| | Stevie Nicks Other Side Of The Mirror CD Stevie Nicks Discography of CDs
 (2 Customer Reviews)
Stevie Nicks' fourth solo album received more than its share of negative reviews from rock critics, who seemed to mistake her poetic and not always terribly discernible lyrics for pretentiousness. Although not as strong as Nicks' three previous solo dates, The Other Side of the Mirror is a decent album that has many more pluses than minuses. While there are a few less-than-memorable moments, some of the songs -- including "Long Way to Go," "Ghosts," and "Whole Lotta Trouble" -- are fairly strong. Nicks' more devoted followers will want this album, which should be purchased only if one already has Bella Donna, The Wild Heart, and Rock a Little. ~ Alex Henderson
Live Recording
Unknown Contributor Role: Mike Campbell .
Personnel: Stevie Nicks (vocals, tambourine, percussion); Rick Nowels (vocals, acoustic guitar, electric guitar, keyboards); Bruce Hornsby (vocals, piano); Sharon Celani, Lori Perry (vocals, background vocals); Richard Wachtel, Jamie West-Oram, Mike Campbell (guitar); Waddy Wachtel (acoustic guitar); Kenny G (saxophone, soprano saxophone); Gary Grant, Jerry Hey, Larry Williams , Marc Russo (brass, horns); Rupert Hine (keyboards, drums, percussion); Geoff Dugmore (keyboards, drums); Jerry Marotta (drums).
Recording information: Castle, Los Angeles, CA; Ground COntrol, Santa Monica, CA; Lionshare, Hollywood, CA; Smoketree Ranch, Los Angeles, CA.
Q - 3 Stars - Good Other Side Of The Mirror Music | Category | Rock Albums, Rock/Pop CDs | | Label | Modern | | Orig Year | 1989 | | All Time Sales Rank |  24580  | | CD Universe Part number | 1098333 | | Discs | 1 | | Release Date | May 23, 1989 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Rupert Hine | | Engineer | Stephen Taylor | | Recording Time | 56 minutes |
Stevie Nicks Other Side Of The Mirror Songs | 1. | Rooms on Fire |
| 2. | Long Way to Go |
| 3. | Two Kinds of Love |
| 4. | Ooh My Love |
| 5. | Ghosts |
| 6. | Whole Lotta Trouble |
| 7. | Fire Burning |
| 8. | Cry Wolf |
| 9. | Alice |
| 10. | Juliet |
| 11. | Doing the Best I Can (Escape from Berlin) |
| 12. | I Still Miss Someone (Blue Eyes) |
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Other Side Of The Mirror Music Review Buy Other Side Of The Mirror CD  | | Stevie Nicks
48 x 36 inch
Limited Edition on Canvas
Price: $994.99 |
Purchase Other Side Of The Mirror CD To buy, Click on price to add to cart | Michael Jackson Thriller CD (1982) Bonus Tracks; Remastered; Special Edition
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The finest example of perfect disco pop, and a record that should be prescribed to musical snobs and manic depressives. The album is a true ambassador of what pop music can be. Jackson whoops and dances through a suite of unforgettable melodies that should be danced to ...
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The British version of this release is titled KILLING MACHINE.
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Judas Priest's 1979 release, HELL BENT FOR LEATHER (titled KILLING MACHINE in Europe), continued the band's late '70s winning streak, which included such metal classics as SAD WINGS OF DESTINY, SIN AFTER SIN, and STAINED CLASS. Such deliciously heavy tracks as "Delivering the Goods," the ...
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PARANOID proved to be Black Sabbath's most focused, consistent, and successful record. Leaving behind the amorphous, extended jams of their debut for focused songs and a more structured sound, Black Sabbath virtually wrote the book on heavy metal with ...
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Flying Ship of Fantasy is the debut LP from Long Beach Shortbus, a band whose roots go back to the Long Beach Dub Allstars. (Three members from that defunct unit founded the Shortbus.) More than that, bassist Eric Wilson was one-third of hallowed Long Beach reggae/ska punks Sublime. On this album Long Beach Shortbus stay true to their SoCal garage-ska heritage, but the group also infuses the music with a shot of driving psychedelia and some overtly lovey-dovey (sometimes toothless) hippie lyrical fare. All of this means that Long Beach Shortbus aren't as immediately catchy and engaging as the late, lamented groups that spawned them. When it works, as it does on "Everyone Is Beautiful" -- which nicely laces rock guitar licks into classic ska bounce -- the result is highly appealing. But the title track, which features such ...
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