| | Nazareth Greatest Hits CD Nazareth Discography of CDs
(2 Customer Reviews)
All tracks have been digitally remastered. This is part of A&M Records' Backlot series. Audio Remasterer: Dave Collins . Liner Note Author: Sam Graham. Photographer: Stuart Watson . The Scottish band Nazareth, which took its name from a line in the Band's "The Weight," occupies an unusual place in hard rock because it alternates between unlikely cover songs and rugged-and-ragged originals. Vocalist Dan McCafferty is capable of singing relatively smoothly, but his sandpaper voice is usually rough enough to make Rod Stewart, Joe Cocker, and AC/DC's Brian Johnson sound like silky hotel lounge crooners. The CD version of 1996's outstanding Greatest Hits captures 18 choice songs from Nazareth's 1973-1982 prime on A&M. For most of these years, the band consisted of McCafferty, guitarist Manny Charlton, bass guitarist Pete Agnew, and drummer Darrell Sweet. Critics hated Nazareth, especially since the band first gained attention -- and probably horrified territorial folk purists -- with a hard-driving interpretation of Joni Mitchell's "This Flight Tonight." Nazareth's two musical sides are best illustrated by 1975's Hair of the Dog. The title track, which casual fans might mistakenly think is actually titled for its relentless "Now you're messin' with a son of a bitch" chorus, is a dangerous, fiery winner, while the sensitive cover of the Boudleaux Bryant-penned "Love Hurts" was a major hit single and a power ballad prototype. Both are included here, of course. The seven-minute take on the Bonnie Dobson/Tim Rose-penned folk-rock standard "(Walk Me Out in the) Morning Dew" from 1981 showed a willingness to experiment that one would've expected from a progressive rock band during the previous decade, while 1982's sleek, infectious "Love Leads to Madness" demonstrates the direction hard rock was moving at the time. The jangly "Broken Down Angel" is similar to Rolling Stones-style country-rock. Nazareth is, ultimately, a hard rock band, and the other songs here that reinforce this are "Razamanaz," "Shanghai'd in Shanghai," and "Go Down Fighting." Greatest Hits won't cause a critical re-examination of Nazareth but, in all fairness, it should. ~ Bret Adams Not to be confused with the 1975 release of the same name, Nazareth's GREATEST HITS collection from 1996 expands the original's meager 12 tracks to a meaty 18 cuts clocking in at more than 72 minutes. The Scottish band's bluesy heavy metal made them one of the '70s top hard rock acts, and all their major rockers and power ballads can be found here. Among these are the roaring rocker "Hair of the Dog" (a song that Guns N' Roses would cover on their 1993 all covers album, THE SPAGHETTI INCIDENT), "Expect No Mercy," "Razamanaz," "Broken Down Angel," "Shanghai'd in Shanghai," and of course, the proto-power ballad "Love Hurts." GREATEST HITS covers all the bases, making it an essential purchase for Nazareth fans everywhere. The Scottish band Nazareth, which took its name from a line in the Band's "The Weight," occupies an unusual place in hard rock because it alternates between unlikely cover songs and rugged-and-ragged originals. Vocalist Dan McCafferty is capable of singing relatively smoothly, but his sandpaper voice is usually rough enough to make Rod Stewart, Joe Cocker, and AC/DC's Brian Johnson sound like silky hotel lounge crooners. The CD version of 1996's outstanding Greatest Hits captures 18 choice songs from Nazareth's 1973-1982 prime on A&M. For most of these years, the band consisted of McCafferty, guitarist Manny Charlton, bass guitarist Pete Agnew, and drummer Darrell Sweet. Critics hated Nazareth, especially since the band first gained attention -- and probably horrified territorial folk purists -- with a hard-driving interpretation of Joni Mitchell's "This Flight Tonight." Nazareth's two musical sides are best illustrated by 1975's Hair of the Dog. The title track, which casual fans might mistakenly think is actually titled for its relentless "Now you' Nazareth Greatest Hits Songs Greatest Hits Music Review Purchase Greatest Hits CD To buy, Click on price to add to cart | Very Best Of Rainbow CD (1997)
Greatest Hits
$12.29 16 remastered tracks on one CD. Tracks include: Man on the Silver, Catch the Rainbow, Since You Been Gone, Street of Dreams.
Rainbow: Ronnie James Dio, Joe Lynn Turner, Graham Bonnet (vocals); Ritchie Blackmore (guitar, bass); Mickey Lee Soule (piano, Mellotron, clavinet, organ); David Rosenthal, Don Airey, Tony Carey, David Stone (keyboards); Jimmy Bain, Craig Gruber, Bob Daisley, Roger Glover (bass); Gary Driscoll, Cozy Powell, Bob Rondinelli, Chuck Burgi (drums). Additional personnel: Rainer Pietsch (conductor); Munich Philharmonic Orchestra. Producers: ...
| | Nazareth Hair Of The Dog CD (1975)
Greatest Hits
$8.35 Personnel: Pete Agnew (vocals, guitar, bass guitar, background vocals); Vicky Silva (vocals, background vocals); Vicki Brown, Dan McCafferty, Liza Strike, Barry St. John (vocals); Manny Charlton (guitar, synthesizer); Max Middleton (keyboards); Darrell Sweet (drums, percussion, background vocals); Simon Phillips (tabla, percussion). Recording information: AIR, London, England; Escape Studios, Kent, England. After slowly but surely building a fanbase around the world with albums like Razamanaz and Loud 'N' Proud, Nazareth finally hit the big time in 1975 with Hair of the Dog. The title track sets the mood for this stark album of hard rock with its combination of relentless guitar riffs, a throbbing, cowbell-driven beat, and an angry vocal ...
| | Phil Collins Hits CD (1998)
Greatest Hits
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Personnel includes: Phil Collins (vocals, keyboards, drums, tambourine, drum programming); Philip Bailey, David Crosby, Marilyn Martin, Amy Keys, Arnold McCuller (vocals); Dominic Miller, Daryl Stuermer, Michael Thompson, Michael Landau, Ronnie Caryl, Eric Clapton (guitar); L. Shankar (violin); Eric Rigler (Uileann pipes); Greg Phillinganes (piano, ...
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| | Cradle Of Filth Nymphetamine CDs (2004) Special Edition; Digipak
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Cradle of Filth: Dani Filth (vocals); Paul Allender, James McIlroy (guitar); Martin Foul (piano); Herr Pubis (bass guitar); Adrian Erlandsson (drums). When was the last time you saw anyone in corpse paint smile? It's further proof of their flair for showmanship that two of the "slick perverted wraiths" in Cradle of Filth's 2004 publicity shot are flashing the pearly whites. The longstanding English group was never devoted purely to the black metal aesthetic; Dani Filth and his minions flaunted decadence amid their gravestones, and supported the usual atonal growls with the melodic gallop of metal traditionalism. This approach has always assured the listener a little entertainment with his fear, and Nymphetamine (what a name!) is no different. The laughably overwrought novellas of Damnation and a Day are gone -- Cradle's focusing on songs, not suites. Does this have anything to do with the band's new home at Roadrunner? The label is very good at encouraging the music to say hard while working to make it marketable, too; witness its co-branded Headbanger's Ball compilations. Whatever the reasons, Nymphetamine is an extremely entertaining album. Filth's vocals shift between roof-of-mouth-tearing screams and primordial yowls; coupled with the oft-melodic guitar lines, Cradle can at times resemble any of the slogan T-shirted American post-hardcore units (Used, for example). Thank the dark lord then that they don't forget their place. We don't listen to these albums to empathize with Dani's pain; we listen because they sound like a play list on Pinhead's iPod. After a typically spooky intro -- picture black-robed choirs and gargoyles coming to life -- Cradle drops the hammer on "Gilded C***" (you figure it out), a muscular rocker with wind-whipping time shifts and lyrics you can actually understand ("My preference leans to killing you quickly/Scissored in the gizzard...."). Most of the album plays dueling power metal guitars masterfully off a slower or more gothic choruses. "Absinthe With Faust," for example, departs from its Metallica-type speed for a firelight reflecting in the catacombs interlude. Hello, my pretty. Other highlights include the rapid-fire "Medusa and Hemlock," a guest appearance from Leaves' Eyes chanteuse Liv Kristine Espenaes Krull, and "Filthy Little Secret," which is utterly cinematic in its orchestral, choral, and ultimately explosive scope. ~ Johnny ...
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