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Personnel: Sting (vocals, guitar, bass); Branford Marsalis (saxophone, percussion); Frank Opolko (trombone); Kenny Kirkland (keyboards); Danny Quatrochi (Synclavier synthesizer, background vocals); Darryl Jones (bass); Omar Hakim (drums); Eddy Grant (congas); Dolette McDonald, Janice Pendarvis, Pete Smith, Elliot Jones, Jane Alexander, Vic Garbarini, The Nannies Chorus, Rosemary Purt, Stephanie Crewson, Joe Sumner, Kate Sumner, Michael Sumner (background vocals). Personnel: Sting (vocals, guitar, bass); Branford Marsalis (saxophone, percussion); Frank Opolko (trombone); Kenny Kirkland (keyboards); Danny Quatrochi (Synclavier synthesizer, background vocals); Darryl Jones (bass); Omar Hakim (drums); Eddy Grant (congas); Dolette McDonald, Janice Pendarvis, Pete Smith, Elliot Jones, Jane Alexander, Vic Garbarini, The Nannies Chorus, Rosemary Purt, Stephanie Crewsdon, Joe, Kate, Michael Sumner (background vocals). This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Personnel: Sting (vocals, guitar, double bass); Jane Alexander, Elliot Jones, Peter Smith , Michael Sumner, Stephanie Crewdson, Rosemary Purt, Vic Garbarini, Janice Pendarvis, Dollette McDonald (vocals, background vocals); Kate & Joan, Joe, Danny Q., Nannies Chorus (vocals); Danny Quatrochi (clarinet, synthesizer, Synclavier, background vocals); Branford Marsalis (saxophone, percussion); Frank Opolko (trombone); Kenny Kirkland (keyboards); Omar Hakim (drums); Eddy Grant (congas). The Police never really broke up, they just stopped working together -- largely because they just couldn't stand playing together anymore and partially because Sting was itching to establish himself as a serious musician/songwriter on his own terms. Anxious to shed the mantle of pop star, he camped out at Eddy Grant's studio, picked up the guitar, and raided Wynton Marsalis' band for his new combo -- thereby instantly consigning his solo debut, The Dream of the Blue Turtles, to the critical shorthand of Sting's jazz record. Which is partially true (that's probably the best name for the meandering instrumental title track), but that gives the impression that this is really risky music, when he did, after all, rely on musicians who, at that stage, were revivalists just developing their own style, and then had them jam on mock-jazz grooves -- or, in the case of Branford Marsalis, layer soprano sax lines on top of pop songs. This, however, is just the beginning of the pretensions layered throughout The Dream of the Blue Turtles. Only twice does he delve into straightforward love songs -- the lovely measured "Consider Me Gone" and the mournful closer, "Fortress Around Your Heart" -- preferring to consider love in the abstract ("If You Love Somebody Set Them Free," one of his greatest solo singles, and the childish, faux-reggae singalong "Love Is the Seventh Wave"), write about children in war and in coal mines, revive a Police tune about heroin, ponder whether "Russians love their children too," and wander the streets of New Orleans as the vampire Lestat. This is a serious-minded album, but it's undercut by its very approach -- the glossy fusion that coats the entire album, the occasional grabs at worldbeat, and studious lyrics seem less pretentious largely because they're overshadowed by such bewilderingly showy moves as adapting Prokofiev for "Russians" and calling upon Anne Rice for inspiration. And that's the problem with the record: with every measure, every verse, Sting cries out for the respect of a composer, not a pop star, and it gets to be a little overwhelming when taken as a whole. As a handful of individual cuts -- "Fortress," "Consider Me Gone," "If You Love Somebody," "Children's Crusade" -- he proves that he's subtler and craftier than his peers, but only when he reins in his desire to show the class how much he's learned. ~ Stephen Thomas Erlewine Sting had a lot to prove on his first post-Police effort, and he proved himselfCMJ (1/5/04, p.16) - Ranked #11 in CMJ's "Top 20 Most-Played Albums of 1985" Dream Of The Blue Turtles Music Sting Dream Of The Blue Turtles Songs Dream Of The Blue Turtles Music Dream Of The Blue Turtles Music Review Average Rating: (4.3 out of 5 stars)   15th year anniversary of a tremendous record As we get closr to the 15th anniversary of this fabulous record I am still in awe of its creator - Sting. In any retrospective of his work - the Dream of The Blue Turtles will stand out for its honesty and passion. It's Sting's inner personal light and energy- particularly in songs like Fortress Around Your Heart and Children's Crusade that make this album as touching (and relevant)in 2007 as it was in 1984. I was lucky to be around when he came up with these gems - too bad this kind of writing is so rare. It'll be interesting to see how this will affect the new version of The Police? Submitted by Frank Opolko (Montreal, Quebec Canada) Was This Review Helpful? Yes No
Great Debut As A Solo Artist!!! Great songwriting and great lyrics equal a great debut from a great artist. Please pick this one up. Submitted by jejr9 (Irvine) Was This Review Helpful? Yes No
dream debut This was one of the bravest moves in pop / rock music history. To attempt to forge a solo career - unexpectedly and from seemingly nowhere, and pull the plug on the best band of its era (The Police) which you just happen to have been a major part of; does take a certain kind of courage. However, the 'gamble' seems to have paid off here. In fact, this album even outdoes some of his work with The Police by a long shot, even though I must admit (and most Police fans may tend to agree) that all of their 5 albums were brilliant. Returning to this album, however; the sound textures and layers, the melodies and beats are reflective of a musician well and truly coming into his own. This is though; the best album in Sting's entire solo career. Nothing else he did since, can match the technical and artistic brilliance of this album, not even Nothing Lke The Sun, as brilliant an album as that was. Fortress Around your Heart is an excellent way to end off this album. There are strong echoes of The Police on this song. Perhaps this is why the album works so well. There was a strong Police element in this album, but still other musical avenues were explored. This, together with the great jazz ensemble of the era (Kenny Kirkland, Omar Hakim and the others)makes this the killer solo album that it is. Sadly however; the synergy seems to have left Sting in recent times. Mercury Falling was round about the time it happened. Unlike David Bowie, who has been a musician and a star for much longer, he has not improved with age. Ten Summoner's Tales (to me anyway) was the last truly brilliant album by Sting. Let us remember him, though, for the great joy he, Steward Copeland and Andy Summers gave us with Police and what he did for his adherents in the early to mid stages of his solo career, starting with the now seminal classic - The Dream of the Blue Turtles. favourite tracks - Love is the 7th Wave, Russians (using a theme by Russian composer Prokofiev), Fortress around your Heart and We work the Black Seam. Submitted by peterpanwashere3 (south africa - land of the sea turtle) Was This Review Helpful? Yes No
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