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Stevens, Cat - Catch Bull At Four CD Cover Art CD music music CDs songs album

Cat Stevens Catch Bull At Four CD

 Cat Stevens Discography of CDs
4.3 stars (4 Customer Reviews)

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 Our Price: $7.69  CD
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In "Sitting," for example, the singer is dogged by thoughts of stagnation and mortality while a chiming, minstrel-esque keyboard riff plays in the background. The somber mood is heightened by some hushed acoustic guitar-driven numbers ("Boy with a Moon and Star on His Head") and some stark piano ballads ("Sweet Scarlet"). The fact that Stevens was experimenting more with styles, arrangements, and dynamics here may have given some fans pause, yet his trademark charm is still in evidence, as is the dependable strength of his songwriting.

Cat Stevens began to taper off the winning streak he'd scored with TEA FOR THE TILLERMAN and TEASER AND THE FIRECAT on this 1972 release. CATCH BULL AT FOUR still fared well commercially, yet it lacked the focus and immediate appeal of its predecessors. Still, the album showed Stevens's remarkable talent for writing insightful, moving lyrics and memorable, infectious melodies. Aside from the exuberantly joyous "I Can't Keep It In," the mood of CATCH BULL AT FOUR is a bit darker and edgier.

Personnel: Cat Stevens (vocals, acoustic guitar, Spanish guitar, electric mandolin, pennywhistle, piano, electric piano, organ, synthesizer, drums, percussion); Alun Davies (acoustic guitar, Spanish guitar); Andreas Toumazis (bouzouki); Del Newman (strings); Jean Roussel (piano, organ); Alan James (bass instrument); Gerry Conway (drums); Linda Lewis, C.S. Choir (background vocals).

Old # 4365

Catch Bull At Four Music


Detailed Catch Bull At Four Music Information



List Price $9.95 (You save $2.26)
Category Rock Albums, Pop CDs, Rock/Pop, Folk Rock, Singer/Songwriter
Label A & M
Orig Year 1972
All Time Sales Rank   5421  
CD Universe Part number 1094895
Catalog number 546886
Discs 1
Release Date Jul 25, 2000
Studio/Live Studio
Mono/Stereo Stereo
Recording Time 39 minutes
Personnel Cat Stevens - vocals, acoustic guitar, Spanish guitar, electric mandolin, pennywhistle, piano, electric piano, organ, synthesizer, drums, percussion
Gerry Conway - drums
Alun Davies - acoustic guitar, Spanish guitar
Jean Roussel - piano, organ
Andreas Toumazis - bouzouki
Del Newman - strings
Alan James - bass instrument
C.S. Choir - background vocals

Also: Linda Lewis
Additional Info Remastered
Cat Stevens Catch Bull At Four Songs


Cat Stevens Catch Bull At Four Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Sitting  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Boy With a Moon & Star on His Head  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Angelsea  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Silent Sunlight  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Can't Keep It In  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.18th Avenue  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Freezing Steel  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.O Caritas - (Latin)
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Sweet Scarlet  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Ruins  $0.99

Catch Bull At Four Music Review


Customer Catch Bull At Four Reviews 




Average Rating: (4.3 out of 5 stars) 4.5 stars

5 stars Cat moves forward
Not just the same as the past two albums. Cat grows and expands. I like that. Of course, I love the past two, too.
Submitted by gary (Newburgh, IN) Verified Buyer
Was This Review Helpful? Yes No

4 stars OK, But................
This CD was ok, but the first 3 are his very best. Some tracks are not as stimulating as with his first 3 cd's. But all and all a decent cd to own. I rest my case.
Submitted by Johnny (I live in a van down by the river)
Was This Review Helpful? Yes No

5 stars cat stevens best
hands down. this is cat stevens best. another good one is numbers. BUY THEM BOTH.
Submitted by scotch dyghton (grand prairie, TX)
Was This Review Helpful? Yes No

3 stars cd is good but...
One of cat's last great album. "BUT" when I placed the order with cd universe, it said on their page that I was ordering the "limited edition" digipak but instead received the plain cd in the plastic case. Be careful when buying from them, you might not get what you ordered and paid for.
Submitted by mzarro19 (Voorhees, NJ, USA) Verified Buyer
Was This Review Helpful? Yes No  0 of 1 found this helpful.

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Although the quality of the songwriting here does not quite match what Stevens would achieve on his following releases, it is strong nonetheless, and goes a good length toward establishing his trademark sound. Of particular note is Stevens' voice: a rich, variable baritone that he exploits on MONA BONE JAKON to excellent effect. The results--warm, intimate, and immediately appealing--put Stevens in the running with the best singer-songwriters of the early '70s, and paved the way ...
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Digitally remastered by Ted Jensen (December 1999, Sterling Sound, New York, New York). Between 1970 and 1972, Cat Stevens recorded four albums in the same manner, using the same producer and many of the same musicians, painting the album covers, and assigning the records ponderous titles. Things changed with his next album, Foreigner. The recording itself had been produced by Stevens, and while a couple of Stevens' usual backup musicians had been retained, New York session musicians appeared, and second guitarist Alun Davies was gone. With him went the acoustic guitar interplay that had been the core of Stevens' sound, replaced by more elaborate keyboard-based arrangements complete with strings, brass, and a female vocal trio featuring Patti Austin. It's easy to look at the 18-plus minute "Foreigner Suite" that took up the first side and accuse Stevens of excess and indulgence. What should be kept in mind, however, is that his peers in 1973 were acts like Jethro Tull and Yes, who in turn were taking their cue from the Beatles' Abbey Road and the Who's Tommy. Call Foreigner ambitious, then, rather than indulgent. Actually, the suite is full of compelling melodic sections and typically emotive singing that could have made for ...
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