| | John Mayall Jazz Blues Fusion CD John Mayall Discography of CDs
(4 Customer Reviews)
1972 Polydor Records release out of Canada
Recording information: Boston, MA; New York, NY.
Photographers: Nancy Throckmorton; Steve Katleman.
Personnel: John Mayall, Blue Mitchell, Clifford Solomon, Larry Taylor, Ron Selico, Freddy Robinson.
Personnel: John Mayall (vocals, guitar, harmonica, piano, keyboards); Freddy Robinson (vocals, guitar); Clifford Solomon (saxophone); Billy Mitchell (tenor saxophone); Blue Mitchell (trumpet); Larry Taylor (bass guitar); Ron Selico (drums, percussion).
Jazz Blues Fusion Music | List Price | $9.95 (You save $2.26) | | Category | Rock Albums, Jazz CDs, Blues, Rock/Pop, Live Performances, British Blues | | Label | Polydor | | Orig Year | 1972 | | All Time Sales Rank | 7905  | | CD Universe Part number | 1094700 | | Catalog number | 527460 | | Discs | 1 | | Release Date | Feb 27, 1996 | | Studio/Live | Live | | Mono/Stereo | Stereo | | Producer | John Mayall | | Engineer | Eddie Kramer | | Recording Time | 44 minutes | | Personnel | John Mayall - vocals, guitar, harmonica, piano, keyboards Larry Taylor - bass guitar Billy Mitchell - tenor saxophone Clifford Solomon - saxophone Freddy Robinson - vocals, guitar Ron Selico - drums, percussion
Also: Blue Mitchell |
John Mayall Jazz Blues Fusion Songs Jazz Blues Fusion Music Review Average Rating: (5 out of 5 stars)   Classic Electric Blues Some of the best electric blues out there. From harmonica/guitar harmonies to a smokin horn section, this album really stands out. Submitted by jeffwilson132003 (Encintas, Ca) Was This Review Helpful? Yes No
My Favourite Mayall You only need one reason to listen to this album - Freddy Robinson. Man, he stokes up the afterburners and smokes out the room!! Probably the best John Mayall voice you could hear over his career, too. My favourite Mayall record - yes, better than the Clapton stuff of the 60's. Submitted by Ross T (Adelaide, South Australia) Was This Review Helpful? Yes No
Feel good !! A CD that you can actually feel and not only listen. High performances by vituous of the jazz. Submitted by a reviewer (Milano, MI, Italy) Was This Review Helpful? Yes No
A great fusion of live blues and jazz. Stellar talent and strong performances make "Jazz-Blues Fusion" a great CD. It's finally available as a domestic CD. Highly recommended! Submitted by a reviewer (Aurora, CO, USA) Was This Review Helpful? Yes No
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Purchase Jazz Blues Fusion CD To buy, Click on price to add to cart | Humble Pie Rockin' The Fillmore CD (1971)
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| | Paul Butterfield Blues Band CD (1965)
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| | John Mayall Blues Breakers With Eric Clapton CD (1966) Bonus Tracks; Remastered
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$11.99 John Mayall & The Bluesbreakers: John Mayall (vocals, piano, organ, harmonica); Eric Clapton (vocals, guitar); John McVie (bass); Hughie Flint (drums).
Includes original release liner notes by Neil Slaven & reissue liner notes by Paul Trynka.
1966's BLUESBREAKERS WITH ERIC CLAPTON is full of portent, as some of its participants would become superstars after its release. Future Cream guitarist Eric Clapton was highly rated enough in the UK blues-rock scene to score second billing, but it wasn't until this recording that he'd had the opportunity to truly stretch out in the studio and show ...
| | VH1 Presents The Corrs Live In Dublin CD (2002)
Jazz Blues Fusion songs
$6.39 This audio document of The Corrs' Dublin homecoming concert has pretty much ...
| | John Mayall Turning Point CD (1969) Bonus Tracks; Remastered
Jazz Blues Fusion album
$11.99 Digitally remastered by Suha Gur (Universal Mastering Studios East).
Singer/harmonica player/guitarist John Mayall was best known as a key figure in the '60s British blues boom, fronting a band containing future members of Cream, Fleetwood Mac, and Colosseum among others. However, after releasing a number of rock-edged electric blues albums, Mayall changed direction in 1969. Recorded live a New York's Fillmore East, THE TURNING POINT finds Mayall fronting an all-acoustic four-piece including guitarist Jon Mark and sax player Johnny Almond, who would later gain renown as the progressive rock outfit Mark-Almond.
With the new format allowing for a greater degree of subtlety, ...
| | Junior Wells Hoodoo Man Blues CD (1965)
Jazz Blues Fusion CD music
$9.85 HOODOO MAN BLUES is one of the great albums from the era of classic Chicago blues. Though usually overshadowed by mid-century Chicago legends like Muddy Waters and Howlin' Wolf, Junior Wells ranks among the most dynamic and satisfying performers of the milieu, and his ...
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| | Coco Montoya Ya Think I'D Know Better CD (1996)
Jazz Blues Fusion songs
$13.59 With his second album Ya Think I'd Know Better, Coco Montoya ditches the guest stars and opts for a menu of pure, unadulterated Montoya. The results are quite impressive, to say the least. For the moment, overlook his somewhat pedestrian vocals and just concentrate on his scintillating guitar work. It's no secret that Montoya cultivated a reputation as one of the finest guitarists of the '80s and '90s through his session work, but even those familiar with his gutsy, electrifying ...
| | Body Count CD (1992)
Jazz Blues Fusion album
$7.59 This album previously contained the track "Cop Killer", but does not anymore.
All songs by Ice-T and Ernie C. except "The Winner Loses" and "C Note" (Ernie C.).
Divorced from the controversy that surrounded its release, Body Count's self-titled debut is a surprisingly tepid affair. Apart from the previously released "Body Count" (which appeared on Ice-T's 1991 album O.G. Original Gangster), the record is devoid of serious commentary, trading intelligence for a lurid comic book depiction of sex, violence, and "Voodoo." All of Ice-T's half-sung/half-shouted lyrics fall far short of the standard he established on his hip-hop albums. The controversial "Cop Killer" -- which is nothing more than a standard thrash metal chant -- stands out because it is one of the few tracks that doesn't rely on garish, cartoonish imagery. There's the saga of "Evil Dick," which tells Ice-T not to "sleep alone." There's "KKK Bitch," where he crashes a Ku Klux Klan meeting and screws the grand dragon's daughter. There's "Voodoo," where a witch doctor cripples our hero with a voodoo doll. There's "Mama's Gotta Die Tonight," where Ice-T offs his mother cause she's a racist. By the time the band works around to the power ballad "The Winner Loses" and Ice-T is crooning "My friend's addicted to cocaine," it's unclear whether the record is a parody or a horribly flawed stab at arena metal. It would help if the band wrote riffs that were memorable or if they conveyed a sense of kinetic energy instead of tossing out their riffs in a workmen-like fashion. Perhaps Body Count was intentionally humorous -- although the group's follow-up, Born Dead, suggests that it wasn't -- but in any case, the record was simply embarrassing. After "Cop Killer" was pulled from the album, it was replaced with a bland version of Ice-T's rap classic "The Iceberg" recorded with Jello Biafra. ~ Stephen Thomas Erlewine
Divorced from the controversy that surrounded its release, Body Count's self-titled debut is a surprisingly tepid affair. Apart from the previously released "Body Count" (which appeared on Ice-T's 1991 album O.G. Original Gangster), the record is devoid of serious commentary, trading intelligence for a lurid ...
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