| | Clutch CD Clutch Discography of CDs
 (3 Customer Reviews)
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Moving the guitars forward in the mix paid off in spades for Clutch, who continued with their familiar formula of mixing Led Zeppelin and Black Sabbath on their sophomore album. Without straying at all from its roots, the band adds a little more funk to its sound à la Primus, which makes for a more consistent set of songs than last time. Not to mention that the stars shine brighter than they did last time around: "Spacegrass" alone should have become an instant classic, but following minor rotation on hard rock stations, the song -- and the band with it -- was delegated a cult status, compared to the likes of contemporaries Coal Chamber and Korn. ~ Jeremy Ulrey
All songs written by Clutch.
Recorded at Uncle Punchy's Studio, Silver Spring, Maryland from December 1994 to January 1995.
Personnel: Tim Sult (guitar); Richard Morel (organ); Jean-Paul Gaster (drums, cymbals).
Audio Mixers: Jay A. Ryan ; Lawrence Packer; Michael Barbiero; Steve Thompson .
Recording information: Uncle Punchy's Studios, Silver Spring, MD (12/1994-01/1995).
Photographer: Dan Winters.
Unknown Contributor Roles: Rob Eberhardt; Neil Fallon.
Clutch: Neil Fallon (vocals), Tim Sult (guitar), Dan Maines (bass), Jean Paul Gaster (drums).
Clutch Music Review Average Rating: (5 out of 5 stars)  Clutch
What a great band. Clutch can do no wrong.
Submitted by Popetastic (New Haven)
Was This Review Helpful? Yes No Jesus on the dashboard
Clutch are one of the most consistant bands in rock, and this there first outing really set the standard! from the outset the albulms banging,Fallon is one of the best songwriters about and has intellegent and funny lyrics. if u havent bought any of clutchs great discography this is a great place to start!
Submitted by mrbaron168 (East London ENGLAND)
Was This Review Helpful? Yes No Sense o' humor counts
Every time I put this CD, it makes me laugh (SERIOUSLY). Clever, witty lyrics dominate but more like musicianship counts esp. Spacegrass. This album has more than just cult status. It rocks anyone's world :)
Submitted by skank992002 (Edmonton, Alberta, CANADA)
Was This Review Helpful? Yes No | Have you heard this album? |  |
Purchase Clutch CD To buy, Click on price to add to cart | Clutch Elephant Riders CD (1998) Enhanced CD
Clutch album
 $7.85  
THE ELEPHANT RIDERS is an Enhanced CD containing both a full audio program as well as multimedia computer files and free access to the internet.
Principally recorded at Electric Lady Studios and Manhattan Center Studios, New York, New York.
True to its title, THE ELEPHANT RIDERS by Maryland natives Clutch is a mighty behemoth of sound, maintaining a perfectly frightening level of pure testosterone throughout. The sheer machismo is given a disarming level of agility by acrobatic drummer Jean-Paul Gaster, who employs funky accents and daring meter switches to smarten up Clutch's Neanderthal assault. With guitars as sinewy as they are mighty, the beefy sound of Clutch recalls the thick lead work of early Kiss. However, any nostalgia is quickly dismissed by such modern touches as the wildly manipulated multi-track vocals "Ship Of Gold," the offbeat story telling and tempo shifts of "The Soapmakers," and the Chili Peppper-esque rap of "The Yeti," which catapult Clutch ahead of the retro-peddling masses and into the future of hard rock.
Clutch: Neil Fallon (vocals); Tim Sult (guitar); Dan Maines (bass); Jean-Paul Gaster (drums).
Personnel: Neil Fallon (vocals); Tim Sult (guitar); Jean-Paul Gaster (drums).
Audio Mixers: Jack Joseph Puig; Jason Corsaro.
Recording information: Electric Lady Studios, NY; Manhattan Center Studios, NY.
Photographer: Dan Winters.
Additional personnel: Delfeayo Marsalis (trombone).
Internet
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
| | Clutch Transnational Speedway League: Anthems, Anecdotes & Undeniable Truths CD (1993)
Clutch CD music
$7.35 
On the surface, it may sound as if Clutch is mining the same vein as contemporary metal artists like Korn and Corrosion of Conformity, but with a solid set of grooves to keep their humorous material from becoming too hokey, they set themselves above most of their peers through dogged hard rocking and consistent songwriting prowess. Highlights on Transnational Speedway League include the entire first side, most notably "A Shogun Named Marcus" and "Binge and Purge." The latter song makes good fun of the ultra-macho posturings most modern metal bands are guilty of, while retaining the light/heavy contrast that has become a part of the genre. Although the material wanes in quality during the last half, Transnational Speedway League is still one of the brighter debuts to emerge in the '90s. ~ Jeremy Ulrey
Recorded at Spa Studio, New York, April 1993; and Razor's Edge Studio, San Francisco, California, January 1993.
Engineers: Jonathan Burnside, Steven Haigler.
Clutch: Neil Fallon (vocals); Tim Sult (guitar); Dan Maines (bass); Jean Paul Gaster (drums).
Producers: Jonathan Burnside, Steven Haigler.
| | Clutch Impetus CD (1997)
Clutch music CDs
$9.39 
Earache Records continued clearing their vaults of rarities by re-releasing Clutch's first EP, Passive Restraints, coupled with a track off of the Piledriver 12-inch and a demo of "Impetus." Despite the early recordings, none of these songs are lacking in either production or songwriting, which only serves to make the "Impetus" demo ...
| | Clutch Pure Rock Fury CD (2001)
Clutch songs
$7.35
This is a Hyper CD which, besides containing regular audio tracks, provides a link to the artist's website with the help of a web browser.
This is a Hyper CD, which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser.
Clutch continue to consolidate their hard rock mixed with funk for their third full-length album, PURE ROCK FURY, this time co-opting former Mountain supremo Leslie West for both guitar and shared production duties. The Maryland quartet has a fine way with an acerbic, absurdist lyric, and at times, as in the Pink Floyd-quoting "Careful With That Mic," they score a direct hit; the aforementioned tune features a hilarious speed rap demolition of many of the acts currently featured on alternative rock radio.
The production highlights the band's unimpeachable musical skills, while avoiding the usual pitfalls of sonic bombast. Clutch's sound lurks midway between metal and R&B, and though this might make them sound like the Red Hot Chili Peppers, vocalist Neil Fallon's lyrics alone place the band light years away from the California combo. Fallon's lyrics make sense in a stream of consciousness kind of way--they're actually fun to listen to, recalling a time before bands like Clutch found it necessary to lace their songs with angst to put across their worldview.
Recorded at Uncle Punchy's, Silver Spring, Maryland and live at the 9:30 Club, Washington, D.C. in September, 2000.
Clutch: Neil Fallon (vocals, guitar, organ); Tim Sult (guitar); Dan Maines (bass); Jean-Paul Gaster (drums).
Producers: Uncle Punchy, Machine, Jason Corsaro, Leslie West.
Engineers: Larry Packer, Ben Elliott, Shawn "Gus" Vitale.
Additional ...
| | Clutch Jam Room CD (2000)
Clutch album
$11.39 
Sounding loose and more lively than their earlier major-label releases, Jam Room is Clutch at their down-home finest. Rarely will a band's sixth full-length disc manage to be this fresh and confident. From the opening moments of Jam Room's first crushing track, "Who Wants to Rock," these Maryland rockers send a clear message that the business at hand is getting down and having fun. There are a few dark exceptions to the good-time groove-mongering. Most notable among them is the alcoholic melodrama "Basket of Eggs" and the instrumental slugfest "Swamp Boot Upside Down." These moodier tracks generously allow listeners to catch some breath before getting slapped around by Clutch's open hand of stoner-influenced Southern rock. There's even a listenable drum solo leading into the bluesy romp "One Eye Dollar," which in itself is an accomplishment. Perhaps the greatest testimony to Clutch's commitment to wide open rock is that despite their straight-ahead, heavy-as-a-monster-truck leanings, the band is extremely hard to categorize. This is no small feat as there might be as many finely nuanced divisions of '90s alternative hard rock as there are practitioners. If fellow riff-centric Southerners Corrosion of Conformity joined forces with Ween, maybe then Clutch would have a single contemporary. Liberating and just plain fun, Jam Room neatly records Clutch's disdain for fashion and renegade spirit. ~ Vincent Jeffries
Sounding loose and more lively than their earlier major-label releases, Jam Room is Clutch at their down-home finest. Rarely will a band's sixth full-length disc manage to be this fresh and confident. From the opening moments of Jam Room's first crushing track, "Who Wants to Rock," these Maryland rockers send a clear message that the business at hand is getting down and having fun. There are a few dark exceptions to the good-time groove-mongering. ...
| | Clutch Pitchfork & Lost Needles CD (2005)
Clutch CD music
$10.69
Includes the complete PITCHFORK 7" EP (1991) and rare bonus tracks.
Pitchfork & Lost Needles includes Clutch's debut 7" in its four-song entirety and augments that with unreleased tracks and demo versions. As this set proves, the veteran quartet began as a band crouched between the Melvins, a viscous form of hardcore (think a slower, more economic Sick of It All), and the literate but still loud post-punk of Jawbox. "Wicker" is in blistering half-time, its layers of needling guitars and Neil Fallon's yawping proclamations ("Pacemaker! LIFE TAKER!") skinned to their barest, most powerful essence. "Arcadia" is three minutes of stocky thud, the sort of thing flannel-shirted bullies would blast from crappy boom boxes in the early '90s. The unreleased tracks are equally strong, from the low-slung grind of the perfectly named "Nero's Fiddle" to the relatively upbeat "Passive Restraints," a song tailor-made for pissing off parents or turfing lawns. "What Would a Wookie Do?" and "Bottoms Up, Socrates" date from the Robot Hive: Exodus sessions. As such they're more nuanced than Clutch's early work, but not by much. Fallon's vocals and lyrics take a higher position in the mix and an additional organ adds depth. But "Socrates" still finds a way to turn its breezy introduction into a righteous chorus anthem. The demos of "Bacchanal" and "Milk of Human Kindness" -- both songs dating from Transnational Speedway League -- aren't too different from their final versions besides being a bit more satisfyingly raw. Pitchfork & Lost Needles is a great pickup for both Clutch diehards and the uninitiated, since the populations of both groups are so large. Everyone can revel in it, then share the surgical thread when it's time for sewing ears back on. ~ Johnny Loftus
Clutch: Dan Maines (bass instrument); Jean-Paul ...
| | David Bowie Heroes CD (1977) Enhanced CD
Clutch music CDs
$10.55
The Germanic feel of this album is not surprising, as David Bowie recorded it in Berlin during his period of infatuation with the city. HEROES is a much more lively affair than LOW and has the benefit of a title track that remains one of Bowie's finest songs, in addition to excellent contributions from Robert Fripp and Brian Eno.
The thick, mysterious textures of "Beauty and the Beast" set the tone for the rest of the album. The Eno-influenced "Sense of Doubt" is the flip side to the majestic "Heroes"--dark and moody, as is "Neukoln". But, despite (or perhaps because of) the charged atmosphere of doom and gloom, this is a seminal Bowie album.
Composer: David Bowie.
Lyricist: David Bowie.
Personnel: David Bowie (vocals, guitar, koto, saxophone, keyboards, background vocals); David Bowie (various instruments); Brian Eno (vocals, guitar, piano, chamberlin, keyboards, synthesizer); George Murray (electric bass, bass guitar); Tony Visconti (wind, background vocals); Antonia Maass (background vocals); Robert Fripp, Carlos Alomar (guitar); Dennis Davis (drums, percussion).
Audio ...
| | Joe Henderson In Pursuit Of Blackness/Black Is The Color CD (1999)
Clutch songs
$9.79
Includes liner notes by Orrin Keepnews, Mitchell Feldman and Joe Henderson.
Digitally remastered by Joe Tarantino (1998, Fantasy Studios, Berkeley, California).
This two-albums-on-one-CD set captures the tenor master at an interesting juncture, both in his own artistic development and jazz in general. The collection draws from three recording sessions, spanning 1970-72. Henderson's music honestly reflected what was happening with the different factions shaping jazz in that era: the avant garde, the blossoming of fusion and the influence of the post-bop mainstream. He also synthesizes an awareness of jazz's African roots and the growing use of electric and electronic instruments and overdubbing (which most of the mainstream jazz audience of the time thought was heresy).
The music on this album ranges from straight-ahead standards ("Invitation," with fine playing from Shaw) and driving, quirky hard bop ("A Shade of Jade") to free-form space-exploring soundscapes ("Current Events"). The playing from all the participants is uniformly fine, especially Cables and Henderson, whose tenor style draws influence from Sonny Rollins, Stan Getz and John Coltrane, but maintains its own sound. Highly recommended to any serious, open-minded jazz fan.
Recorded at Decca Studios, New York, New York on May 12, 1971 and live at the Lighthouse Cafe, Hermosa Beach, California on September 25 & 26, 1970. Originally released on Milestone (9034).
Recorded at Mercury Sound Studios, New York, New York in March and April 1972. Originally released on Milestone (9040).
2 LPs on 1 CD: IN PURSUIT OF BLACKNESS/BLACK IS THE COLOR.
IN PURSUIT OF BLACKNESS:
Personnel: Joe Henderson (tenor saxophone); Pete Yellen (alto saxophone, flute, bass clarinet); Woody Shaw (trumpet); Curtis Fuller (trombone); George Cables (electric piano); Stanley Clarke, Ron McClure (bass); Lenny White (drums); Tony Waters (congas).
Engineers: Elvin Campbell, Bernie Grundman.
BLACK IS THE COLOR:
Personnel: Joe Henderson (soprano & tenor saxophones, flute, alto flute, percussion); Jack DeJohnette (electric piano, drums); George Cables (electric ...
| | Crimson Midwinter Random Chaos CD (1999)
Clutch album
$15.79
| | Acid Jazz, Vol. 1 CD (1995) (Import) Import; United Kingdom
Clutch CD music
$18.59
w. Funk Inc, Houston Person, Ivan "Boogaloo" ...
| | Elegy Labyrinth Of Dreams CD (1999)
Clutch music CDs
$10.59
Recorded in Germany, 1992.
Elegy: Eduard Hovinga (vocals); ...
| | Various Artists Metronomicon Metronomicon Compilation 2.0 CD (2007)
Clutch songs
$10.79
Our second compilation album, longer and with more guests than the previous one. Compiled into un-named "sections" it's a good start if you don't know whats going on inside Metronomicon Audio. All our artists are ...
| | Florindo Sassone Grandes Del Tango 46 CD (2007) (Import)
$15.95 | | Mauro Grossi Colori CD (2008) (Import)
$21.19 | | Eddie Joe Clark Take Me Home CD (2009)
Clutch album
$15.39
Born in upstate n.y in 1961. Raised on farmland. Raised on pure, heart felt country sang by artists such as (legends) Hank Williams,Hank Snow,Marty Robbins,Hank Thompson,Waylon,Willie,Don Williams just to name a few. After playing guitar for 2 weeks I ,joined a country band called (country 4 Plus) Stayed with them til I graduated high school. Then it was off to the UNITED STATES NAVY. While in the navy I played country music in every port of call. (HAWAII, PHILIPPINES, AUSTRALIA, AFRICA. Also in MEXICO. The military personal became great fans of (e. j Clark) EDDIE JOE CLARK ,s music. I also played country music in San Diego CA. ,and in Phoenix az. After the navy i moved back to upstate n. y and started a band called Gold Rush. WE played all over upstate n.y.After a year and a half i moved to Phoenix AZ. Where i reside today. I play 9 instruments ( guitar, pedal steel guitar, dobro,mandolin, bass guitar, synthesizer,elec. lead guitar,harmonica and drums. My first instrument was the harmonica.I used to play along to Charlie McCoy albums I am a very good musician and a heck of a singer and songwriter. I have had many songs recorded by other indie artists. I have over 200 songs that i have written and i write and sing from the heart. My new album titled (TAKE ME HOME) has 10 self penned songs and 2 co-written songs on it.Track 1 Amnesia Was written about a famous artist,s son that was in a auto accident and lost his memory.Track 2 I,ve never been in love like this before I wrote this song for my wife.The beach was by the hotel Del Coronado in (San Diego CA.) Track 3 TAKE ME HOME If you like the sound of the blues harp you will love this song.Track 4 The time has gone I wrote this song about my youngest son.We lost him in 2007Track 5 The big red bull the beginning of this track is the sound of hoof beats ,the devil is chasing a cowboy and the cowboy wins in the end thanks to faith in the lordTrack 6 I ain,t never going back A up tempo song about being cheated on .The keyboard is awesome in this song. Track 7 Wine and roses What a great song this turned out to be. I co-wrote this song with a good friend of mine by the name of Roy G. Ownbey he is a great song writer also. This song is about a ordinary guy who gets a beautiful girl and he didnt have to give her material items to do it. Thanks Roy for the co-write on this one.Track 8 Lonely man Dobro,mandolin and ,accoustic guitar lead this song to a great ballad that it is. I wrote this song about a man in hemet ca .He was putting flowers on a grave one day and when he left i wrote this song about him and his wife.Track 9 Do you wanna ride A fun,medium tempo song about a guy in love with a girl.He will do anything to win her heartTrack 10 Stillwater Memories A real place that exists in upstate n.y where i grew up .If you like songs about fishing and hunting i painted a picture for you with the words to this songTrack 11 It feels so good Cozy rainy nights in front of a fireplace with the one you love.What more could one ask for.Track 12 Goodbye driftin fever Another great song written with Roy G. Ownbey. This song is one of my personal favorites . All the songs on this album were recorded in my home recording studio and produced by myself .Also all the instruments were played by myself.This album was a long time coming and hopefully it will be around for a long time.Please give this album a listen.I,m sure you wont be disapointed.Thank you fans...... EDDIE JOE CLARK.
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