| | Harry Chapin On The Road To Kingdom Come CD Harry Chapin Discography of CDs
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On the Road to Kingdom Come sounded more like a rock album than anything Harry Chapin had done to date. In the hands of sympathetic producer/arranger Stephen Chapin, Harry's songs are infused with clever and often humorous bits of musical commentary -- horns, electric guitars, keyboards, backing vocals, and various sound effects pop up at opportune times throughout -- that makes much of the material instantly ingratiating. While the record failed to capture commercial interest (singer/songwriters were out, disco was in), song for song this is one of his strongest efforts. As a musical storyteller, Chapin has few peers; both the potent tale of a duplicitous potentate on "The Mayor of Candor Lied" and the heartwarming "Corey's Coming" are masterfully conceived. Harry's humorous side, which somehow got stifled in the studio, here comes out of the closet for the title track and "Laugh Man," though both have their barbs. The album also included two of his prettiest songs, "Caroline" (co-written with wife Sandy Chapin) and "If My Mary Were Here." A track dedicated to the recently fallen Phil Ochs, "The Parade's Still Passing By," is also featured. Compared to some of his earlier work, which was often dry and dour, these songs are vigorous and saturated in sound. Some might charge that the record's resemblance to Elton John's contemporary work renders it lightweight, but Chapin's wit was sharpening with age and his romantic visions remained keen. For the faithful, getting On the Road to Kingdom Come is a good idea. ~ Dave Connolly
Recording information: Elektra Sound recorders, Los Angeles, CA; Hit Factory, NY.
Illustrator: Michael Burke.
Photographer: David Gahr.
Personnel: Harry Chapin (vocals, guitar, 12-string guitar); Doug Walker (vocals, acoustic guitar, electric guitar); Stephen Chapin (vocals, keyboards); John Wallace (vocals, bass guitar); Donna Fein, Sharon Hendrix, Muffy Hendrix, Carolyn Dennis (vocals); Ron Evanuik (cello); Buzz Brauner (recorder, alto recorder); Howie Fields (drums, bells); Jeff Gross , Mike Solomon (hand claps); Bobbye Hall (percussion).
Audio Mixer: Mick Walsh.
On The Road To Kingdom Come Music | List Price | $7.99 (You save $2.04) | | Category | Rock Albums, Pop CDs, Rock/Pop, Singer/Songwriter, Folk | | Label | Elektra | | Orig Year | 1976 | | All Time Sales Rank | 11059  | | CD Universe Part number | 1095461 | | Catalog number | 60613 | | Discs | 1 | | Release Date | Jun 29, 1993 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Harry Chapin; Stephen Chapin | | Engineer | John James Stewart | | Personnel | Bobbye Hall - percussion Carolyn Dennis - vocals Harry Chapin - vocals, guitar, 12-string guitar John Wallace - vocals, bass guitar Muffy Hendrix Stephen Chapin - vocals, keyboards Jeff Gross Doug Walker - vocals, acoustic guitar, electric guitar Howie Fields - drums, bells Donna Fein Buzz Brauner - recorder, alto recorder Sharon Hendrix Mike Solomon - hand claps Ron Evanuik - cello
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Harry Chapin On The Road To Kingdom Come Songs On The Road To Kingdom Come Music Review Purchase On The Road To Kingdom Come CD To buy, Click on price to add to cart | Harry Chapin Verities & Balderdash CD (1974)
On The Road To Kingdom Come album
$6.09 Harry Chapin's fourth album, VERITIES & BALDERDASH, was his best studio effort and his most commercially successful, working its way up the US charts and eventually going gold. Its success ...
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$8.79 Beyond his considerable skills as a tunesmith and the charm of his ragged, emotive voice, Harry Chapin was primarily a storyteller, and the appreciative, attentive audience gives GREATEST STORIES ...
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On The Road To Kingdom Come music CDs
$5.95 Listening to Living Room Suite today, you'd never know that it marked the commercial nadir of Harry Chapin's career -- the songs have such touching and startling intimacy, and are so beautifully produced that it's just a damn imposing record, just in the listening. Coming at the tail-end of the second disco boom, the cresting of punk, and the full flourishing of power pop, however, it got buried. When he opened up his heart on "Jenny," it was a phenomenally personal moment, but that wasn't the kind of love song that was selling in 1978; "Poor Damn Fool" was a wonderful song as well, with a glorious sound, but in tone and sound it was a million miles from "My Sharona"; "Flowers Are Red" was a startling ode to ...
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