris Chaney (bass); Gary Novak (drums, percussion); Shad T. Scott, Christopher Fogel (programming); Dash Mihok (loop). Engineers: Christopher R. Fogel, Glen Ballard.

#1's CD music NEVER SAY NEVER was nominated for a 1999 Grammy Award for Best R&B Album. "The Boy Is Mine" won the 1999 Grammy Award for Best R&B Performance By A Duo Or Group With Vocal, and was nominated for Record Of The Year and Best R&B Song. "Almost Doesn't Count" was nominated for the 2000 Grammy Award for Best Female R&B Vocal Performance. Avoiding the dreaded sophomore slump, Brandy delivers a fresh-sounding, well- crafted second album that sounds as much like pop as it does R&B. NEVER SAY NEVER features a song, "Have You Ever?," that was written by mega-songstress Diane Warren and produced by super-producer David Foster. The lead single, "The Boy is Mine" is a duet with fellow R&B'er Monica. Keeping up with the trend of big-time collaborations, multi-platinum rapper Mase makes an appearance on "Top of the World," which seems custom made for jeep jockeys. Although sprinkled with other contributors, most of the album was produced by Rodney Jerkins. With a focus that is sometimes lost on a follow-up to a smashing debut, Brandy's composure and experience shine through in a product that is 16 songs deep. The album also contains a cover of "Everything I Do (I Do It For You)," produced by Foster. Personnel: Brandy (vocals, background vocals); Anas Allaf, Isaac Phillips, Michael Thompson , Rick Williams (guitar); Dean Parks (acoustic guitar); Darkchild Orchestra (strings); Harvey Mason, Sr. (keyboards, percussion); David Foster (keyboards); Chuckii Booker (drums, programming); Felipe Elgueta, Simon Franglen (programming); Donyle Jones, Dorian Holley, Nikisha Grierf, Willie R. Norwood, Meri Thomas, Vatrina King, James McCrary, Rick Nelson, Joe ?, LaTonya Holman, Bobette Jamison-Harrison, Kayla Parker, Kristle Murden, Alex Brown, Alfie Silas, Maxine Willard Waters, Mervyn Warren, Monalisa Young, Monica, Oren Waters, Richard Jackson, Shelly Peiken, BeBe Winans, Yvonne Williams, Bridgette Bryant, Carmen Carter, Carmen Twillie (background vocals). Audio Mixers: Dexter Simmons; Gerry Brown ; Ken Deranteriasian; Mick Guzauski; Brad Gilderman. Recording information: Enterprise; Hit Factory, NYC

#1's buy CD music Track Listing of songs: It's Not Right But It's Okay; Heartbreak Hotel; My Love Is Your Love; When You Believe; If I Told You That; In My Business; I Learned from the Best; Oh Yes; Get It Back; Until You Come Back; I Bow Out; You'll Never Stand Alone; I Was Made to Love Him;