| | Gerardo Reyes Mis Canciones Favoritas CD Gerardo Reyes Discography of CDs
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Our Price: $7.99  CD Backorder: (Usually ships in 3-10 days) 
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Mis Canciones Favoritas Music Gerardo Reyes Mis Canciones Favoritas Songs | 1. | Los Consejos de un Padre | $0.99 | |
| 2. | Perita en Dulce | |
| 3. | Mi Gordita | |
| 4. | Vagabundo | |
| 5. | Ahi Se Quedo Mi Vida | |
| 6. | Qua le Tiras, A | |
| 7. | Yo Vivo Mi Vida | |
| 8. | Veinte Mujeres | |
| 9. | Borracho Te Recuerdo | $0.99 | |
| 10. | Sin Motivo | $0.99 | |
| 11. | Besando Borrachos | |
| 12. | Lucha Chucha de a Cachucha | $0.99 | |
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Mis Canciones Favoritas Review
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Italian vocalist Laura Pausini became a worldwide sensation during the first 10 years of her recording career (although her success in America is minimal compared to Europe and Latin America). PRIMAVERA IN ANTICIPO, released in 2008 in both Italian and ...
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Celtic Woman, initially a one-shot collaboration by six leading Irish vocalists for a 2004 PBS special, struck a chord of adoration for the Emerald Isle, a fancy affecting both sides of the Atlantic, and swiftly became a permanent collective. THE GREATEST JOURNEY captures many of the best moments of elegant harmonizing by the act, from their serene and rapturous take on Enya's "Orinoco Flow" to the ...
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Love's a Real Thing is an excellent introduction into the wild sound world of West Africa in the '70s. As Ronnie Graham points out in his superb liner notes, the '60s were a time of assimilation for much of the popular music of Africa. Many bands were playing a hybrid of Latin and African music typified by the Congolese rhumba of Franco & OK Jazz. The '70s were a different bag, though, with the heavy electric sounds of Jimi Hendrix, James Brown, Cream, and others seeping into the consciousness of a new generation of Africans who were also contending with their own emerging sense of identity. The results are raucous, exuberant melting pots of funky soul, psychedelic rock, and honey-sweet Latin horns mixed through the sensibilities of extremely talented African bands on the cusp of developing styles like soukous, mbalax, and Afro-beat. Senegal's Star Band Number One (aka Etoile de Dakar and confusingly billed here as No. 1 de No. 1), were already seasoned veterans by the dawn of the 1970s, and the sound of their "Guajira Van" with its sinewy fuzz guitar solo and talking drum stabs is glorious proto-mbalax. Elsewhere, there are songs more directly inspired by rock and soul. "Allah Wakbarr" by Ofo & the Black Company has a heavy acid rock guitar lead competing with a conga drum for the top of the mix. The title cut, "Love's a Real Thing" by Gambia's Super Eagles, is a gritty organ and electric guitar-driven ...
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EMI.
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A recent review in the Montana Magazine called Lynn Nelson is a Class Act. She has wowed audiences from Southern California to North Carolina, with stops in Montana along the way. "Fred Brush (Freddy) plays the guitar like Fred Astaire dances" was a recent quote from a review in the Billings Gazette.Lynn's roots are in Minnesota, where she began singing at a very early age. Both her mother and father were professional musicians working all over the Northwest. Later, after she graduated from the University of North Dakota in Speech Pathology, she received an M.A. from Pepperdine University in Southern California in Psychology. Lynn's busy working career took her all over the U.S. but she eventually wound up in Southern California where she sang in jazz clubs and chorals, most notably the Los Robles Master Chorale. In 1998 she moved to Billings, Montana; it was there that she met Freddy.Fred Brush is a Wyoming/Montana native. He began playing for country dances when he was only 12 years old. He attended the University of Montana (then at Missoula), majoring in music. While in the U.S. Air Force he ...
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Though the title implies a cross section of Central Asia, the music on this album is indeed solely from Uzbekistan. The bulk of the performers hail from Tashkent (though whether that's where they started or where they've collected is left unsaid). Though the scope of influences is relatively rare by Arc's usual compilation standards, the performance quality is quite good. Dilnura Qodirjonova spends roughly a quarter of the album crooning in a strong voice with some similarities to the Mongolian long song form. At the same time, she plays a mean dutor to accompany herself. One stray track comes from excellent multi-instrumentalist Abror Zufarov as well, but the bulk of the album comes from the ensemble Mashriq. This group jumps from style to style, showing off song forms, instrumental, traditional, ...
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