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Temple Of The Dog: Chris Cornell (vocals, banjo, harmonica); Stone Gossard, Mike McCready (guitar); Jeff Ament (bass); Matt Cameron (drums, percussion). Additional personnel: Eddie Vedder (vocals); Rick Parashar (piano, organ). Producers: Temple Of The Dog, Rick Parashar. Recorded at London Bridge Studios, Seattle, Washington from November to December, 1990. Personnel: Chris Cornell (vocals, banjo, harmonica); Mike McCready, Stone Gossard (guitar); Rick Parashar (piano, organ); Matt Cameron (drums, percussion); Eddie Vedder (background vocals). Recording information: London Bridge Studios, Seattle, WA (11/1990-12/1990). Featuring members of Soundgarden and what would soon become Pearl Jam, Temple of the Dog's lone eponymous album might never have reached a wide audience if not for Pearl Jam's breakout success a year later. In turn, by providing the first glimpse of Chris Cornell's more straightforward, classic rock-influenced side, Temple of the Dog helped set the stage for Soundgarden's mainstream breakthrough with Superunknown. Nearly every founding member of Pearl Jam appears on Temple of the Dog (including the then-unknown Eddie Vedder), so perhaps it isn't surprising that the record sounds like a bridge between Mother Love Bone's theatrical '70s-rock updates and Pearl Jam's hard-rocking seriousness. What is surprising, though, is that Cornell is the dominant composer, writing the music on seven of the ten tracks (and lyrics on all). Keeping in mind that Soundgarden's previous album was the overblown metallic miasma of Louder Than Love, the accessibly warm, relatively clean sound of Temple of the Dog is somewhat shocking, and its mellower moments are minor revelations in terms of Cornell's songwriting abilities. It isn't just the band, either -- he displays more emotional range than ever before, and his melodies and song structures are (for the most part) pure, vintage hard rock. In fact, it's almost as though he's trying to write in the style of Mother Love Bone -- which makes sense, since Temple of the Dog was a tribute to that band's late singer Andrew Wood. Not every song here is directly connected to Wood; once several specific elegies were recorded, additional material grew quickly out of the group's natural chemistry. As a result, there's a very loose, jam-oriented feel to much of the album, and while it definitely meanders at times, the result is a more immediate emotional impact. The album's strength is its mournful, elegiac ballads, but thanks to the band's spontaneous creative energy and appropriately warm sound, it's permeated by a definite, life-affirming aura. That may seem like a paradox, but consider the adage that funerals are more for the living than the dead; Temple of the Dog shows Wood's associates working through their grief and finding the strength to move on. ~ Steve Huey On the eve of up-and-coming Seattle rockers Mother Love Bone's full-length major label debut (1990's APPLE), singer Andrew Wood succumbed to a drug overdose. Longtime friend Chris Cornell, the singer of Soundgarden, wrote several songs in Wood's memory. These were rooted more in classic rock than his full-time band's metallic sound. Cornell recorded them with ex-members of Mother Love Bone guitarist Stone Gossard and bassist Jeff Ament, Soundgarden drummer Matt Cameron, and then-unknowns Mike McCready and Eddie Vedder, in a project called Temple Of The Dog. The project's self-titled 1991 debut fell on deaf ears. While such songs as the sullen album opener "Say Hello 2 Heaven" and the epic jamfest "Reach Down" have lyrics that deal with Wood's passing, most of the tracks deal with other topics, such as the album's high point "Hunger Strike," as well as the organic-sounding "Wooden Jesus," the hard rocker "Your Saviour," and the drowsy album closer "All Night Thing." A year after its initial release, the Seattle rock scene exploded and the massive success of the members of Temple Of The Dog prompted A&M to re-Rolling Stone (12/21/00, p.175) - 4 stars out of 5 - "...One of the 1st smash hits of the Seattle explosion....it codified, with heart and muscle, the heavy angush of the Puget sound....proof that the angst that defined Seattle rock inthe 1990s was not cheap sentiment..." Musician (7/91) - "...offers a potent distillation of Seattle's sonic sludge, with plenty of slow-mo riffing and louder-than-life guitar. It backs that sound with songs so potent and emotional that they tower over most of today's hard rock. Well worth hearing..." Kerrang (Magazine) (p.51) - "[I]n 'Hunger Strike', a duet featuring then-unknown vocalist Eddie Vedder, they produced one of the most touching and emotional songs of the '90s." Temple Of The Dog Music | List Price | $13.95 (You save $1.96) | | Category | Rock Albums, Pop CDs, Heavy Metal, Alternative, Rock/Pop, Grunge | | Label | A & M | | Orig Year | 1990 | | All Time Sales Rank | 611  | | CD Universe Part number | 1094645 | | Catalog number | 5350 | | Discs | 1 | | Release Date | Apr 16, 1991 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 54 minutes | | Personnel | Chris Cornell - vocals, banjo, harmonica Mike McCready - guitar Matt Cameron - drums, percussion Jeff Ament - bass Stone Gossard - guitar
Also: Eddie Vedder, Seattle, Rick Parashar, Temple Of The Dog, Washington from November to December |
Temple Of The Dog Music Review Average Rating: (4.3 out of 5 stars)    List All Reviews Hello Heaven People who argue Chris Cornell can't sing soulfully should definitely listen to 'Say Hello 2 Heaven'. Cornell's heart-felt lyrics, vocals and guitar accompanied by Jeff Ament on bass, Stone Gossard and Mike McCready on guitar, Matt Cameron on drums and special guest Eddie Vedder certainly doesn't disappoint. The raw passion and their technical attributes are on display on 'Say Hello 2 Heaven', a major buy for anyone. Submitted by Chrissy (Woodinville, WA, USA) Was This Review Helpful? Yes No 2 of 2 found this helpful.
Awesome Temple of the Dog was a great idea, and a great album. A fantastic piece of the real Seattle scene. Better than everything Nirvana ever did combined. Period.
5 stars. Submitted by Jesse (CT, USA) Was This Review Helpful? Yes No 1 of 1 found this helpful.
unlike anything!!!!!!!! this is a very good album. it has musical excellence unlike anything before or after.the tecture of the music is incredible! Submitted by matt (woburn ma)  Was This Review Helpful? Yes No
Just needed my fix. I had this and a lot of my discs stolen from me last year and I'm slowly building my collection back up. This one was in top 5. The riffs, the slow decent, the voices that carry the sound well beyond the 'Seattle' sound. If you love the members of Pearl Jam and Soundgarden for their combined musical talent, then this is the album for you. - LA Submitted by a reviewer (McMurdo Station, Antarctica)  Was This Review Helpful? Yes No
Pearl Jam and Soundgarden... what else can I say This is a really nice album. It's just about friends playing nice music... a tribute to Andrew Wood (Malfunkshun and Mother Love Bone) who passed away. Most of the songs sound pretty much like Soundgarden, but it's easy to distinguish Pearl Jam's guitars and lead voice. You won't find something like this anywhere else. A must-have for all the real lovers of these bands and of the Seattle sound in general. What are you waiting for? Just get it!! Submitted by a reviewer (Mallorca, Spain)  Was This Review Helpful? Yes No
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Purchase Temple Of The Dog CD To buy, Click on price to add to cart | Mother Love Bone Stardog Champion CD (1992)
Temple Of The Dog
$12.35 Mother Love Bone: Stone Gossard, Bruce Fairweather (guitars), Andrew Wood (vocals, piano), Jeff Ament (bass), Greg Gilmore (drums). Producers: Terry Date, Mother Love Bone, Bruce Calder, Mark Dearnly. Recorded at The Plant, Sausalito, California in fall 1989; London Bridge Studio, Seattle, Washington in winter 1989. All songs written or co-written by Mother Love Bone. This contains the APPLE LP and the SHINE EP. It wasn't death but life ...
| | Alice In Chains Dirt CD (1992)
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Alice In Chains: Layne Staley, Jerry Cantrell (vocals, guitar); Michael Starr (bass); Sean Kinney (drums). Additional personnel: Tom Araya (background vocals). Recorded in 1992. Dirt is Alice in Chains' major artistic statement and ...
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| | Anthrax We Have Come For You All CD (2003) (Import) Bonus Track; Japan
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$39.19 Japanese edition of the heavy metal veteran's 2003 album includes one bonus track, 'We're A Happy Family'. Victor.
Anthrax: Scott Ian (vocals, guitar); John Bush (vocals); Charlie Benante (acoustic & electric guitars, drums, percussion); Rob Caggiano (guitar); Frank Bello (bass, background vocals). Additional personnel: Roger Daltrey (vocals); Dimebag Darrell (guitar). Partially recorded at Red Clay Studios, Suffern, New York. This Japanese release contains a bonus track, "We're A Happy Family." The cover art of Anthrax's We've Come for You All depicts the band gripping a circle of hands, as a beam of light shines on them from behind. It can be taken two ways. Vocalist John Bush, drummer Charlie Benante, bassist Frank Bello, rhythm guitarist Scott Ian, and new lead guitarist Rob Caggiano might be pulling their fans onto an imaginary stage, to join them in the limelight. But those fans might also be pulling them back from the depths of label-derived acrimony that has plagued Anthrax in the years since Stomp 442, the band's last proper LP release. Since then, metal in all its forms rose to the top of the charts, and hybrids of rap-rock and nu-metal -- genres built on what Anthrax helped create -- came to dominate heavy alternative. With new personnel, a new label (Sanctuary), and the survival of a PR firestorm in the wake of the anthrax scare, all the pieces were in place for a comeback. Instead, Anthrax seems to have designed the pile-driving thrash and carefree rock forays of We've Come for You All to say one thing: We never left. While Anthrax famously kick-started the rap-metal genre with its Public Enemy collaboration on "Bring the Noise," it largely sidesteps the sound on We've Come for You All, opting instead for a volatile mix of thrash and conventional metal, anchored by the gruff vocals of Bush. After a brief intro, "What Doesn't Die" drops, with Bush sounding positively furious as he screams "You cannot kill what doesn't die." As the band cranks out a vintage thrash rhythm, Caggiano introduces himself with the first of many blistering solos. And if you're a fan of the double ...
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