| | Eric Clapton No Reason To Cry CD Eric Clapton Discography of CDs
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Personnel includes: Eric Clapton, Bob Dylan, Ron Wood, Robbie Robertson, Rick Danko, Georgie Fame, Richard Manuel, Marcy Levy, Jesse Ed Davis, Yvonne Elliman, Carl Radle, Wah Wah Watson. Engineers: Ralph Moss, Ed Anderson, Nat Jeffrey. All tracks have been digitally remastered. Personnel: Eric Clapton (vocals, guitar); Chris Jagger, Sandy Castle, Marcy Levy, Yvonne Elliman, Bob Dylan (vocals); Robbie Robertson (guitar, keyboards); George Terry, Jesse Ed Davis , Ron Wood, Wah Wah Watson (guitar); Garth Hudson (saxophone, keyboards); Bobby Ellis (trumpet); Albhy Galuten (piano); Dick Sims, Georgie Fame, Billy Preston (keyboards); Jamie Oldaker, Levon Helm, Richard Manuel (drums); Terry Danko, Sergio Rodriguez, Ralph Moss (percussion). Liner Note Author: Tom Nikosey. Recording information: Shangri-la Studios; Village Recorder. Photographer: Ed Caraeff. Unknown Contributor Roles: Roger Forrester; Wilton Spears; Dominic Lumetta; Mickey Turner; Geoff Harrison; Dick Lapalm; Larry Samuels; Dread Lever; Brains Bradley; Konrad Kramer; Joseph M. Palmaccio. Arranger: Eric Clapton. When he gave a speech inducting the Band into the Rock & Roll Hall of Fame, Eric Clapton said that after he heard their debut album, Music from Big Pink, he wanted to join the group, the fact that they already had a guitarist in Robbie Robertson notwithstanding. In the winter of 1975-1976, when he cut No Reason to Cry at the Band's Shangri-La Studio in Malibu, CA, he came as close as he ever would to realizing that desire. Clapton is a musical chameleon; though some of No Reason to Cry is identifiable as the kind of pop/rock Clapton had been making since the start of his solo career (the best of it being "Hello Old Friend," which became his first Top 40 single in two years), the most memorable music on the album occurs when Clapton is collaborating with members of the Band and other guests. He duets with Band bassist Rick Danko on Danko's "All Our Past Times," and with Bob Dylan on Dylan's "Sign Language," as Robertson's distinctive lead guitar is heard rather than Clapton's. As a result, the album is a good purchase for fans of Bob Dylan and the Band, but not necessarily for those of Eric Clapton. [The CD reissue adds a bonus track, "Last Night," which is a traditional 12-bar blues song credited to Clapton.] ~ William Ruhlmann In the spirit of all-star get-togethers endemic to that part of the '70s, 1976's NO REASON TO CRY became Eric Clapton's recorded version of the Rolling Thunder Tour. Joining Clapton in the studio were Bob Dylan, Ron Wood, Georgie Fame and Band-mates Robbie Robertson, Rick Danko & Richard Manuel (Clapton returned the favor later in the year by appearing in The Last Waltz, the Band's last live show). Clapton's buddies also contributed material, including Dylan's "Sign Language," the Danko/Manuel composition "Beautiful Thing" and Danko's country-flavored "All Our Past Times." At this point in his solo career, Clapton was taking a more languid and low-key approach towards playing, with more emphasis on presenting songs and less on soloing. Songs such as the wistful "Hello Old Friend" and the aching "Innocent Times," featuring Marcy Levy's gospel-flavored vocals, reflect Slowhand's countryish leanings of the time. Clapton's love of the blues, however, was undiminished, and when he tackles both Otis Rush's "Double Trouble" and Little Walter's "Last Night," he shines despite any stylistic changes.
Remastered
Q (11/96, p.147) - 2 Stars (out of 5) - ".... A huddle of superstar chums (including Bob Dylan, whose `Sign Language' is the outstanding new song) play some `tasty licks,'..." Eric Clapton No Reason To Cry Songs No Reason To Cry Music Review Average Rating: (4 out of 5 stars)   Better than expected! Eric clapton made a lot of great albums during the 70s, but he also made some less intresting records, among those were "THERE IS ONE IN EVERY CROWD" which came out the year before this one. When i first bought this one i did not think i was going to like it , but i really was wrong. I think this is actually one of his best records he made during the seventies. It is up there with "SLOWHAND" and "BOULEVARD". The style is more countryish than usual, but when he gets help from both Dylan and The Band you cant help but like this record. It even includes some of Claptons best own written songs like "HELLO OLD FRIEND" and "BLACK SUMMER RAIN". Bob dylans "SIGN LANGUAGE" is one of the best tunes here and "DOUBLE TROUBLE" is among his best blues-takes. Buy this one, i promise you will not regret it. Submitted by a reviewer ( Jönköping, Sweden) Was This Review Helpful? Yes No 1 of 1 found this helpful.
Find the right Band One of Eric's best album of his «hairy» countryish days. His connection with The Band somehow traced him the path of where his music influences from rock, country blues, jazz and blues could help him create the unique way to deliver the good from his gut. With Sign Language, a great song, Bob Dylan tried to put Eric in the shade, but realized there was not enough space for the two, so Dylan gave it all to Eric and left. As a result, the album is a good purchase for fans of Bob Dylan and The Band, but not necessarily for those of Eric Clapton. Submitted by MamiJo (Montreal, Quebec, Canada)  Was This Review Helpful? Yes No
Was a Gift Gave this to my LP and I can tell that she loves it. Plays it often.
Great music. Submitted by dandhdonna (Westminster, CO, USA)  Was This Review Helpful? Yes No
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Purchase No Reason To Cry CD To buy, Click on price to add to cart | Eric Clapton There's One In Every Crowd CD (1975) Remastered
No Reason To Cry
$10.59 Out of print in the U.S.! Digitally remastered pressing of Slowhand's 1975 Sandwiched between the albums 461 Ocean Boulevard and E.C. Was here, There's One In Every Crowd remains one of his finest ...
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$9.69 Nights Are Forever was the breakthrough album for Dan Seals and John Coley after some sincere and excellent work on A&M Records in the early '70s. Two of their biggest hits were the title track and the beautiful "I'd Really Love to See You Tonight." Those songs are a good indication of the fine performances this 1976 album contains. The duo's originals like "Long Way Home" and the Dan Fogelberg-ish "Westward Wind" could have been hits as well displaying superb musicianship and delicate vocals. This album is very much a companion piece to the Parker McGee album recorded around the same time, on the same label, with pretty much the same musicians. Producer Kyle Lehning has the sounds ...
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