| | Sheryl Crow CD Sheryl Crow Discography of CDs
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Personnel: Sheryl Crow (vocals, acoustic & electric guitars, piano, Hammond organ, harmonium, keyboards, bass, Wurlitzer, pennyosley, loops); Jeff Trott (vocals, acoustic guitar, guitar, loops); Neil Finn (vocals); Todd Wolfe (electric guitar, guitar); Steve Donnelly (electric guitar, dobro); RSBryan (guitar); Jane Scarpantoni (strings); Mitchell Froom (harmonium, keyboards); Steve Berlin (saxophone); Bob Stewart, Curtis Fowlkes, Dave Douglas, Josh Roseman (horns); Davey Faragher, Dan Rothchild, Tad Wadhams, Anders Rundblad (bass); Wally Ingram (drums, djembe); Brian MacLeod (drums, loops); Pete Thomas, Jim Keltner, Michael Urbano (drums). Engineers include: Trina Shoemaker, Blair Lamb, Tchad Blake. Recorded at Sunset Sound Factory and Sunset Sound, Los Angeles, California; Kingsway Studio, New Orleans, Louisiana. SHERYL CROW won a 1997 Grammy Award for Best Rock Album. "If It Makes You Happy" won a 1997 Grammy for Best Female Rock Vocal Performance. "Everyday Is A Winding Road" was nominated for a 1998 Grammy for Record Of The Year. Personnel: Sheryl Crow (vocals, acoustic guitar, electric guitar, piano, harmonium, Wurlitzer organ, keyboards); Jeff Trott (vocals, guitar, acoustic guitar, electric guitar); Neil Finn (vocals); Steve Donnelly, Todd Wolfe (guitar, electric guitar, dobro); Anders Rundblad (guitar); R.S. Bryan (wah-wah guitar); Jane Scarpantoni (strings); Steve Berlin (saxophone); Curtis Fowlkes, Josh Roseman, Dave Douglas , Bob Stewart (horns); Mitchell Froom (harmonium, keyboards); Michael Urbano (drums, snare drum); Wally Ingram (drums, djembe); Pete Thomas , Jim Keltner, Brian MacLeod (drums). Audio Mixer: Tchad Blake. Recording information: Kingsway Studio, New Orleans, LA; Sunset Sound Factory, L.A., CA. Photographers: Steen Sundland; James Minchin; Stephanie Pfriender. Unknown Contributor Roles: Jeff Trott; Mitchell Froom; Sheryl Crow. Hiring noted roots experimentalists Tchad Blake and Mitchell Froom as engineer and consultant, respectively, Sheryl Crow took a cue from their Latin Playboys project for her second album -- she kept her roots rock foundation and added all sorts of noises, weird instruments, percussion loops, and off-balance production to give Sheryl Crow a distinctly modern flavor. And, even with the Stonesy grind of "Sweet Rosalyn" or hippie spirits of "Love Is a Good Thing," it is an album that couldn't have been made any other time than the '90s. As strange as it may sound, Sheryl Crow is a postmodern masterpiece of sorts -- albeit a mainstream, post-alternative, postmodern masterpiece. It may not be as hip or innovative as, say, the Beastie Boys' Paul's Boutique, but it is as self-referential, pop culture obsessed, and musically eclectic. Throughout the record, Crow spins out wild, nearly incomprehensible stream-of-consciousness lyrics, dropping celebrity names and products every chance she gets ("drinking Falstaff beer/Mercedes Ruehl and a rented Leer"). Often, these litanies don't necessarily add up to anything specific, but they're a perfect match for the mess of rock, blues, alt-rock, country, folk, and lite hip-hop loops that dominate the record. At her core, she remains a traditionalist -- the songcraft behind the infectious "Change Would Do You Good," the bubbly "Everyday Is a Winding Road," and the weary "If It Makes You Happy" helped get the singles on the radio -- but the production and lyrics are often at odds with those instincts, creating for a fascinating and compelling (and occasionally humorous) listen and one of the most individual albums of its era. ~ Stephen Thomas Erlewine Since crashing the gates with 1993's TUESDAY NIGHT MUSIC CLUB, Sheryl Crow's brand of melodic pop has won her some Grammys and kept her constantly on the road. On the followup album, the one-time background singer retains her sweet delivery laced with gruff edges, while painting her sunny sound with darker shadings. Quirky characters and situations continue to inhabRolling Stone (10/31/02, p.140) - Ranked # 44 in Rolling Stone's "Women in Rock: The 50 Essential Albums" Rolling Stone (5/13/99, p.54) - Included in Rolling Stone's "Essential Recordings of the 90's." Rolling Stone (10/3/96, pp.69-71) - 3.5 Stars (out of 5) - "...SHERYL CROW...finds the singer more forcefully asserting her own voice as an artist and a woman....she operates more like a leader than a club member this time, writing a few songs independently and imbuing all them with a greater sense of who she is....The lyrics seem grittier and more intimate..." Spin (11/96, p.121) - 8 (out of 10) - "...bigger beats and dirtier guitar/keyboard effects....Nothing extreme, perhaps, but almost psychedelic when joined to big mainstream melodies....It just sounds gorgeous, and current...pop musicians will be learning from it for years to come." Entertainment Weekly (12/27/96-1/3/97, p.148) - Ranked #7 on Entertainment Weekly's list of the "Top 10 Albums And Singles Of 1996." Entertainment Weekly (9/27/96, pp.76-78) - "...Crow doesn't expose that much of herself on SHERYL CROW--she's an emotional centrist. But at the very least, she's building a bridge to a lasting career." - Rating: A- Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The Rolling Stone (10/31/02, p.140) - Ranked # 44 in Rolling Stone's "Women in Rock: The 50 Essential Albums" 1990s." Q (1/94, p.82) - Included in Q's list of 'The 50 Best Albums Of 1993' - "...a mature, progressive, marvelous new record..." Q (11/96, p.124) - 3 Stars (out of 5) - "...radio friendly, not too self-important, light on its feet, sometimes too ready to disclaim any serious intent..." Village Voice (3/94, p.5) - Ranked #2 in the Village Voice's 1993 Pazz & Jop Critics Poll. Village Voice (2/25/97) - Ranked #26 in the Village Voice's 1996 Pazz & Jop Critics' Poll. Sheryl Crow Music | List Price | $13.95 (You save $1.36) | | Category | Rock Albums, Rock/Pop CDs, Singer/Songwriter | | Label | A & M | | Orig Year | 1996 | | All Time Sales Rank | 847  | | CD Universe Part number | 1094305 | | Catalog number | 540587 | | Discs | 1 | | Release Date | Sep 24, 1996 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Sheryl Crow | | Recording Time | 56 minutes | | Personnel | Jim Keltner Sheryl Crow - vocals, acoustic & electric guitars, piano, Hammond organ, harmonium, keyboards, bass, Wurlitzer, pennyosley, loops Pete Thomas Brian MacLeod - drums, loops Jane Scarpantoni - strings Dan Rothchild Davey Faragher Todd Wolfe - electric guitar, guitar Michael Urbano - drums Jeff Trott - vocals, acoustic guitar, guitar, loops
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Sheryl Crow Music Review Average Rating: (4.4 out of 5 stars)   Impressive This is an album to keep you coming back for more. It's not perfect -- "Love is a Good Thing" may elicit that "Doh!" feeling. And "Sweet Rosalyn" never catches fire. But "Redemption Day" is musically and lyrically brilliant and toss-off lines like "Well, o.k. I still get stoned/I'm not the kind of girl you'd take home" in "If It Makes You Happy," will make you laugh ... and stick with you. The first album was forgettable, but the second introduces a tremendous song-writing talent. Her music feels lived in. Submitted by michael (Naugatuck, CT, USA) Was This Review Helpful? Yes No 1 of 1 found this helpful.
SHE IS SO TALENTED! I love her music. Submitted by annapopiolek (Warsaw, POLAND) Was This Review Helpful? Yes No
awesome Love It! Submitted by Staci (Florida, USA) Was This Review Helpful? Yes No
Very Good I think it is one of her two best CDs. I like it along with Globe Sessions better than her other CDs. Good mainstream rock presentation that is easy to listen to. Submitted by a reviewer (Conroe, Texas) Was This Review Helpful? Yes No
FANTASTIC I LOVE THIS CD. Every Song is well done and reflects Sheryl Crow's talents to make the soul sing. I highly reccoment this CD. This CD is so calming yet fast at the same time.
FANTASTIC CD!!!!
Submitted by a reviewer (Vancouver, BC, CANADA) Was This Review Helpful? Yes No
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Purchase Sheryl Crow CD To buy, Click on price to add to cart | No Doubt Tragic Kingdom CD (1995)
Sheryl Crow
$11.39 No Doubt: Gwen Stefani (vocals); Tom Dumont (guitar); Eric Stefani (piano, keyboards); Tony Kanal (bass); Adrian Young (drums, percussion). Additional personnel: Aloke DasGupta (sitar); Melissa Hasin (cello); Gerard Boisse, Bill Bergman (saxophone); Greg Smith (baritone saxophone); Phil Jordan, Les Lovitt (trumpet); Nick Lane (trombone); Gabe McNair (trombone, percussion); Matthew Wilder (keyboards); Stephen Perkins (steel drums). Engineers include: Matt Hyde, Phil Kaffel, George Landress. No Doubt was nominated for the 1997 Grammy Award for Best New Artist. TRAGIC KINGDOM was nominated for a 1997 Grammy for Best ...
| | Sheryl Crow Tuesday Night Music Club CD (1993)
Sheryl Crow
$11.49 Personnel: Sheryl Crow (vocals, guitar, piano, Hammond organ); Bill Bottrell, David Baerwald (guitar); Wendell Crow (trumpet); David Ricketts, Dan Schwartz (bass); Kevin Gilbert, Brian Macleod (drums). Recorded at Toad Hall, Pasadena, California. "All I Wanna Do" won 1995 Grammy Awards for Record Of The Year and Best Pop Vocal Performance, Female; and Sheryl Crow won the Grammy for Best New Artist. "All I Wanna Do" was also nominated for Song Of The Year. Personnel: Sheryl Crow (vocals, guitar, piano); Dan Schwartz, David Baerwald, Bill Bottrell (guitar); Kevin Gilbert (drums). Liner Note Author: Sheryl Crow. Photographers: Melodie McDaniel; Peggy Sirota. Sheryl Crow earned her recording contract through hard work, gigging as a backing vocalist for everyone from Don Henley to Michael ...
| | Sheryl Crow Globe Sessions CD (1998) With Sweet Child Of Mine
Sheryl Crow
$12.59 Contains "Sweet Child Of Mine" Added Track
Personnel includes: Sheryl Crow (vocals, acoustic, 6- & 12-string electric guitars, National guitar, harmonica, Wurlitzer piano, Clavinet, Hammond B-3 organ, keyboards, bass, percussion, tambourine); Jimmie Haskell (conductor); Tim Smith (acoustic guitar, bass); Wendy Melvoin (guitar, bass); Val McCallum, Todd Wolfe (guitar); Greg Liesz (pedal steel guitar); Jeff Trott (12-string acoustic, electric, tremelo & slide guitars, Moog synthesizer, bass); Lisa Germano (violin, autoharp); Bobby Keys (alto, tenor & baritone saxophones); Kent Smith (trumpet); Micahe Davis (trombone); Benmont Tench (piano, organ, Hammond B-3 organ, chamberlain); Mitchell Froom (Clavinet, orchistron); ...
| | Jewel Pieces Of You CD (1995)
Sheryl Crow
$6.29 Personnel: Jewel Kilcher (guitar, vocals); Kris Wilkinson (strings); Robbie Buchanan, Charlotte Caffey (piano); Spooner Oldham (keyboards); Tim Drummond, Mark Howard (bass); Oscar Butterworth (drums). Recorded at the Broken Arrow Ranch, Woodside, California and live at Innerchange Coffeehouse, San Diego, California. All ...
| | Alanis Morissette Jagged Little Pill CD (1995)
Sheryl Crow
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| | Jesse Taylor Texas Tattoo CD (1999) (Import) Italy
Sheryl Crow
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| | Surrender To The Air CD (1996)
Sheryl Crow
$9.29 Surrender To The Air: Marshall Allen, Trey Anastasio, Kofi Burbridge, Oteil Burbridge, Damon R. Choice, Jon Fishman, Bob Gullotti, James Harvey, John Medeski, Michael Ray, Marc Ribot. SURRENDER TO THE AIR was compiled from a weekend's worth of free-jamming by a small army of people who know their way around cosmic jazz explosions. Produced by Phish guitarist Trey Anastasio, it is a meeting of improvisers who utilize various techniques and represent different flavors of their art ...
| | Ducky Boys No Gettin' Out CD (1998)
Sheryl Crow
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| | Marc Lavoine Olympia Deux Mille Trois CD (2003) (Import) France
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| | Tom Vek We Have Sound CD (2005)
Sheryl Crow
$11.49 Personnel: Tom Rixton (drum programming). Audio Mixers: Tom Rixton; Tom Vek; Ade Pressly. Recording information: Echequer St. Dublin; PVK Studios; Studio Leeboy, London, England; The Bed Room, London, England. Editor: Ade Pressly. A brash mix of indie rock and dance, Tom Vek's debut album, We Have Sound, manages to make this fusion of styles sound organic instead of opportunistic. Having explored and experimented with alt-rock in his early teens and electronica as he neared his twenties, Vek knows both styles inside out, and his incorporation of both into his own music feels completely instinctive. Vek recorded We Have Sound in his parents' garage on an old reel-to-reel recorder, and he gets a remarkably "live" feel on his recordings, especially considering that he's essentially a one-man band. The louder songs, such as album opener "C-C (You Set the Fire in Me)," sound like they were recorded in concert or at a party, creating an interesting tension with the more polished electronic atmospheres that dominate later tracks such as "On the Road." Vek has been compared to LCD Soundsystem, Beck, Bloc Party, and the Rapture, but the main similarity between him and these artists is that they're all unafraid of playing with rock and electronic idioms until they come up with their own styles. Although "The Lower the Sun" does sound a little bit like Beck attempting to make Odelay on a Stereopathetic Soul Manure budget, "I Ain't Saying My Goodbyes" puts more emphasis on the "punk" part of dance-punk than Bloc Party could. However, with lyrics like "Cover"'s "It's your Stanley knife smile cutting into me" and the elastic song structure on "A Little Word in Your Ear," Vek shows that he's a confident enough songwriter to put his own spin on these sounds. We Have Sound isn't perfect: some of the songs, like "If You Want" and "If I Had Changed My Mind," still sound unfinished and unfocused and a little too close to garage-made demos. And even though Vek mixes electronic and rock elements fluently, sometimes his application of dance's elongated, loopy feel to indie rock sounds just ends up sounding repetitive. ...
| | Kelly Goodlad Blues And Reds CD (2004)
Sheryl Crow
$11.39 "Another colour-coordinated family reunionUncle Lou would have preferred some blues and redsBut a funeral for an era never ends wellWhen an era's not the only thing that's dead"... -"A Funeral For An Era", off "Blues and Reds"Quirky-pop newcomer Kelly Goodlad, born and bred in Toronto, Canada, is a self-described 'singer who writes', meaning that she was first driven to sing ("constantly"), then to write - her first song was written in the backyard playhouse at age 10 - and over the past several years, to craft and perform her material, mostly on the piano. A handful of her more recent songs now appear on her debut EP, "Blues and Reds". A fan writes "...gorgeous vocals, bittersweet lyrics, this is a wonderful mix of production and styles." One song smolders, the next jangles, but consistent throughout is Kelly's sweeping breezy, cream pie vocals. Years of listening to Olivia Newton-John as a child no doubt influenced Kelly's angelic vocal style and the unabashed optimism found in her writing. As she likens the funeral of an uncle to a 'colour-coordinated family reunion', it is clear that Kelly can write about pain and hardship while keeping her sense ...
| | Melancholy Sunday Stirrings CD (2003)
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| | Songs From The Greatest Musicals CD (2008) (Import)
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