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Led Zeppelin - Immigrant Song DS Cover Art CD music music CDs songs album

Led Zeppelin Immigrant Song CD Single

 Led Zeppelin Discography of CDs
5 stars (2 Customer Reviews)

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 Our Price: $7.59  CD Single
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Led Zeppelin: John Paul Jones (bass guitar); Jimmy Page, John Bonham, Robert Plant.
Personnel: Robert Plant (vocals); Jimmy Page (guitar, electric guitar); John Bonham (drums).
Immigrant Song Music


Detailed Immigrant Song Music Information



Category Rock/Pop Albums, CD singles CDs, Hard Rock, Rock
Label Atlantic
Orig Year 1970
All Time Sales Rank   14272  
CD Universe Part number 1096701
Catalog number 2777
Discs 1
Release Date Jun 11, 1992
Studio/Live Studio
Mono/Stereo Stereo
Producer Jimmy Page
Personnel Jimmy Page - guitar
Jimmy Page - guitar
John Paul Jones - bass guitar
Robert Plant - vocals
John Bonham - drums
Robert Plant - vocals
Led Zeppelin Immigrant Song Songs


Led Zeppelin Immigrant Song Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Immigrant Song  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Hey Hey What Can I Do  

Immigrant Song Music Review


Customer Immigrant Song Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars "Hey Hey what can I do" ?
This was one of the few Led Zep songs that was never on an album. It's good to finally have it in my collection. T. Anderson Claremont, Ca.
Submitted by ACS1182 (Claremont, Ca. USA) Verified Buyer
Was This Review Helpful? Yes No

5 stars single with 2 songs
if you dont have the 4 cd box set of led zeppelin. get the unreleased track hey hey what can i do. it should have been released on led 3. it's an excellent song. both tracks have been digitally remastered.
Submitted by res7kpnx (elkhart, in) Verified Buyer
Was This Review Helpful? Yes No

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With 1973's Sabbath Bloody Sabbath, heavy metal godfathers Black Sabbath made a concerted effort to prove their remaining critics wrong by raising their creative stakes and dispensing unprecedented attention to the album's production standards, arrangements, and even the cover artwork. As a result, bold new efforts like the timeless title track, "A National Acrobat," and "Killing Yourself to Live" positively glistened with a newfound level of finesse and maturity, while remaining largely faithful, aesthetically speaking, to the band's signature compositional style. In fact, their sheer songwriting excellence may even have helped to ease the transition for suspicious older fans left yearning for the rough-hewn, brute strength ...

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