| | Eagles Long Run CD Eagles Discography of CDs
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THE LONG RUN, the Eagles' long-awaited follow-up to their hugely successful HOTEL CALIFORNIA, was the celebrated group's final studio album. By the time THE LONG RUN was released in early 1979, the laid-back West Coast rock scene that The Eagles had dominated throughout the decade had pretty much run its course. Many of the biggest rock groups of the era -- including The Eagles--were incorporating new influences into their music and toughening up their sound.
While similar in feel to HOTEL CALIFORNIA, THE LONG RUN is a far more diverse album that features an immaculately crafted set of songs ranging from the soulful pop of the Don Henley-sung title track and "I Can' t Tell You Why" to tough, country-influenced rocker "Heartache Tonight" and the epic, dynamic "In The City." Even though Don Henley, Glen Frey and Joe Walsh would all go on to lead successful solo careers in the ensuing years, they would rarely better the polished pop on THE LONG RUN.
Recorded at Bayshore Recording Studio, Coconut Grove, Florida.
The Eagles: Glenn Frey (vocals, guitar, synthesizer); Joe Walsh (vocals, slide guitar); Don Henley, Timothy B. Schmit (vocals); Don Felder (guitar, organ).
Long Run Music Review Average Rating: (4.7 out of 5 stars)   A great EAGLES album
I really used to love this album, but it's kind getting old, after all these years. That said, this is one of the better albums of the late 70's. "The Long run" is a catchy pop tune, while "In the City" is one of the great rock anthems. I disagree with your earlier reviewer, that "disco strangler" isn't any good, its got a great beat to it. "Sad Cafe" and "Those shoes", are two of my favorite EAGLES tunes. JUST BUY IT!!!!!!
Submitted by Mark (Wichita,KS,USA)
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another classic
what can u say....another gem from the eagles, if the music doesn't hit you the lyrics will. a must in every record collection.
Submitted by a reviewer (montreal, canada)
Was This Review Helpful? Yes No  highly polished and not the best
this album is truly not their best. The song the disco strangler is completely strange and seems to be over before it even starts. The Sad Cafe, a long balad about broken dreams may be the best song off of it.The Title track and in the city hold up this rating while i can't tell you why and heartache tonight fails to impress me. King of Hollywood and those shoes are two psychadellic nothings. Teenage Jail is a hard rock/blues song that is vocaled by frey and henley. The ninth track the greeks don't want no freaks is a comical yet short funky rythm and blues song.
Submitted by a reviewer (Detroit MI USA)
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Purchase Long Run CD To buy, Click on price to add to cart | Eagles Hotel California CD (1976)
Long Run
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Given the extraordinary amount of airplay HOTEL CALIFORNIA garnered in the mid-70s and early '80s, it comes as quite a surprise to hear how fresh this recording sounds on DCC's 24k gold disc version. Familiar tracks benefit from the enhanced soundstage and control room-clarity of this exceptional digital remastering, revealing something of the actual recording studio room sound on many tracks.
A steady growth suddenly mushroomed into a monster as the Eagles, along with ...
| | Eagles On The Border CD (1974)
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The title track finds the band flirting with the disco-funk sound they would pursue further on their subsequent album ONE OF THESE NIGHTS. "The Best of My Love" is the kind of flawlessly constructed '70s radio staple for which the term soft-rock was invented. The band's cover version of the Tom Waits ballad "Ol' 55" was perhaps the furthest from its origins any Waits composition would get until Rod Stewart took on "Downtown Train" many years later. In all, ON THE BORDER effectively represents the ...
| | Eagles One Of These Nights CD (1975)
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This marked the transition from a nifty country rock band to a rock combo with the potential ...
| | Eagles CD (1972)
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Don Henley's slinky, eerie "Witchy Woman" is another highlight, as is the languid, lovely "Peaceful, Easy Feeling" (both tracks appeared on THEIR GREATEST HITS 1971-1975, along with "Take It Easy"). But there are other gems tucked away here too, like the Bernie Leadon/Gene Clark-penned "Train Leaves Here This Morning." EAGLES is a varied, smartly composed and totally pleasurable debut; it defined the sound ...
| | Eagles Desperado CD (1973)
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"Twenty-one" is Flying Burrito Brothers-style country-rock, "Out of Control" is amped-up blues-rock, whereas the title track is a plaintive, melancholic piano ballad (abetted by a string section). Don Henley plays a bigger part on DESPERADO, lending vocals and co-writing much of the material, including the opener "Doolin Dalton" and the lazy, beautiful "Tequila Sunrise," the ...
| | Jimi Hendrix Are You Experienced? CD (1967)
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This 1997 reissue of ARE YOU EXPERIENCED? is a remastered version that restores the original LP's track order and album artwork. ARE YOU EXPERIENCED? was previously reissued in 1993 (MCA 10893) with new cover art and a new 17-track running order that included all the songs on either the U.S. or U.K. versions of the original LP. That version is now out of print, and has been replaced by this one, on the Experience Hendrix label, which features remastered versions of the same 17 songs, this time in the order they appeared on the original American LP, with the extra tracks added to the end (a separate version was simultaneously released in the U.K., featuring the same songs but in the original British track order). The Experience Hendrix label is controlled by Hendrix's family.
The 1997 reissue also adds a 24-page booklet ...
| | Bossa Nova & Baion 3 Bossa Nova & Baion 3 CD (1996)
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| | Larry Gittens Dual Identity CD (2003)
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The veteran trumpeter and keyboardist made his mark on pop music playing for years with Stevie Wonder and Kool & the Gang, but his smooth jazz-oriented debut reflects influences far beyond R&B. This might be disappointing for fans expecting loads of funk (who will be appeased with the chunkier grooves of "One 4 Mo"), but those who appreciate more subtle jazz and Brazilian music will appreciate it. Gittens and his band immediately seduce listeners with the Jobim influence of the frisky samba "Moon Over Sonoma," which finds his restrained flügelhorn drifting sweetly over Rob Bacon's bright acoustic strumming. "Let Me ...
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| | Robert Gordon With Link Wray/Fresh Fish Specials CD (1977)
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ROBERT GORDON WITH LINK WRAY/FRESH FISH SPECIALS was originally released as 2 seperate LPs. The single compact disc contains 9 additional tracks that did not appear on the original albums.
Lester Bangs once described Robert Gordon as looking as if he belonged in a natural history museum identified as "Bopcatus Americanus," and while his first album wasn't the one that inspired the comment, the vintage duds and greased-up pompadour he sports on the front cover would have done any pop-culture archeologist proud. While Gordon first hit the New York City rock scene as a proto-punk with Tuff Darts, when he struck out on his own in 1977 he was one of America's first rockabilly revivalists, covering the likes of Eddie Cochran, Billy Lee Riley, and Carl Perkins as if he was waiting for Sam Phillips to stop by and discover him. For this album, Gordon paired up with legendary guitarist Link Wray, and the result was a solid and evocative tribute to first-era rock & roll, though with a few details turned around. Wray was never really a rockabilly player, and while he brings plenty of fire and gritty presence to these sessions, the "Rumble" man sometimes seems to be holding back uncomfortably on the quieter songs, waiting for the opportunity to offer the full-bore blast that was his stock in trade (and he delivers it on cuts like "Flying Saucers Rock & Roll"). The rest of Gordon's band often sounds more utilitarian than inspired, but they also don't overplay and rock these tunes with clean power. And while Gordon doesn't bring much of a personality of his own to this material (the originals were written by Wray, not Gordon), there's no arguing that he had great pipes and sings these songs with the conviction of a true believer. It would be a few years before the great rockabilly awakening would truly happen in America, but Robert Gordon was one hepcat who already believed in the Big Beat in 1977, and his first album was filled with inspired moments. ~ Mark Deming
Rockabilly was pretty much a dead issue as far as American music fans were concerned when Robert Gordon released the two albums featured on this CD, and if he didn't kickstart the revival that would take hold a few years later all by his lonesome, he was certainly carrying the flag at a crucial time. Gordon also gave a major boost to the career of legendary guitar mauler Link Wray, who gets co-star billing on their two albums together, and though Gordon's classical take on rockabilly didn't always mesh with Wray's tough, noisy attack, Wray certainly made the most of his presence here, sounding potent if restrained on the quieter numbers and blowing the roof off when the opportunity knocked. If these albums have a flaw, it's the material: both 1977's Robert Gordon with Link Wray and 1978's Fresh Fish Special are dominated by rockabilly classics that most fans of first-era rock are very -- but very -- familiar with, and as good as Gordon sounds on them, he can't quite top the originals. However, that wasn't so much the case when these albums were cut, and while Gordon doesn't get the room to put much of a new stamp on "The Way I Walk," "Flying Saucers Rock & Roll" or "Summertime Blues," he sings them like they hold the keys to the ...
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