| | Clutch CD Clutch Discography of CDs
 (3 Customer Reviews)
Clutch: Neil Fallon (vocals), Tim Sult (guitar), Dan Maines (bass), Jean Paul Gaster (drums).
Recorded at Uncle Punchy's Studio, Silver Spring, Maryland from December 1994 to January 1995.
All songs written by Clutch.
Personnel: Tim Sult (guitar); Richard Morel (organ); Jean-Paul Gaster (drums, cymbals).
Audio Mixers: Jay A. Ryan ; Lawrence Packer; Michael Barbiero; Steve Thompson .
Recording information: Uncle Punchy's Studios, Silver Spring, MD (12/1994-01/1995).
Photographer: Dan Winters.
Unknown Contributor Roles: Rob Eberhardt; Neil Fallon.
Moving the guitars forward in the mix paid off in spades for Clutch, who continued with their familiar formula of mixing Led Zeppelin and Black Sabbath on their sophomore album. Without straying at all from its roots, the band adds a little more funk to its sound à la Primus, which makes for a more consistent set of songs than last time. Not to mention that the stars shine brighter than they did last time around: "Spacegrass" alone should have become an instant classic, but following minor rotation on hard rock stations, the song -- and the band with it -- was delegated a cult status, compared to the likes of contemporaries Coal Chamber and Korn. ~ Jeremy Ulrey Clutch Music Review Average Rating: (5 out of 5 stars)  Clutch
What a great band. Clutch can do no wrong.
Submitted by Popetastic (New Haven)
Was This Review Helpful? Yes No Jesus on the dashboard
Clutch are one of the most consistant bands in rock, and this there first outing really set the standard! from the outset the albulms banging,Fallon is one of the best songwriters about and has intellegent and funny lyrics. if u havent bought any of clutchs great discography this is a great place to start!
Submitted by mrbaron168 (East London ENGLAND)
Was This Review Helpful? Yes No Sense o' humor counts
Every time I put this CD, it makes me laugh (SERIOUSLY). Clever, witty lyrics dominate but more like musicianship counts esp. Spacegrass. This album has more than just cult status. It rocks anyone's world :)
Submitted by skank992002 (Edmonton, Alberta, CANADA)
Was This Review Helpful? Yes No | Have you heard this album? |  |
Purchase Clutch CD To buy, Click on price to add to cart | Clutch Elephant Riders CD (1998) Enhanced CD
Clutch
 $7.59   
THE ELEPHANT RIDERS is an Enhanced CD containing both a full audio program as well as multimedia computer files and free access to the internet.
Clutch: Neil Fallon (vocals); Tim Sult (guitar); Dan Maines (bass); Jean-Paul Gaster (drums).
Additional personnel: Delfeayo Marsalis (trombone).
Principally recorded at Electric Lady Studios and Manhattan Center Studios, New York, New York.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Personnel: Neil Fallon (vocals); Tim Sult (guitar); Jean-Paul Gaster (drums).
Audio Mixers: Jack Joseph Puig; Jason Corsaro.
Recording information: Electric Lady Studios, NY; Manhattan Center Studios, NY.
Photographer: Dan Winters.
Moving to a major label hardly dilutes Clutch's music. The Elephant Riders finds the band continuing the stylistic breakthroughs of Clutch, sharpening their guitar attack while adding subliminal elements of funk to their rhythms. Furthermore, their songwriting has strengthened; no longer are they simply riff-oriented rockers who get off on the sheer force of sound, turning in a set of consistently strong songs that suggest a song cycle. It's an impressive effort that hopefully should bring them an audience the size of Deftones, if not Korn. ~ Stephen Thomas Erlewine
True to its title, THE ELEPHANT RIDERS by Maryland natives Clutch is a mighty behemoth of sound, maintaining a perfectly frightening level of pure testosterone throughout. The sheer machismo is given a disarming level of agility by acrobatic drummer Jean-Paul Gaster, who employs funky accents and daring meter switches to smarten up Clutch's Neanderthal assault. With guitars as sinewy as they are mighty, the beefy sound of Clutch recalls the thick lead work of early Kiss. However, any nostalgia is quickly dismissed by such modern touches as the wildly manipulated multi-track vocals "Ship Of Gold," the offbeat story telling and tempo shifts of "The Soapmakers," and the Chili
| | Clutch Transnational Speedway League: Anthems, Anecdotes And Undeniable Truths CD (1993)
Clutch
$7.85 
Clutch: Neil Fallon (vocals); Tim Sult (guitar); Dan Maines (bass); Jean Paul Gaster (drums).
Producers: Jonathan Burnside, Steven Haigler.
Engineers: Jonathan Burnside, Steven Haigler.
Recorded at Spa Studio, New York, April 1993; and Razor's Edge Studio, San Francisco, California, January 1993.
On the surface, it may sound as if Clutch is mining the same vein as contemporary metal artists like Korn and Corrosion of Conformity, but with a solid set of grooves to keep their humorous material from becoming too hokey, they set themselves above most of their peers through dogged hard rocking and consistent songwriting prowess. Highlights on Transnational Speedway League include the entire first side, most notably "A Shogun Named Marcus" and "Binge and Purge." The latter song makes good fun of the ultra-macho posturings most modern metal bands are guilty of, while retaining the light/heavy contrast that has become a part of the genre. Although the material wanes in quality during the last half, Transnational Speedway League is still one of the brighter debuts to emerge in the '90s. ~ Jeremy Ulrey
| | Clutch Impetus CD (1997)
Clutch
$9.39
Earache Records continued clearing their vaults of rarities by re-releasing Clutch's first EP, Passive Restraints, coupled with a track off of the Piledriver 12-inch and a demo of "Impetus." Despite the early recordings, none of these songs are lacking in either production or songwriting, which only serves to make the "Impetus" demo nearly the equal of the studio version...Diehard Clutch fans will want to add this to their collections... ~ Jeremy Ulrey
Earache Records continued clearing their vaults of rarities by re-releasing Clutch's first EP, Passive Restraints, coupled with a track off of the Piledriver 12-inch and a demo of "Impetus." Despite the early recordings, none of these songs are lacking in either production or songwriting, which only serves to make the "Impetus" demo nearly identical to the studio version and as such irrelevant. Diehard Clutch fans will want to add this to their collections, but others should probably steer away from this overpriced release. ~ Jeremy Ulrey
| | Clutch Pure Rock Fury CD (2001)
Clutch
$7.85
This is a Hyper CD which, besides containing regular audio tracks, provides a link to the artist's website with the help of a web browser.
Clutch: Neil Fallon (vocals, guitar, organ); Tim Sult (guitar); Dan Maines (bass); Jean-Paul Gaster (drums).
Additional personnel: Scott "Wino" Weinrich, Leslie West (guitar, background vocals); Joe Selby (guitar); Heartbeat (congas, background vocals); Dan Kevzwyck, Machine (background vocals).
Producers: Uncle Punchy, Machine, Jason Corsaro, Leslie West.
Engineers: Larry Packer, Ben Elliott, Shawn "Gus" Vitale.
Recorded at Uncle Punchy's, Silver Spring, Maryland and live at the 9:30 Club, Washington, D.C. in September, 2000.
This is a Hyper CD, which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser.
On Pure Rock Fury, Neil Fallon's narratives provide potent commentaries on popular culture, even as he distances Clutch from more explicitly political musicians by remaining cynical and critical, rather than committing to political action: "At times I'm even tempted to seek the advice of Dr. Laura, but I ignore her/So I take a deep breath and count to ten/Ain't gonna let it get under my skin." Fallon's lyrics remain deliberately vague regarding what precisely the problems are, and draw from myth, literature, and pop culture as they navigate psychedelic landscapes reminiscent, at times, of songs by Black Sabbath or Monster Magnet. Whether singing road songs such as "Sinkemlow" or the anthemic title track, Fallon emerges as the premier wordsmith of stoner rock on Pure Rock Fury. At the same time, unrelenting, driving grooves compel the listener effortlessly into Fallon's landscapes as deep, wide-open riffs swagger beneath wailing solos and pounding rhythms, again recalling the specter of Black Sabbath. Clutch's usual lineup is supplemented with number of cameos, including Scott Weinrich of Spirit Caravan. If Fallon's lyrics are obscure regarding the prob
| | Clutch Jam Room CD (2000)
Clutch
$10.69 
Prev.Only Available On Import.
Clutch: N. Fallon (vocals); Dan Maines (bass instrument); J.P. Gaster (drums); Tim Sult.
Personnel: Neil Fallon (vocals); Tim Sult (guitar); Delfeayo Marsalis (horns); Jean-Paul Gaster (drums).
Recording information: Uncle Punchy Studios, Silverspring, MD.
Photographer: Steve Truglio.
Sounding loose and more lively than their earlier major-label releases, Jam Room is Clutch at their down-home finest. Rarely will a band's sixth full-length disc manage to be this fresh and confident. From the opening moments of Jam Room's first crushing track, "Who Wants to Rock," these Maryland rockers send a clear message that the business at hand is getting down and having fun. There are a few dark exceptions to the good-time groove-mongering. Most notable among them is the alcoholic melodrama "Basket of Eggs" and the instrumental slugfest "Swamp Boot Upside Down." These moodier tracks generously allow listeners to catch some breath before getting slapped around by Clutch's open hand of stoner-influenced Southern rock. There's even a listenable drum solo leading into the bluesy romp "One Eye Dollar," which in itself is an accomplishment. Perhaps the greatest testimony to Clutch's commitment to wide open rock is that despite their straight-ahead, heavy-as-a-monster-truck leanings, the band is extremely hard to categorize. This is no small feat as there might be as many finely nuanced divisions of '90s alternative hard rock as there are practitioners. If fellow riff-centric Southerners Corrosion of Conformity joined forces with Ween, maybe then Clutch would have a single contemporary. Liberating and just plain fun, Jam Room neatly records Clutch's disdain for fashion and renegade spirit. ~ Vincent Jeffries
Sounding loose and more ...
| | Clutch Pitchfork & Lost Needles CD (2005)
Clutch
$10.69
Includes the complete PITCHFORK 7" EP (1991) and rare bonus tracks.
Clutch: Dan Maines (bass instrument); Jean-Paul Gaster (drums, percussion); Neil Fallon, Tim Sult.
Personnel: Neil Fallon (vocals, guitar, percussion); Mark Stanley, Tim Sult (guitar); Mick Schauer (electric piano, Clavinet, Wurlitzer organ).
Audio Mixers: J. Robbins; John Agnello.
Recording information: Uncle Punchy Studios (2005).
Pitchfork & Lost Needles includes Clutch's debut 7" in its four-song entirety and augments that with unreleased tracks and demo versions. As this set proves, the veteran quartet began as a band crouched between the Melvins, a viscous form of hardcore (think a slower, more economic Sick of It All), and the literate but still loud post-punk of Jawbox. "Wicker" is in blistering half-time, its layers of needling guitars and Neil Fallon's yawping proclamations ("Pacemaker! LIFE TAKER!") skinned to their barest, most powerful essence. "Arcadia" is three minutes of stocky thud, the sort of thing flannel-shirted bullies would blast from crappy boom boxes in the early '90s. The unreleased tracks are equally strong, from the low-slung grind of the perfectly named "Nero's Fiddle" to the relatively upbeat "Passive Restraints," a song tailor-made for pissing off parents or turfing lawns. "What Would a Wookie Do?" and "Bottoms Up, Socrates" date from the Robot Hive: Exodus sessions. As such they're more nuanced than Clutch's early work, but not by much. Fallon's vocals and lyrics take a higher position in the mix and an additional organ adds depth. But "Socrates" still finds a way to turn its breezy introduction into a righteous chorus anthem. The demos of "Bacchanal" and "Milk of Human Kindness" -- both songs dating from Transnational ...
| | David Bowie Heroes CD (1977) Enhanced CD
Clutch
$11.69
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Composer: David Bowie.
Lyricist: David Bowie.
Personnel: David Bowie (vocals, guitar, koto, saxophone, keyboards, background vocals); David Bowie (various instruments); Brian Eno (vocals, guitar, piano, chamberlin, keyboards, synthesizer); George Murray (electric bass, bass guitar); Tony Visconti (wind, background vocals); Antonia Maass (background vocals); Robert Fripp, Carlos Alomar (guitar); Dennis Davis (drums, percussion).
Audio Mixers: David Bowie; David Richards .
Recording information: Hansa By The Wall, Berlin, Germany.
Photographer: Sukita.
Repeating the formula of Low's half-vocal/half-instrumental structure, Heroes develops and strengthens the sonic innovations David Bowie and Brian Eno explored on their first collaboration. The vocal songs are fuller, boasting harder rhythms and deeper layers of sound. Much of the harder-edged sound of Heroes is due to Robert Fripp's guitar, which provides a muscular foundation for the electronics, especially on the relatively conventional rock songs. Similarly, the instrumentals on Heroes are more detailed, this time showing a more explicit debt to German synth pop and European experimental rock. Essentially, the difference between Low and Heroes lies in the details, but the record is equally challenging and groundbreaking. ~ Stephen Thomas Erlewine
The Germanic feel of this album is not surprising, as David Bowie recorded it in Berlin during his period of infatuation with the city. HEROES is a much more lively affair than LOW and has the benefit of a title track that remains one of Bowie's finest songs, in addition to excellent contributions from Robert Fripp ...
| | Joe Henderson In Pursuit Of Blackness/Black Is The Color CD (1999)
Clutch
$9.59
2 LPs on 1 CD: IN PURSUIT OF BLACKNESS/BLACK IS THE COLOR.
Includes liner notes by Orrin Keepnews, Mitchell Feldman and Joe Henderson.
Digitally remastered by Joe Tarantino (1998, Fantasy Studios, Berkeley, California).
IN PURSUIT OF BLACKNESS:
Personnel: Joe Henderson (tenor saxophone); Pete Yellen (alto saxophone, flute, bass clarinet); Woody Shaw (trumpet); Curtis Fuller (trombone); George Cables (electric piano); Stanley Clarke, Ron McClure (bass); Lenny White (drums); Tony Waters (congas).
Engineers: Elvin Campbell, Bernie Grundman.
Recorded at Decca Studios, New York, New York on May 12, 1971 and live at the Lighthouse Cafe, Hermosa Beach, California on September 25 & 26, 1970. Originally released on Milestone (9034).
BLACK IS THE COLOR:
Personnel: Joe Henderson (soprano & tenor saxophones, flute, alto flute, percussion); Jack DeJohnette (electric piano, drums); George Cables (electric piano); David Horowitz (synthesizer); Georg Wadenius (guitar); David Holland (acoustic bass); Ron Carter (electric bass); Ralph McDonald, Airto Moreira (congas, percussion).
Engineer: Elvin Campbell.
Recorded at Mercury Sound Studios, New York, New York in March and April 1972. Originally released on Milestone (9040).
Recording information: 09/24/1970-04/??/1972.
Unknown Contributor Roles: Dave Holland ; George Cables; George Wadenius; Jack DeJohnette; Airto Moreira; Lenny White; Ralph MacDonald; Ron Carter ; Ron McClure; Stanley Clarke ; Woody Shaw.
In 1999, Milestone released In Pursuit of Blackness/Black Is the Color, which contained two complete albums -- In Pursuit of Blackness (1971, originally released on Milestone) and Black Is the Color (1972, originally released on Milestone) -- by Joe Henderson on one compact disc. ~ Jason Birchmeier
This two-albums-on-one-CD set captures the tenor master at an interesting juncture, both in his own artistic development and jazz in general. The collection draws from three recording sessions, spanning 1970-72. Henderson's music honestly reflected what was happening with the different factions shaping jazz in that era: the avant garde, the blossoming of fusion and the influence of the post-bop mainstream. He also synthesizes an awareness of jazz's African roots and the growing use of electric and electronic instruments and overdubbing (which most of the mainstream jazz ...
| | Crimson Midwinter Random Chaos CD (1999)
Clutch
$15.79
| | Acid Jazz, Vol. 1 CD (1995) (Import) Import; United Kingdom
Clutch
$21.29
w. Funk Inc, Houston Person, Ivan ...
| | Elegy Labyrinth Of Dreams CD (1999)
Clutch
$10.59
Elegy: Eduard Hovinga (vocals); A. Van Brussel ...
| | Florindo Sassone Grandes Del Tango 46 CD (2007) (Import)
$15.75 | | Bachan Kaur Soul Songs CD (2008)
Clutch
$18.95
About the Album"Bachan Kaur's new CD "Soul Songs" can only be described as sent from heaven. Her voice sends you to a destination of peace, unconditional love & joy. The songs created a space for me to experience unity with infinite self and sent me into a state of deep gratitude. Her Cd helps me to remember my relationship to grace, divinity & devotion. It is truly a blessing and a gift that every spirit should hear." ~Sharon Tron/ Charanpal Kaur, Gibsons, British Columbia This album is a soul-filled blend of Gurmukhi Shabads (Devotional Sikh songs) English songs, and instrumentals. The melody and vibration of each song came to life while on her bicycle, walking in the forest or in meditation. She received so much joy and love from singing these sacred songs that she wanted to share them with the world. The songs were recorded with deep prayer and bliss in her bedroom. Each song is unique and provides the space for relaxation into the soul. The simplicity and rawness of the sound makes them all the more real, and increases their capacity to penetrate the heart. Musically her voice is supported by the Guitar as well as some tabla by a friend Harnarayan Singh and other electronic and organic sounds composed by the artist.The album is entirely self- produced and the cds are packaged in 100% post-consumer recycled cardboard with no jewel case (but still colorful and beautiful!)Soul Songs is the start of what Bachan plans to be a lifetime of sacred sound offerings. It is a great compilation to use for yoga classes, meditation or for listening anytime or place to merge with the sweetness of the soul. About the ArtistBachan Kaur's musical history began when she was a young girl and would sing songs and stories for hours on the toilet or spinning in the backyard. She stopped singing over time like most of us as we move into the stages beyond our uninhibited youth. With time though, by the grace of God, something re-opened when she was in her teenage years. The creative spirit of song began to move again and at the age of 16 she started to learn the guitar and write and record songs. Around 18 she discovered the sacred technology of Kundalini Yoga and a few years later the path of Sikh Dharma. This path was like the vessel that her soul had been longing for, to deliver the sound current that flows within. As a self- taught musician, the gift in Bachan's music is her simplicity, purity and devotion.Bachan Kaur has expressed deep gratitude for the chance to find the technology of sacred sound, "In my experience, sound which is the vibration of all creation, is the most powerful tool to bring together not only all aspects of ourselves, the heavens and the earth, but to bring together humanity beyond the illusion of being separate".Bachan Kaur currently lives in Roberts Creek, Canada, with her husband Rama Singh. They both teach Kundalini Yoga and lead chanting with all faiths. She is a visionary artist (www.huemanbeing.com) having just completed her degree of Fine Arts at the university of British Columbia. She loves to be creative in all areas of life and loves to serve through musical recordings, live chanting and devotional song. It is one of her dreams to be part of the development of an Amazing Aquarian Gospel Choir one day, bringing people together in the Spirit of Oneness and healing. She looks forward to having a family and is pursuing her interest in Waldorf education.
| | Mauro Grossi Colori CD (2008) (Import)
$20.99 |
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