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Amos, Tori - Hey Jupiter CD Cover Art CD music music CDs songs album

Tori Amos Hey Jupiter CD

 Tori Amos Discography of CDs
5 stars (2 Customer Reviews)

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Like Tori Amos's 1992 EP CRUCIFY, 1996's five-track HEY JUPITER is made up of a remixed title track, plus other none-album selections. While the earlier EP primarily features covers, HEY JUPITER includes live material. The remixed version of "Hey Jupiter" contains different background music from the original (which is included on BOYS FOR PELE), while in-concert versions of "Sugar," "Honey," "Professional Widow," and a beautiful reading of "Somewhere Over the Rainbow" make HEY JUPITER a highly recommended purchase for Tori disciples everywhere.

Personnel: Tori Amos (vocals); Steve Caton (guitar); Justin Meldal-Johnsen (bass); Andy Ling (programming).

Hey Jupiter Music


Detailed Hey Jupiter Music Information



List Price $6.97 (You save $0.88)
Category Rock Albums, Pop CDs, Rock/Pop, Alternative
Label Atlantic
Orig Year 1996
All Time Sales Rank   14772  
CD Universe Part number 1097668
Catalog number 82955
Discs 1
Release Date Aug 20, 1996
Studio/Live Mixed
Mono/Stereo Stereo
Producer Tori Amos; Ian Stanley
Engineer Mark Hawley; Marcel Van Limbeek
Personnel Tori Amos - vocals
Justin Meldal-Johnsen - bass
Steve Caton - guitar
Andy Ling - programming
Additional Info Extended Play
Tori Amos Hey Jupiter Songs


Tori Amos Hey Jupiter Album Track Listing



Windows MediaRealAudio Media1.Hey Jupiter - (The Dakota Version)  $0.99
Windows MediaRealAudio Media2.Sugar  $0.99
Windows MediaRealAudio Media3.Honey$0.99
Windows MediaRealAudio Media4.Professional Widow - (Merry Widow Version)  $0.99
Windows MediaRealAudio Media5.Somewhere Over the Rainbow  $0.99

Hey Jupiter Music Review

Customer Reviews 



Average Rating: (5 out of 5 stars) 5 stars

5 stars As Good As It Gets
When I heard the original version of 'Hey Jupiter' I thought that it couldn't get any better, but I was proved wrong when I heard the Dakota Version. It's absolutely breathtaking. I don't think that there is a word great enough to describe it. The Dakota Version of Hey Jupiter is reason enough to buy this EP, but if you're looking for more than that you won't be disappointed by what else is offered here. She does great with the live tracks, and the way she speaks to the audience makes them that much more wonderful and adds an intimate, personal feeling. I felt like she was right there in the room with me. You'll also be blown away by the awesome live version of 'Professional Widow' and Tori made 'Somewhere Over The Rainbow' more beautiful than I thought it could be. This is truly a must-have!
Submitted by Brittany (Detroit, MI)
Was This Hey Jupiter Music Review Helpful? Yes No

5 stars quintessentially the best song ever
i have a very vast Tori collection comprised of all the albums and nearly all the singles that have ever been put out and by far "HEY JUPITER" is the very essence of what makes Tori Tori. The pain in the lyrics and the deep longing in her soul touches the very heart of me.As a male i found myself engulfed in my emotions through her powerful lyrics and felt new sensations that i had never had before. Truely a song that touches the very soul of human nature as it did tio mine.
Submitted by higgay (sudbury, ontario, canada)
Was This Hey Jupiter Music Review Helpful? Yes No

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While Ultravox's commercial success was virtually nonexistent in the U.S., their singles were strewn across the British charts throughout the early half of the '80s. ...
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Pianist and singer Patricia Barber's second album (and major-label debut) is a consistently interesting, but not always completely rewarding, array of original instrumentals, vocal standards, and surprise cover versions. The arrangement of "Summertime" that opens the program is eerie almost to the point of creepiness, and all the more effective for it: after a long instrumental prelude, Barber sings the lyrics ...
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Judging from the group shot on the back of Our Gangs Dark Oath, Aiden weren't always the eyeliner-heavy, gothed-out rockers with a penchant for morose lyrics and song titles that they'd become by their 2005 Victory debut. At one point in time, it seems they were just five normal punk rockers who happened to like horror movies. However, what they could become with the right budget, desire, and fashion consultant is certainly hinted at throughout the disc. Aiden offer up a competent, if not slightly generic, dose of post-hardcore with a dark punk edge that relies on a vocal assault that aligns surging singing bits with shrieking back vocals. But instead of coming off as straight-up classicist screamo, the habitually distraught guttural attacks manage to be forgettable enough that the group sounds more like the younger cousins of My Chemical Romance or AFI who just happened to be weaned in a screamo scene. Will Franco has a hardcore voice that at times resembles a much tougher, adolescent version of Davey Havok. Representative of the album, "I Set My Friends on Fire" is a perfect example of this marriage of images; an onslaught of abrasive growls drives the song into a whispering sample of a speaker that blends into Franco emotively singing on top of a reappearance of the growls. The middle part sounds so AFI, it's scary. This likeness continues into songs like "Life I Left Behind" and "Cold December," which both have that whole ...
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